A huge line-up of intimate charity shows from some of the world’s hottest artists has been announced, ahead of the BRIT Awards coming to Manchester.
BRITs Week 26 for War Child will see major artists playing their most intimate shows, taking over grassroots venues across the UK.
These exclusive shows are in aid of War Child, to help fund aid, education, and specialist mental health support for the rights of children whose lives have been affected by war.
Posters have been popping up all around Manchester announcing the upcoming shows, and now the full line-up has been released.
The BRITs Week 26 for War Child will see artists including Fatboy Slim, Myles Smith, and Josh Baker performing at intimate venues in cities such as Manchester, Nottingham, and Newcastle.
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Also joining the gig series this year are Lambrini Girls, Jacob Alon, kwn, Rossi., Jack Savoretti and Katherine Jenkins OBE.
The gig series, delivered by DHL, will be the biggest yet and offers fans a chance to see one-off performances from some of the most exciting names in music in smaller, iconic venues, with all proceeds going towards War Child’s vital work.
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Previous War Child gigs locally have included Manc music icons The 1975 performing at the 550-capacity Gorilla.
BRITs Week will take place around The BRIT Awards 2026 with Mastercard, taking place on Saturday 28 February at the Co-op Live – the first time in the awards’ 50-year-history that it’s left the capital city behind.
The very special opening night show on 12 February will see Grammy Award-winning Fatboy Slim performing at the Boiler Shop in Newcastle.
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And up here in Manchester, War Child has teamed up with The Warehouse Project to put on two nights at YES – one with Mixmag’s Year Defining DJ Josh Baker, and the other with DJ Mag’s One to Watch Rossi.
Further announcements are expected in the coming weeks.
Clare Sanders-Wright, Head of Live Music at War Child, said: “BRITs Week is back for its 13th year, and once again the lineup is nothing short of extraordinary. The atmosphere at these shows is always electric, with fans getting the rare opportunity to experience their favourite artists up close in some of the UK’s most beloved intimate venues.
“Right now, one in five children globally are living with the devastating impact of war. That’s more than 520 million children worldwide, facing violence no child should ever have to endure.
“I want to extend a huge thank you to the artists and their teams for giving their time, passion and talent to make these shows possible. Their support helps War Child continue our vital work to protect, educate and stand up for children caught in conflict, and to champion our message that No Child Should Be Part of War. Ever.”
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The full lineup for BRITs Week 26 for War Child is below
12 February – Fatboy Slim – Boiler Shop, Newcastle
16 February – Lambrini Girls – The Garage, London
24 February – Myles Smith – Rescue Rooms, Nottingham
25 February – Jack Savoretti and Katherine Jenkins OBE – Emerald Theatre, London
25 February – kwn – Patterns, Brighton
25 February – Josh Baker – YES, Manchester
26 February – Rossi. – YES, Manchester
27 February – Jacob Alon – Music Hall at Assembly Rooms, Edinburgh
Fans can sign up to the War Child pre-sale HERE, which closes at 3pm Wednesday 14 Jan. Pre-sale begins 10am on Thursday 15 January.
General sale then begins at 10am on Friday 16 January HERE.
There are also £10 prize draws to win tickets to all shows open HERE.
Grammy-winning hardcore band Turnstile perform ‘exceptional’ cover of a Stone Roses classic
Danny Jones
In a cover version we never knew we needed, multiple Grammy award-winning hardcore band Turnstile have taken social media timelines by storm with a cover of a true British rock classic by The Stone Roses.
Described as everything from “pretty damn brilliant” and “exceptional” by CLASH Magazine to “one of the best triplej covers ever”, it’s fair to say they smashed it with this one.
This one was always likely to go down well with us Mancs, but you never know how possessive people are going to be with iconic tunes treasured not just by regions but entire eras like this.
Without further ado, please enjoy Turnstile’s cover of ‘I Wanna Be Adored’ by The Stone Roses:
Lost track of how many times we’ve watched this now.
