Organised crime membership might be an open secret, but there’s always a golden rule that dictates you can never reveal the true nature of this work to people beyond the circle.
So, when one Salford criminal decided to unabashedly wrap himself in the flag for gangland and parade it around his city with bravado, it made for quite the story.
Paul Massey – the man who came to be best-known by the swaggering moniker ‘Mr Big’ – was raised in the rough-and-tumble surroundings of Ordsall in the sixties; moving from rapscallion to crime kingpin during the dawn of Madchester.
His blood-splattered story – which culminated in his murder in 2015 – sounds like it was lifted from the pages of an airport paperback, and has proven a popular subject for crime media over the years. But the latest in a long line of investigations, a BBC podcast called Gangster, has ambitiously attempted to go further than the documentaries that have come before it.
The new series – whichlaunched on streaming platforms last week – offers unprecedented access to Salford gangland; serving as a compelling new addition to the ever-expanding library of content on one of the region’s most infamous crime lords.
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‘I know the stakes’ – Gangster charts the rise and fall of Salford crime kingpin Paul Massey / Image: BBC
Led by experienced investigative journalist Livvy Haydock (VICE, BBC), Gangster is chopped up into five chapters each dedicated to a moment in Massey’s life; covering his time as a tearaway on Salford’s streets, running security at The Hacienda, and his bid for local Mayor, right up to his final moments when he was gunned down on his own doorstep.
With each episode clocking in at less than 30 minutes, Gangster rips along at the kind of binge-worthy pace required to carry a true crime doc, and host Livvy – who has made a living out of interviewing dangerous figures on camera – said she relished the chance to pursue a podcast as it offered an opportunity to “explore things with much more depth.”
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“Doing a podcast…. we got to explore the logic behind the chaos,” she explains.
“And [learn] how this man was born out of this situation.”
Mentions of The Godfather and The Sopranos frequently pop up throughout the podcast, and Gangster does indeed share some similarities to these seminal pieces of crime media – not least the fact there’s so much character to unpack beyond the barbaric surface.
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But despite suffering a predictably bloody downfall like many of his peers, Massey’s legacy is more multifaceted than the title of the podcast suggests. It’s also very real – unlike Michael Corleone’s or Tony Soprano’s.
Mr Big said he “knew the stakes” of living a life of crime. But, fascinatingly, he also had another reputation outside of gangland – one that cast him as a community champion. Many in his local neighbourhood looked up to him, considering him something of a Robin Hood figure.
“He did become a little bit of role model,” one resident explains in the podcast.
“Y’know… you’re kind but you take no shit.”
Massey built a criminal empire and later ran for Mayor / Image: BBC
People remain at loggerheads as to whether Massey was a force for good or evil. But what remains undeniable is his influence – which seemingly continues today despite his death in 2015.
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Some believe Massey may be pulling strings from beyond the grave – an idea amplified by Mr Big’s appearance in the Gangster podcast (a previously unheard interview from the archives).
Creating the series came with challenges, and producers said that the criminals’ code of silence was a serious obstacle in opening doors into Massey’s past. Mr Big might be gone – but he left a world behind that’s still very much alive. One that’s fraught with danger for outsiders.
“It’s so hard to navigate [this world] and pull info out of these experiences and the people you meet without causing danger to yourself,” Livvy admits.
“It’s a very careful line you walk. But we’re always transparent with people. We say: ‘Let’s talk if you’re comfortable, if not we’ll leave it, that’s fine.’
“What you need to remember is this is someone else’s environment – it impacts their lives. So, making sure someone was comfortable with talking was essential to getting the stories.”
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Series producer Paul Grant also said it felt necessary to bring in people from the other side of the law for the podcast – including the Police Chief Constable in power whilst Mr Big ruled the roost on city estates – so they could “get a good perspective from all sides.”
But convincing the story’s main characters to appear on the pod was only half the battle. The other side of production involved finding a way to re-create the sensory atmosphere of the period – and doing it a convincing enough way to lure listeners right in amongst the action.
The thumping tunes that soundtracked The Hac during Massey’s heyday whirl around interviewees, with blaring sirens and grungy guitars circling criminal subjects like vultures.
“For me, it was [important] to get the vibe right,” Livvy explains.
“The production, the music. We wanted to immerse people in this world and give a 360-point of view.”
