A huge line-up of intimate charity shows from some of the world’s hottest artists has been announced, ahead of the BRIT Awards coming to Manchester.
BRITs Week 26 for War Child will see major artists playing their most intimate shows, taking over grassroots venues across the UK.
These exclusive shows are in aid of War Child, to help fund aid, education, and specialist mental health support for the rights of children whose lives have been affected by war.
Posters have been popping up all around Manchester announcing the upcoming shows, and now the full line-up has been released.
The BRITs Week 26 for War Child will see artists including Fatboy Slim, Myles Smith, and Josh Baker performing at intimate venues in cities such as Manchester, Nottingham, and Newcastle.
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Also joining the gig series this year are Lambrini Girls, Jacob Alon, kwn, Rossi., Jack Savoretti and Katherine Jenkins OBE.
The gig series, delivered by DHL, will be the biggest yet and offers fans a chance to see one-off performances from some of the most exciting names in music in smaller, iconic venues, with all proceeds going towards War Child’s vital work.
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Previous War Child gigs locally have included Manc music icons The 1975 performing at the 550-capacity Gorilla.
BRITs Week will take place around The BRIT Awards 2026 with Mastercard, taking place on Saturday 28 February at the Co-op Live – the first time in the awards’ 50-year-history that it’s left the capital city behind.
The very special opening night show on 12 February will see Grammy Award-winning Fatboy Slim performing at the Boiler Shop in Newcastle.
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And up here in Manchester, War Child has teamed up with The Warehouse Project to put on two nights at YES – one with Mixmag’s Year Defining DJ Josh Baker, and the other with DJ Mag’s One to Watch Rossi.
Further announcements are expected in the coming weeks.
Clare Sanders-Wright, Head of Live Music at War Child, said: “BRITs Week is back for its 13th year, and once again the lineup is nothing short of extraordinary. The atmosphere at these shows is always electric, with fans getting the rare opportunity to experience their favourite artists up close in some of the UK’s most beloved intimate venues.
“Right now, one in five children globally are living with the devastating impact of war. That’s more than 520 million children worldwide, facing violence no child should ever have to endure.
“I want to extend a huge thank you to the artists and their teams for giving their time, passion and talent to make these shows possible. Their support helps War Child continue our vital work to protect, educate and stand up for children caught in conflict, and to champion our message that No Child Should Be Part of War. Ever.”
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The full lineup for BRITs Week 26 for War Child is below
12 February – Fatboy Slim – Boiler Shop, Newcastle
16 February – Lambrini Girls – The Garage, London
24 February – Myles Smith – Rescue Rooms, Nottingham
25 February – Jack Savoretti and Katherine Jenkins OBE – Emerald Theatre, London
25 February – kwn – Patterns, Brighton
25 February – Josh Baker – YES, Manchester
26 February – Rossi. – YES, Manchester
27 February – Jacob Alon – Music Hall at Assembly Rooms, Edinburgh
Fans can sign up to the War Child pre-sale HERE, which closes at 3pm Wednesday 14 Jan. Pre-sale begins 10am on Thursday 15 January.
General sale then begins at 10am on Friday 16 January HERE.
There are also £10 prize draws to win tickets to all shows open HERE.
Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Daisy Jackson -
13th January 2026 
