A new photography exhibition that captures life in Stockport during the 1970s has now opened at a local museum.
After a successful run at one of the town’s most prestigious restaurants, Where The Light Gets In, back in June 2021, the exhibition – which is titled The Stockport Collection, and features the work of local photographer Heidi Alexander – has now opened to the public at Stockport Museum, and it’s free for everyone to visit.
The Stockport Collection documents the social history of a particular time, place, and way of life.
The exhibition illustrates the human need for a sense of identity, and of belonging to a working community with a common purpose.
🚨 THIS FRIDAY @ STOCKPORT MUSEUM! 🚨
See Heidi Alexander's evocative images of Stockport Market in a new exhibition. Punters can see the market as it was in the 70s & reminisce about times gone by with objects from the museum collection.
All the images in the exhibition were taken by Heidi Alexander between 1976 and 1977 when she was an undergraduate student at Stirling University and spent a few weekends visiting a friend near Stockport Market.
Heidi said she was “charmed” by the atmosphere and the characters at the Market, and was inspired to shoot several rolls of film with the Leica M4 camera she inherited from her father.
Decades later, during the first COVID-19 lockdown of early 2020, Heidi rediscovered the long-lost images of a warm and lively community from those visits and started to post them on social media to immediate, enthusiastic, and often emotional reaction of the public.
The images resonated with people online, and proved to be particularly poignant in times of separation and isolation during lockdown.
“The Stockport Collection is an exhibition full of hidden gems which documents the rich history of our town centre,” said Councillor Grace Baynham – Cabinet Member for Highways, Parks and Leisure Services at Stockport Council.
“With the town centre currently undergoing a period of so much change, it’s fantastic to be able to look back to a snapshot of history captured so brilliantly by Heidi Alexander.
“A must-see for all residents, to get a sense of the atmosphere of Stockport town centre in the late 1970s.”
The Stockport Collection is now on display at the Stockport Museum, which is open Tuesdays to Saturdays from 10am-5pm, and on Sundays from 11am-4pm.
There will also be a book signing Heidi herself on Thursday 4 August from 6pm-7pm at Stockport Museum, with tickets now available for free and need to be booked in advance here.
New app launches taking music fans on an immersive AR tour around Manchester
Emily Sergeant
The history of Manchester’s globally-renowned music scene is now being celebrated through the launch of a unique new app.
Manchester Music Mooch is an app that takes you on an immersive journey of the city’s iconic musical heritage locations, all while giving emerging artists a platform to shine.
Made possible through The National Lottery Heritage Fund, thanks to money raised by National Lottery players, and by using the power of Augmented Reality (AR), the app takes music lovers on an interactive trail across five grassroots music destinations.
The app was created by MediaCity-based Dig Media and award-winning app developers, ArcadeXR, ahead of an expected 1.3 million music tourists arriving in Manchester this summer.
It was developed in collaboration with Manchester Digital Music Archive, Salford University, Toasted Productions, and the Royal Northern College of Music (RNCM), as well as with support by Visit Manchester and ABID.
Some of the famous grassroots music sites featured on the toor included like Tony Wilson Place, Band on the Wall, Fat City Records, and the Roadhouse.
Influential music spots in the Oxford Road Corridor like Manchester Academy, Royal Northern College of Music (RNCM), and the former BBC building, can also be explored on the tour, as well as influential clubs in the Gay Village.
Loads of well-known and upcoming musical names will be providing the narrative for the tour along the way, such as DJ Paulette, Rowetta, Luke Una, and even Middleton-born singer songwriter JP Cooper.
A new app has launched and it’s taking music fans on an immersive AR tour around Manchester / Credit: Supplied
The app’s launch comes as the city celebrates a sensational summer of live music, with a whole series of music-themed activities taking place across the city as part of Manchester City Council’s MCR Live ’25 campaign – including Wild In Art’s Music for the Senses art trail.
“Manchester’s music history is globally renowned, but the city often struggles to convey its story cohesively,” commented Simon Marsland, who is the founder of app creators, Dig Media.
“With Dig Media’s expertise in media production, archiving and technology, alongside extensive local and international music networks, we’re spearheading a resilient way of sharing Manchester’s musical legacy never done before.”
The Maccabees’ Orlando Weeks on Gavin and Stacey, Glastonbury and comeback tour
Thomas Melia
UK indie band The Maccabees announced their comeback tour earlier this year alongside a very impressive All Points East headline date.
Since rocking into the music scene in 2007, The Maccabees have a Mercury Prize nomination to their name as well as three UK top 40 singles and one chart-topping album ‘Marks To Prove It’.
Just last year, the band ingrained themselves into UK pop culture for eternity thanks to the inclusion of their single ‘Pelican’ in the finale of the much-loved TV classic Gavin and Stacey.