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Paul adds: “As well as the story itself and the narrative arch is this sense of time and place. It’s very much a Manchester music soundtrack. We tried to give it a northern feel.”
Massey’s influence led to him running many areas of Salford and beyond / Image: BBC
Massey was a larger-than-life figure who appeared to revel in the camera lens when all evidence suggested he should be palming it away with fury. He was one-of-a-kind in that way, and is described in Gangster as a “walking contradiction”. There may not be another like him.
Livvy states: “Massey is quite unique in that when you look at other big name criminals – The Krays, The Richardsons etc – they’re things of the past. [Massey’s] story stretches to 2015 and is still kind of going on now.
“He was almost the last of his kind before this new generation came up. ‘Massey’ is still a household name and people are on the opposite ends of the spectrum on their opinions on him.”
Paul adds: “Here’s a guy who was a criminal but also stood to be Mayor.
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“Whether you’ll see that in modern criminals… I’m not so sure.”
Whilst investigating how Massey exerted influence over his area, Gangster also analyses the impact that criminal enterprises have on local communities – including how residents respond to living under these regimes.
Whilst Massey was an anomaly and the product of a very particular era, Livvy believes the patterns that led to his rise through the ranks – and how he recruited members into his entourage – remain the same.
“The impact [Massey had] on Salford as an area – it taught me a lot about the young gang members I’m interviewing on the streets today. I think the stories are very similar.
“Massey’s story is unique with the rave scene and The Hacienda, that will never happen again. But I think the things behind ithow communities can be forgotten and then exploited… I see that happening all the time in the work I do.
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She pauses for a moment or two.
“We can learn an awful lot by looking at a story like this: Why communities are distanced from the authorities… and perhaps how we can get them back.”
Gangster is available to stream and download from BBC Sounds now.
Review | Some of the most fun you can have at a theatre – Jeff Goldblum and The Mildred Snitzer Orchestra
Danny Jones
On Wednesday night, we did something we hadn’t done in a long time: we went to a concert almost completely blind and walked in without having heard a single second – because how many times in life are you going to get the chance to say you’ve seen Jeff Goldblum music live in Manchester?
We can comfortably say it wasn’t just one of our favourite shows of the year so far, but it might be one of the best decisions we’ve made, maybe ever…
Honestly, there’s not even a whiff of exaggeration in that statement; within minutes of the headline date starting, a long, hard day suddenly melted away in the smooth, sultry, stylish and unapologetically silly atmosphere created by Jeff Goldblum and the truly wonderful Mildred Snitzer Orchestra.
For starters, we were pleasantly surprised to see ‘Bonnie Scotland’s very own Liverpool-based singer-songwriter, Brooke Combe, opening up for the man himself, whose soulful, 1960s, 70s and Motown influences made for a perfect fit to warm up the crowd.
With the North West favourite – who we recently caught once again at NBHD Weekender late last month – even getting a perhaps initially hesitant and very possibly more Theatre-leaning audience inside the Palace to relax with some fun vocal exercises and Scottish banter, we were off to the races.
But in truth, this show turned out to be so much more than we were expecting – and by that we don’t mean when Brooke joined him on stage for a spell and had him try his first Irn-Bru…
In our heads, we were kind of expecting to see Goldblum, 73, playing his beloved piano as other members of the jazz band got to enjoy a few moments centre-stage as those who sat watching admired their sheer technical ability.
Where we actually landed was somewhere between a live and just the right amount of chaotic stream-of-consciousness stand-up show, interlaced with a series of effortlessly charming and loose bits of crowdwork as if he were compèring, and, of course, the incredibly cool musical arrangements.
It may not have been entirely free-form (it’s clear that a lot of time, effort and tireless rehearsal go into this shindig), but it did have the feeling that things were unfolding organically as the night went on, the perfect example being specifically for Manchester, with each local reference getting a rousing reception.
His latest LP is going down a treat with the critics in the early reviews, too, and having now heard a few samples, we’re not surprised.
As Jeff said at the top of the show, the best bit about this music is watching these marvellous musicians effectively jamming and playing call and response, not only with each other but you down below – not to mention with the man himself vamping over the top and enjoying plenty of solos on the keys.
Aside from crowd-pleasing arrangements of contemporary and well-known tracks like ‘Lover’ by Taylor Swift and even his own bittersweet and oh-so-gentle take on ‘Over The Rainbow’, it felt not just like an intro to some cult favourites from within the genre, but a serviceable broad-strokes education at times.
