Ahead of their upcoming tour next year, we got the chance to one-half of legendary DJing duo, Fabio and Grooverider, who’ll be coming to Manchester early next year.
‘The Godfathers of Drum and Bass’ were there at the very start of it all and have been able to see how the genre, along with offshoots like jungle, has evolved over the years — so it’s only right that they be the ones to deliver a real education to ravers and newcomers this January.
Bringing their ‘History of Jungle and Drum & Bass‘ to the Manchester Academy on Saturday, 13 January, 0161 is just one of three places that have been chosen for the limited run of shows and, as Fabio told us on the call, it because this city has a rich relationship with the genre and pioneering underground music in general.
So you’ve got the tour starting in the New Year and it’s a very limited run of shows — what can you tell us about what you’ve got in store?
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What we’ve got in store is the best of live drum and bass and something very unique. It’s a great show and honestly, even if I wasn’t involved in this I’d go along and definitely enjoy it.
It’s everything that we expected and with a project like this, it’s not something that’s not really been done before, especially not with an orchestra of this size, anyway.
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We want it to sound authentic and that’s what’s happened with the band; The [Outlook] Orchestra‘s amazing, the musicians are great and it’s a very entertaining two hours.
How have you found building this as a full production with the Orchestra and fine-tuning everyone’s performances on stage?
Well, over the course of our careers in general, it’s just got a lot tighter and we’ve all got a lot more confident. You’ve got to remember when this all started we’d never done anything like it before, you know — we’re DJs and we were on BBC Radio 1 for 14 years and then Kiss for seven.
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Public speaking is a completely different thing than speaking in front of a mic, so that was really daunting at first, I’ve got to say; the first one we did I was really nervous and we still get that sense of anticipation, but where it was a bit around the edge at the start, the audience didn’t know that and now I’d say it’s almost 100% the way we want it.
We’ve been doing it two years now and, yeah, it’s just a process of tweaking those fine margins and getting your timings right — when you’ve got 40 musicians, even if you’re a millisecond off it can kind of throw everything.
Sounds like you’ve really nailed it. The idea of a ‘History of Jungle and Drum & Bass’ — how far back are you going into the genre and how do you think it’s changed over the years?
So we go back to 1992. It’s crazy for us to think that was 31 years ago, but yeah, we’re going right back to the beginning and we literally break up the set into years: ’92-93, 94-96 and so on into the 2000s.
I think it has changed over time and you can certainly hear it when you compare the likes of the first track we do, Johnny L’s ‘Hurt You So’, which is kind of like jungle techno, to the modern-day stuff which gets on the radio now, it’s different. But that’s the great thing about both genres, they move on real quick.
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Say if you’re a drum and bass head now and took a year off and then came back, you’d be like, ‘What is this?’ but drum and bass is always like that, every single year.
It’s going through a great time at the moment, probably the best in three decades. It’s bigger now than I think that it’s ever been and I think it’s because it’s been accepted by the public get it; they understand it more and it’s less of a niche.
People have always known about house music but now people actually recognise the big names like Chase and Status, Pendulum and so on. It’s in a very healthy place and I know some of the real purists are a little bit p*ssed and feel it’s gone a bit commercial but the underground scene is still there and I don’t think that will ever die.
DJ Fabio (right), Grooverider and The Outlook Orchestra are set to school Manchester on jungle and all things drum and bass.
Yeah, and I suppose that’s what the beauty of events like these is you can play to both of those crowds. Do you find the audience has that mix?
Well, that’s why we’ve tried to get that fine balance between big tunes that your everyday, casual listener will recognise as well as keep some underground stuff in so the real ‘heads’ can come and dive into it.
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It’s been very deliberate and we’ve sat down to really think about how to strike that combination and it’s another thing that’s been done really well.
And, obviously, you guys are London kings but how big a role do you think Manchester has played in the scene and how it’s progressed?
Oh man, it’s always been really important. Going back to A Guy Called Gerald who was one of the first truly big English producers, when people listened to ‘Voodoo Ray‘, even the Americans thought was a guy from New York and he’s a bit of an unsung hero really.
He made some of the first jungle tunes as well, so we’ve always felt the influence and link with Manchester, especially over the last 10 to 15 years when it’s been really, really strong here.
You know, you’ve got DRS and, of course, had Marcus Intellect, God bless his soul, who always flew the flag for Manchester, you know what I’m saying? And, um, you know, there’s a really healthy, uh, seed in Manchester.