The Maccabees have been a staple in British culture and indie music alike, and it’s safe to say fans were overjoyed when the news of a comeback tour was announced.
The Maccabees are coming to O2 Victoria Warehouse in Manchester on 21 and 22 August.
After nearly a decade apart, the lads are ready to hit the road again with a string of UK tour dates, which are in preparation for their huge All Points East headline date at the end of August.
Lead vocalist for The Maccabees, Orlando Weeks, sat down with us to talk reuniting with fellow bandmates after almost a decade, as well as all things Glastonbury and the upcoming All Points East headline slot.
Orlando Weeks from The Maccabees | The Interview
The Maccabees have played Manchester almost 20 times since entering the music scene in 2007. What is it about our Manc crowds that keeps pulling you back?
Manchester has a musical heritage, which means there are enough venues that we can come back to so many times and people not be sick of us. The crowds are great, it’s always a good gig and always a good night out.
Having that kind of heritage and pride in your city makes it the kind of place [bands] want to come back to.
This will be the band’s first time playing O2 Victoria Warehouse, and after playing a variety of Manchester City centre music venues, how excited are you to be playing this one for the first time?
I’ve had friends that’ve played it, and everyone said that it’s a good gig. I have no doubt it’ll be good.
Due to incredible demand, you’ve had to add a second date after the first show sold out – what’s it like for you hearing news like this?
The original offer for us was to play All Points East, and so when we got that, it made up our minds to play these summer shows.
Getting to play once in Manchester will set us up [for this headline slot], and getting to play twice will set us up even better. I love being in Manchester anyway, so to have a little bit longer to have a wander and a drink is great.
What was it like getting back into the rehearsal process with the rest of the band after nearly 10 years of not performing or touring together?
It’s very odd how powerful muscle memory is. It’s crazy how quickly all of the songs, structures and playing came back to us.
When we used to play, I invented so many completely useless little triggers for me to help remember lyrics or a chorus that I’d get stuck on, and I still remember those foot taps and placements that bring it all back.
Felix [White] boasted before we even started rehearsing that he remembered everything off by heart, and he could go straight into a gig. To be fair to him, it’s amazing how much his brain has retained.
At your first show in nearly a decade at The Dome in London, you created artwork to raise funds for theMS (Multiple Sclerosis) Society. Will fans be able to buy your artwork and support this charity at both the Manchester dates?
There will be an MS charity stall as well as one for Doctors Without Borders. If you’re reading this or coming to either of the gigs and have anything that you can contribute to either of those charities, then we as a band would be extremely grateful.
This 2025 tour sees support from indie rock band, Sorry – how excited are you to head out on the road with this talented group?
The Maccabees have always been very lucky to travel around the world with other bands who are amazing, and Sorry are definitely part of that list.
You have a reason to get down early, because if you’re a fan of The Macs, you’ll be a fan of Sorry. I can guarantee that you’ll have a good time.
The Maccabees are taking part in some of the biggest events in the British music calendar[Glastonbury, All Points East]. How does it feel to have such immense support nearly 20 years into your career?
20 years in and 10 years off. There are a few people who aren’t in the band but have been such a big part of it, even through the 10 years that we weren’t really doing anything. They would say if you ever did wanna do something, there’ll be people there.
I just didn’t know that [The Macabees reunion] would be as popular as it has been. It’s very hard to explain or get your head around, really.
On the topic of Glasto, how surreal was it to be playing this major music festival for the third time?
I think we’ve been at least four times, maybe five times.
Headlining ‘The Park’ stage was special, and it was also the first time my son came and saw me on a stage singing. It was a great ‘take your son to Work Day’. We had Florence [Welch] coming out and singing with us, too.
I’ll remember all of The Maccabees’ Glastonbury experiences, but I think that’s the one I’ll hold onto for the longest.
Speaking of surreal moments, your song ‘Pelican’ featured in the finale of British favourite, Gavin and Stacey. How did this opportunity come about?
I think Matt might’ve texted me, but it was Christmas and I was swept up in all sorts of celebrations. We got a lot of messages after it aired because an insane number of people watch the show.
It’s all thanks to James Corden and Matt Horne, who have always been fans from early on. It was very flattering and very nice to be part of [Gavin and Stacey].
And finally, after playing Manchester so many times, are there any shops or special spots that you always make sure to visit when you’re in the city?
I remember when we were in Manchester last time for ‘The Farewell’ tour, I’d started running by then – and I loved the canals.
Usually, I defer to local friends and I’ll just let them take me to whichever pub or place they recommend – Wherever they go, I go.
The Maccabees are set to play two nights at O2 Victoria Warehouse in Manchester, and there are still tickets available for their second date HERE.