Personally, we’ve always liked to think of ourselves as open to anything, sonically, albeit fairly limited when it comes to jazz, but we left feeling like we knew more about the mechanics and flow of a jazz gig than ever; we’re now eager to learn more and dive deeper into the syllabus curated by this superfan.
One very special mention also has to go to session singer Khailah Johnson, who recently shone in the & Juliet production on Broadway and is now currently on tour with Jeff on his Night Blooms run.
Believe us, she’s not merely performing ‘beside’ anyone; when you have a voice and presence that’s so big and has such range that you generate enough star-power for people to genuinely forget that a Hollywood actor is there right next to you, you KNOW you’re beyond talented. Simply spellbinding.
The whole crew had a lovely, laid-back quality that was just infectious. (Credit: Lucy Elson-Whittaker)
And then we have the A-lister himself, who clearly doesn’t only have the gift of the jab and a natural penchant for pageantry, but looks so at home up there that we would happily trade ever seeing him in a film again if it meant we could have the next few decades watching him be the live showman that he is.
For anyone who feared Jeff Goldblum’s music career might just be a famous bloke indulging himself in a side project and cashing in on fandom simply because he can, fret not: this man has as much passion, love and aptitude for jazz and this particular side of showbiz as any role we’ve seen him play, if not more.
Whether it be playing movie trivia games with those in the stalls, thanking fans he bumped into at his hotel, or inviting people there for a special occasion backstage, he ticked almost every box you could have asked for, from the cabaret vibes and Jurassic Park puns to simply playing his socks off.
The new album that gives its name to this current slate of live shows is much more than a play on words. Be it the soft and warm hues of the coloured spotlights, the off-the-cuff comedy interludes, or even the pure giggle-fits in the audience, the Palace Theatre was bursting with joy, life and vibrancy.
We sincerely hope Jeff Goldblum has grown as fond of the city as he claims, and that we get to watch him play a Manchester venue every year.
Lottery Winners help debut new hometown anthem ‘Song For Leigh’ at massive stadium gig
Danny Jones
Indie pop favourites Lottery Winners smashed their first-ever solo stadium show at Leigh Sports Village at the end of May, and they also helped debut a dedicated hometown anthem for the town.
One of several current stars coming from in and around the Wigan music scene, it’s been a big few years for the Greater Manchester band, and their biggest-ever headline show on Saturday was yet more proof of just how much they’ve achieved in their career thus far.
That being said, however, this lot will never, EVER forget where they’ve been and, most importantly, where they come from.
You’ll find no better example of that than their sold-out LSV gig, which saw multiple celebrations of their local area, than one particular moment…
Posting on social media in the aftermath of the landmark live performance for the four-piece, frontman Thom Rylance wrote: “Little old Leigh, I haven’t slept a wink. I’m not sure I ever will again. I’ve never felt such a powerful punch of love hit me like that before, and I’m not even sure what to do with it all.
“Thanks isn’t enough, but let’s start there. Thank you for carrying us all this way. Thank you for making us feel special. Thank you for making all of this feel proper. Thank you to the grown-ups who trusted us with such a mammoth thing. Absolutely stupid that you let us do that, but I hope we made you proud.
“The feeling I get from looking across and seeing my best mates on the planet literally living their dream, in full HD, makes me so happy I could burst into bubbles. And thank you to Leigh. Our home. Our people. Nobody does it better. Last night was proof that ordinary people can achieve extraordinary things.”
But as mentioned, perhaps the most wholesome part of the entire event was when they aired a brand-new tune created by Spirix Collective – a group of local musicians, dancers, and all-round creatives based in the heart of Leigh. Here’s what they’ve made:
What a lovely thing for everyone tied to this place.
Produced partly in an effort as part of the historic Lancashire county village’s bid to become the UK’s next first Town of Culture, it’s a track created on behalf not just of Leigh itself but to further help shine a light on the often criminally-overlooked borough of Wigan.
As for natives themselves, they signed off the milestone by adding in the caption: “Lottery Winners are massive. KOKO [Keep on keeping on].”
It’s fair to say that after seeing some of the scenes from over the weekend, we tend to agree.
Who was there on the night and, whether you were lucky enough to be or not, what do you make of the ‘Song For Leigh’ now you’ve heard it?