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Strategy, Dogger, Mindstate: a lot of those guys are very important to drum and Bass and a lot of them grew up knowing each other as well, which is cool. We’ve also got Jenna G in the show and not only is she from Manchester but she’s one of the real highlights of the show, she’s absolutely amazing.
Also, it’s really important that we put on a good show because the Manchester music crowd know their sh*t as well — you can’t really con them.
Absolutely, and in terms of artists right now, whether they’re from Manchester or elsewhere, who’s really exciting you at the minute?
I mean, the staple is obviouslyChase and Status who have helped get [the genre] some radio play to the point where there were four drum and bass tracks in the top 40 just last year. Absolutely insane.
Hedex and all those guys are also helping grow the underground scene but, honestly, there’s too many names to mention that lifting up others so we’re in a real good spot at the minute.
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Are there any favourite Manchester venues that come to mind?
Band on the Wall — I LOVE it in there and, of course, Warehouse Project which is basically flying the flag for drum and bass across Britain right now. WHP is possibly the hottest venue in the UK so, yeah, Manchester was always a no-brainer and we’re really looking forward to coming there.
Nice, and lastly, if you could describe the upcoming shows in three words what would they be?
It was a pleasure chatting with Fabio; both he and Grooverider are not just radio veterans but drum and bass royalty.
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From the glimpses we’ve caught of what the set looks and sounds like with the full might of The Outlook Orchestra behind them, this thing is going to be blockbuster.
There are still tickets left to see all three live at Manchester Academy on Saturday, 13 January HERE.
Featured Images — Supplied/@matthiggs (via Instagram)
Audio
Five Manchester artists we’ve been listening to this month | March 2025
Danny Jones
Oh, hello there. Did you think we’d forgotten to do our Manchester artists round-up for March? Don’t be daft, it was just a joke – a silly little April Fool’s joke.
This is, without a doubt, one of our favourite times of the month because we get to look back at our music habits in more bitesize pieces rather than feeling like we have to defend a whole year’s worth every time Spotify Wrapped rolls around.
If you don’t know the drill by now, for one, where have you been? Secondly, welcome to the listening party: it’s the period we set aside to spotlight the best up-and-coming, underrated and veteran musicians from Greater Manchester alike – so long as they’re good, we’re happy.
Let’s get into it then, yeah?
Manchester bands and artists we’ve been listening to this month
1. Lusaint
First up on our list for March is a very talented woman by the name of Lusaint – real name Lucy Hopkins, but trust us, this is a stage name set for stardom as far we’re concerned. Manc born and bred, she has the voice and vibe of an old soul with all the talent and style to go up against the biggest around today.
She started gaining followers through her stunning covers of everyone from Kings of Leon and Whitney Houston to Fleetwood Mac, Jason Mraz and many more. That being said, her pop-forward original solo material is hitting our ‘Sweet Tooth’ and then some, so we tried to keep it cool when we met her recently.
If you’re looking for where to start, her latest single ‘Neon Lights’ has an almost laid-back, neo-soul vibe; ‘Sober’ has a bit of Winehouse and Bailey Rae to it, but the best way to sum her up is soulful R’n’B with plenty of jazz and contralto moments sprinkled in there. The piano version of ‘Dark Horse’… Oof.
You’re damn right we’re putting them back amongst our Manc artists of the month list because not only have we’ve been listening to their new album non-stop but, in case you hadn’t heard, it’s just gone to number one – their second to date!
Leigh’s very own Lottery Winners need no introduction at this point: they’re becoming an increasingly big name in the indie, pop and Northern scene in general, but they also might just be up there with the hardest working bands going right now.
We could recommend tonnes of songs to kick off with but we’d like to give a big shout to ‘Superpower’, a real bit of genre whiplash that really works, ‘You Again’ with Jon McClure of Reverend and the Makers because it’s just a banger and ‘Turn Around’ because same and it has the cutest music video ever.
Now, this next one pains us slightly because Push Baby, as eclectic and interesting as they, are currently inactive as of 2022 following the release of their second full LP, Wow, That’s What I Call Push Baby!, which is brilliant subversion of modern mainstream music.
Made up of lead vocalist Jake Roche, the son of British household names, Coleen Nolan and Shane Richie, as well as multi-instrumentalist Charley Bagnall – both formerly of the boyband Rixton too – this alternative duo were pushing plenty of boundaries before they took a pause to pursue other projects.