Truly excellent.
Not only did they manage to capture the ambient atmosphere of that legendary intro, but they managed to tow the thin paint-splattered line between simply trying to imitate the original and making it their own.
There’s something about frontman Brendan Yates’ vocals that suits this particular cover so very well right from the off.
We’re, of course, not saying that he sounds like Ian Brown in any way, but his range and top notes, in particular, seemed to fit almost perfectly.
Pair that with a contemporary rock band helping rejuvenate their particular guitar-driven genre, and those raw, driving D-beat-centric drums, and you’ve got a winning combo.
As you can see, the majority of the internet seems to agree with us…
.@TURNSTILEHC step into the @triplej studio to recover their take on The Stone Roses' debut album opener 'I Wanna Be Adored'.
The bulk of social media didn’t just hail the reimagining as one that did Brown, John Squire, Reni and the late, great Mani justice, but perhaps one of the greatest that the popular Australian radio station, YouTube channel and Spotify playlisters have seen in a long time.
In fact, in Audio North‘s humble opinion, we’d go so far as to say this is the best we’ve heard in the platform since their native Royel Otis’ delightful duo of The Cranberries and Sophie Ellis-Bextor covers.
Safe to say it’s been an incredible year for Turnstile, who mopped up all manner of accolades in 2025 and were even nominated for International Group at the BRITs here in Manchester this past weekend. They might not have won that one, but they get all the plaudits from us for their song selection alone.
What did you make of it? Better still, do you have a favourite triplej ‘Like a Version’? Actually, no – scrap that: is there a better cover of a Manc artist‘s track that you can think of?
Featured Images — triplej (screenshot via YouTube)/Silverstone Records
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Harry Styles One Night Only will be strictly phone-free – with thousands of real cameras handed out instead
Daisy Jackson
Harry Styles’ show in Manchester on Friday night will have a strict no-phones policy, it’s been confirmed.
Instead, the lucky few thousand of fans heading to his One Night Only gig will be handed proper disposable cameras to capture moments from the night.
Rumours of a phone ban had been swirling online for weeks after job adverts appeared for extra staff to help promote a phones-free event.
But the news has now been confirmed by the Co-op Live itself, following the announcement that Netflix would be filming the full Harry Styles show.
In a statement, the venue said it hopes fans will ‘take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience’.
Any use of cameras, smart glasses, smart watches, or other recording devices won’t be permitted in the venue on Friday night.
Fans will instead have to secure their phones inside recyclable bags, which will allow them to be used in normal ways for communications, but without the camera.
At the end of the night, your phone will be removed from the bag and the bag will be recycled.
Anyone caught using a digital recording device during the Harry Styles One Night Only phones-free show may be asked to leave the venue.
Instead of a sea of phones, Harry Styles will be asking fans to capture their memories from the night on disposable cameras, which will be included with every pair of tickets sold.
Harry Styles’ One Night Only gig in Manchester will be the subject of a Netflix documentary
The statement shared by Co-op Live says: “We are looking forward to seeing you on Friday 6th March to be part of a very special live performance – Harry Styles One Night in Manchester at Co-op Live! We’re pleased to announce Netflix will be filming the full show for everyone to enjoy and re-live again and again, it will be available globally from Sunday 8th March at 7pm GMT.
“We hope you will take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience.
“The use of cameras, smart glasses, smart watches and similar recording devices will not be permitted in the event space. Phones will be secured in a recyclable bag, kept on your person upon entry to the event, and will still be able to be used in a normal way including all communication functions but without the camera. All other recording devices will not be permitted in the building.
“At the end of the night your phone will be removed from the bag and the bag will be recycled. Please note that anyone using a digital recording device during the performance will be asked to stop and if they do not, they may be asked to leave.
“Each pair of tickets sold will receive a disposable camera on the night so you can still capture your own special moments and share them after the show.”
Daisy Jackson -
13th January 2026 
