Manchester Pride Festival has today revealed the final headliners for 2023’s star-studded LGBTQ+ celebration.
Taking place, as always, over the August bank holiday weekend, the charity has added big names to the existing line-up that includes Jake Shears, Pabllo Vittar, Gok Wan, Danny Beard, Natasha Bedingfield, Lisa Scott-Lee and Jodie Harsh.
Joining them at Manchester Pride Festival will be Alison Goldfrapp and Raven Mandella, plus celebrated drag artist and musician Conchita Wurst.
The celebrations will run across the Gay Village from Friday 25 until Monday 28 August, culminating as always in the candlelit vigil at Sackville Gardens.
Alison Goldfrapp is best-known for her vocals with electronic duo Goldfrapp, whose hits have included Strict Machine, Ooh La La, Ride A White Horse, and Rocket.
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She’ll be performing hot off the success of her debut solo album The Love Intention, and the single So Hard So Hot, on the Saturday of the Manchester Pride Festival.
Joining her on 26 August will be the ‘unapologetically Black and queer’ dancer, drag performer and DJ Raven Mandella, who will headline Black Pride MCR on the MancUnity Stage.
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Raven Mandella. Credit: Publicity pictureAlison Goldfrapp. Credit: Publicity pictureConchita Wurst. Credit: Publicity pictureNew acts have joined the Manchester Pride 2023 line-up
Mandella has performed on stages with Honey Dijon, Groove Armada, Kelly Rowland, and Nile Rodgers, and has become a crowd favourite through his flamboyant performances at Heaven in London, the Ministry of Sound, and Glitterbox.
Conchita Wurst, former Eurovision champion with the song ‘Rise Like A Phoenix’, will join Booking.com in the Manchester Pride Parade before taking to the Village Stage later that night.
Also known as Tom Neuwirth, Conchita became a figurehead of the queer community overnight after that iconic Eurovision win, and has released albums, hosted TV shows, and used his platform to support socio-political causes.
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The Saturday line-up also includes Black Peppa, Jodie Harsh and international drag icon Pabllo Vittar.
This year, a staggering 96% of Manchester Pride performers identify as queer, as the festival continues its dedication to fostering diversity, inclusivity, and community celebration.
🎉 SPECIAL GUESTS ANNOUNCED 🎉
Prepare to be amazed!! We couldn't be more thrilled to reveal our incredible special guests for the Gay Village Party 2023! ⚡️
Joining us this year are the legendary performers Alison Goldfrapp, Conchita Wurst, and Raven Mandella! 🌈
54% of performers are women, 51% being people of colour, more than 42% from trans and non-binary communities and 34% of performers being disabled or neurodivergent.
Mark Fletcher, CEO of Manchester Pride, said: “This year, more than ever, we are thrilled to be presenting such a diverse lineup that truly reflects the vibrancy and diversity of our communities.
“Alison Goldfrapp’s powerful performances, Raven Mandella’s unapologetically queer stage presence and Conchita’s inspiring music and message will undoubtedly make this year’s festival an unforgettable celebration.”
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Tickets for the Gay Village Party are available to purchase through Ticketmaster, and for each ticket sold, £2.50 will be donated to the Manchester Pride Community Fund, which directly supports LGBTQ+ causes and projects in Greater Manchester via grant distribution.
More information about Manchester Pride Festival 2023 and ticket purchasing can be found at www.manchesterpride.com.
The North West’s most infamous horror attraction Scare City is becoming an immersive theatre show
Emily Sergeant
One of the North West’s most infamous annual horror attractions is being turned into an immersive theatre show.
Scare City is the spine-chilling immersive horror experience that takes over the abandoned Camelot Theme Park even spooky season, becoming one of the region’s most-popular Halloween events along the way – with tens of thousands having visited over the last five years.
But this time, there’ll be no trails and no abandoned theme parks – just pure, live horror.
That’s because, this spring, the creators will drag audiences into a new kind of nightmare with the arrival of the Scare City Experience Live, bringing out of the Camelot grounds and into an ‘inescapable’ stage production.
Built from the twisted world of the original Scare City, the production will resurrect fan-favourite zones, characters, and signature scares, but ‘reimagine’ them for the stage with a relentless descent into fear, soaked in atmosphere and dread.
This time, there is no darkness to hide in, no escape route, no safe distance, and no way to look away as the nightmare unfolds in real-time and audiences watch the action play out inches away from their faces, with ‘disturbing’ imagery and a suffocating tension.
