One of Manchester’s newest and most exciting festivals, Beyond The Music, is set to return for its second instalment later this year and the first raft of artists has just been announced.
BTM is a multi-venue live music festival and fundamentally global music conference that spotlights new up-and-coming artists, grassroots gig spaces, as well as key voices in the industry, with an at changing the face of the modern music landscape.
Having first launched in 2023, much of their flagship Manc music festival and conference still felt somewhat like a work in progress, but with the inaugural weekend now under the bag and plenty of time and experience to build upon, year two is looking promising already.
Announcing Aviva Studios as the main hub for this year’s festival, along with a number of beloved Northern Quarter venues this week, you can find the first wave of artists set to play Beyond The Music 2024 down below:
Taking place from 9-12 October, they have already confirmed 70 artists and 20 different stage partners (BBC Introducing, Clash and Unity Radio just to name a few) who will serve as ‘tastemakers’ alongside the multiple venues helping put on what is, without doubt, one of the UK’s most diverse live showcases.
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Set to platform over 200 artists when the full lineup is confirmed, this is one of the best ways for any budding musical talent based in and around Greater Manchester to try and find a platform, with plenty of out-of-towners sure to join too.
On the conference side of things, under the title, ‘Is It Time For The Music Industry’s Great Rest?’, the groundbreaking look at the inner workings of the music industry will centre around Aviva Studios as already mentioned, with new-look summits and talks programme available to all attendees.
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The hope is not just to make this an even bigger and better music festival than last year but to create a unique and global music forum to find solutions to the most pressing issues within the sector. They already made a decent start on it in 2023.
Commenting on its return, festival partners Clash said of the event, “There is hope and we felt it in Manchester… the beginning of something incredibly special”, and Hunger Magazine added, “It could be the spark that sets the scene alight. Manchester is already a centre of creativity, but the extra push could see it become the centre of the musical universe” – as if it wasn’t already.
To sweeten the deal even more, there’ll be a whole host of afterparties following the horde of gigs being held over the weekend and if you sign up for pre-sale, not only do you get a discount on your entry fee but you’ll also be entered into a prize draw, with drinks vouchers and upgrades up for grabs.
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Pre-sale for Beyond The Music 2024 is already live and tickets are now more affordable than ever before, with a standard Delegate Pass (including full festival access) priced at £170, a one-day festival ticket costing only £20 and a full weekend pass to enjoy all three days of music setting you back just £45.
Neil Young pulls out of ‘corporate controlled’ Glastonbury Festival
Danny Jones
Music icon Neil Young has pulled out of Glastonbury Festival 2025 after claiming it has lost its identity and is now under “corporate” control.
The 79-year-old singer-songwriter, widely considered one of the greatest and most influential to have ever lived, was due to play the festival as one of the legends named on this year’s lineup.
However, despite lots of excitement around the veteran being given the nod over others from what has largely been seen as a pop-leaning pool (at least according to the detractors) in recent years, Young has now decided to drop out of the festival.
Neil Young’s latest ‘NYA Times Contrarian’ post explains the decision to drop out of Glastonbury.Neil Young in 2023 Credit: Screenshot (via Neil Young website)/Per Ole Hagen (via Flickr)
“The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs”, it reads. “We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.”
For context, the BBC has been partnered with Glasto since way back in 1997 and Neil Young has already headlined the festival back in 2009, so this shouldn’t exactly come as a surprise.
“It seems Glastonbury is now under corporate control and is not the way I remember it being. Thanks for coming to us the last time!”, he continues. “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.”
The message concludes with him hoping to catch fans at other venues and a simple “LOVE Neil – Be well”, but the tenor of the somewhat abrupt update is that the ever-opinionated and long-celebrated protest song-writer clearly believes the BBC‘s influence over the festival has now grown too strong.
Known not only as ‘Shakey’ and the ‘Godfather of Grunge’ but as one of the pioneering anti-establishment figures of a generation, the Canadian was previously in the headlines for demanding Spotify remove his music after taking issue with Joe Rogan’s anti-vax messaging on his show.
All that to say, the solo artist co-founding member of supergroup, Buffalo Springfield, is no stranger to taking on big business and companies if he feels he has good reason. Meanwhile, Rod Stewart will be performing in the coveted ‘Legends’ headliner slot at teatime on Sunday, 29 June.
Neil Young and the Chrome Hearts are looking set for a European tour this summer but if he’s taking on corporations and concerts under umbrella control, it seems unlikely we’ll see him at too many festivals or the likes of Co-op Live.
The better question is: do you agree – has Glastonbury Festival become too corporate and sanitised, or do you think it still upholds the same core values it had when it first popped up on Worthy Farm in 1970?
Featured Images — Ross Belot (via Flickr)/The Manc Group
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Popular Manchester city centre club forced to close on New Year’s Eve due to flooding
Daisy Jackson
The heavy rain that hit Manchester on New Year’s Eve has caused flooding across the region, including the city centre.
One city centre venue had to close early on one of the biggest nights out of the year as water rushed into its basement.
In a statement shared today, Joshua Brooks shared that it had to close its New Year’s Eve party prematurely ‘to ensure everyone’s wellbeing’.
The popular city centre club had moved revellers upstairs to its clubhouse, rather than its basement, but ultimately feared the ‘unknowns regarding electrical safety’ and shut down early.
Luckily, party-goers were able to ring in the new year before the venue shut at around 2am.
Joshua Brooks shared: “Unfortunately, in the early hours of New Year’s Eve, we had to make the difficult decision to close the club prematurely due to unexpected flooding in our basement. The heavy rainfall in the Pennine mountains caused the River Medlock and several tributaries to overflow, impacting multiple venues along the riverbank, including ours.
“Our top priorities are always the safety of our ravers and the preservation of our equipment. As water levels continued to rise, we considered moving the party to the clubhouse upstairs. However, there were too many unknowns regarding electrical safety, so we ultimately decided to shut down the event around 2 AM, just under two hours before the end of the night, to ensure everyone’s well-being.
“We understand the inconvenience and disappointment this has caused you and sincerely apologise for disrupting your New Year’s Eve celebrations.
“Our warm-up DJs were absolutely smashing it, and Alan Fitzpatrick was playing great until the moment we had to close.
“While this type of incident is rare and hasn’t happened in years, there is always a risk due to our location. We want to assure you that we are taking this matter seriously and exploring all options to minimise the chances of this happening again.
“Thank you for your understanding and continued support.”
Luckily, Joshua Brooks hasn’t been left with any lasting damage to its main bar area, and is set to go ahead with its New Year’s Day party this evening.