Song wise, ‘WHAT YOU GONNA DO?’ is the closest thing to a new NSYNC track as you’ll find, ‘thenineteenseventyfive’ genuinely feels like it could fit on Notes On A Conditional Form if you just swapped out the vocals, and you simply have to start with the first song we ever heard from them: ‘thor’
You get a much different level of production on the studio version than this equally beautiful live recording. We hope they come back.
4. Tim Burgess
Our penultimate pick for this month is a Manc music legend whose music we’ve been exposed to most of our lives, but it pains us to confess were relative latecomers to his solo stuff. The Charlatans frontman had such a large body of work but we’ve finally cracked into properly for the first time.
It won’t surprise you whatsoever to learn the Salfordian icon’s own singer-songwriter records are just brilliant asd everything else he’s done in his career and we’ll feel daft to have waited this long to dive deep. There’s plenty to get through, put it that way.
Everyone’s heard ‘OH My Corazon’ (in fact, we’d wager you’ve heard even more Burgess than you realise), but we’d grown a particular soft spot for ‘Sure Enough – Eyedress Remix’, ‘White’ and ‘Empathy For The Devil’ where he voices go real Ian Brown-esque. We’ll keep digging and get back to you.
Yet more evidence that he deserves your attention and respect for what he’s done/doing for Manc music
5. Dirty Blonde
Last but certainly not least is another duo that unlike Push Baby aren’t just active but are absolutely rip-roaring through the infancy of their alt rock story already and have all ferocity of a pair of Manc music pioneers that are going to go far – Spill The Sound seem to think so too.
Modern girl rock that kicks you in the face with punchy riffs, catchy hooks, great vocals and plenty of confidence and all-round swagger that makes you think they’re made for this business. You could probably draw all manner of comparisons to contemporaries, but put simply they just sound sick.
There’s not absolute reams to get through yet as the two are ones for the future, but we’ve particular enjoyed ‘Rush’, ‘Run (When I Tell You)’ and you’d be a fool not to take a look at their new single ‘Adore Me’ which achieves exactly what the title says. Love ’em and we look forward to hearing more.
And we’re sorry to say that’s all she wrote for another month and we apologise to any of you die-hard readers for being a day late to it this time around, we promise we won’t make a habit of it.
In the meantime, you can always go back listen to our Manc music favourite from February to keep your playlists feeling refreshed – and all the other lists prior, come to think of it.
The funds will help improve the already incredible music scene in Manchester, benefitting staples likes Night and Day Café, Matt and Phred’s Jazz Club, SOUP and more.
All of the donations will be distributed across six independent music venues and will be used for various instruments, PA equipment, backline technology and other necessities depending on the requirements of each site.
Elbow have teamed up with Co-op Live in aid of supporting Manchester grassroots venues.Credit: Supplied
This initiative has been keeping Manchester’s Northern Quarter in the forefront of people’s minds when it comes to live music as well as the impressive Co-op Live.
Alongside providing vital resources for these local institutions, Elbow teaming up with Co-op Live also helps cement the North West as one of the main powerhouses in relation to live music.
The latest efforts from the largest indoor arena in Manchester fall in line with celebrating one year of bringing some of the best live music to the city, being officially open for 12 months in May.
Co-op Live have made a commitment to the people and the planet, promising to donate £1 million annually to the Co-op Foundation.
The stunning Co-op Live venue, Manchester’s largest indoor arena.Elbow performing at Co-op Live, marking history as the first act to grace the venue.Credit: Audio North/Supplied
Manchester’s latest live music venue also contributed significantly to selected charities, including Happy Doggo – chosen by Liam Gallagher and Eric Clapton’s addiction recovery centre, Crossroads.
As Elbow teams up with Co-op Live, even more money is making its way to necessary resources, this time in the likes of crucial live music establishments.
Elbow front-person Guy Garvey says: “Playing Co-op Live’s opening night will stay with us for a lifetime, not least because of how incredible the room sounded.”
“When the venue donated funds in our name to support the city we love, it made complete sense to carry that through to the Northern Quarter and to venues that have meant so much to my bandmates and I throughout our career.”
Guy Dunstan, Senior Vice President and General Manager, Co-op Live, adds: “In the past year, I have been proud to see Co-op Live become an integral part of such an incredible city.”
“Teaming up with Elbow to directly support the venues that first put Manchester on the map, and to share something so intrinsic to us as venues – proper sound – is something truly special.”
Danny Jones -
8th December 2023 