Scare City is returning as an immersive horror theatre show this spring / Credit: Supplied
Designed to push the boundaries of live horror, Scare City Experience Live will combine theatrical storytelling, live performers, sound, lighting, and ‘unsettling’ visuals to create an unforgettable and relentless experience with each performance playing the audience at the heart of the action, where the fear comes to them.
The production will offer both long-time Scare City fans and first-time visitors a new way to experience the brand’s dark universe.
Scare City Experience Live will be taking over the Liverpool Olympia between 22-25 May and 28-30 May 2026, and tickets are officially on sale now from £38 per person.
Featured Image – Jason Roberts Photography (Supplied)
What's On
Interview | Chatting with the Manchester-based visual artist for the 2026 BRIT Awards
Danny Jones
BRITs Week 2026 is well and truly underway, and with the annual awards ceremony set to finally land in Manchester this week – the debut being just one of at least two years of the event in our part of the country – the city is teeming with art, music, colour and so much energy.
One of those people responsible for all that buzz is locally-based visual artist, Alex Giles. He’s been commissioned by Universal Music to create bespoke artwork to appear across their events during BRITs Week, including their exclusive artist showcase, BRIT Awards after-party and the invitations.
From creating some of the first-ever digital adaptations of his work to preparing himself for seeing a glorious physical re-creation in the form of a VERY big sculpture.
With the partnered War Child charity gigs now well underway across the UK, and people already planning their days before arrival at the arena, we spoke to Alex about what has been nothing short of a whirlwind few months for him.
Straight off the bat, how did the sort of project come around?
So I was working on an installation project in Ibiza for a private client, and you know, there’s no sort of union for artists, so we have to sort of create our own contacts and our own bonds.
I feel very grateful to have a lovely network of people like that, mainly through Instagram. Anyway, I was chatting to someone that I’ve become good pals with, an artist called Matt Dosa, who actually did the artwork in a similar context a couple of years ago.
Essentially, they asked if I could put together a sort of deck of my work and some initial ideas, and then out of the blue, I got the call back saying, “Yeah, we’d love you to jump on board and produce something for us.” It all happened really quickly and unexpectedly.
What a rush that must have been!What’s it like be wrapped up in the BRITs buzz since?
Yeah, but that’s often the way with artistic opportunities: something comes from nowhere. The initial race was to get the design sorted, so that was where all of the focus went to start with – which is a fairly familiar world for me – but this week it’s got even more surreal.
You know, I can immerse myself in a task and think about just that alone, but now it’s got to this stage, I’ve got this continuous low-level kind of… Well, I don’t know whether it’s anxiety, excitement, or just a bit of butterflies, but there’s definitely something going on, haha.
One of the main things I’m really excited about is just seeing my work displayed in so many different ways that I wouldn’t normally do; I’m a two-dimensional artist, I make paintings, so seeing it come to life in 3D, graphic packages and in various digital formats is really exciting.
Yeah, so for those yet to see any of it, what exactly can you tell us about the project and how it’s going to take shape in different forms?
The idea was that Universal Music Group [UMG] wanted to ask an artist to create something that is their visual presence throughout Manchester for the BRITs.
So it needed to be something that was instantly recognisable, something that could be repeated, something with a bit of pattern to it so it can be scaled, but then also something instantly kind of recognisable, and the word that was used a lot at the very beginning was iconic.
It had to be quite clear; there was a lot of back and forth, and I think at first I was maybe complicating things or overthinking things, as you can imagine for something this big, but eventually we started to refine it, and we got something really nice out of it.
Probably the most exciting thing is that there’s going to be a huge eight-foot sculpture of it [the core design] being made to go in the foyer of the Kimpton Hotel. There are flags, there’s loads of printed graphics, you know, little details like beer coasters and menus – it’s just going to be everywhere.
Incredible, and obviously, you’ve lived in Manchester for a long time now, so how special does it feel to play a part in such a big moment for the city?
You know, I’ve been here for 17 years, and it’s a special place that’s deserving of it. I’ve worked in the creative industries for nearly two decades now, and we’re very proud of what we do up here.
I work in the film industry as well, and there’s always a bit of a groan amongst Manchester crew when, you know, a load of people come up from London to do a job instead of hiring Mancunians, but any myths about the North are always dispelled quite quickly.
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Yeah, no one can question our work ethic. What is it about Greater Manchester that inspires you?
I’ve been thinking about this a lot recently. Inspiration for me is like through osmosis: it’s a gradual thing, and it sort of steadily shapes who I am and my creative output.
I can’t just pinpoint any one specific thing about Manchester, but it’s a place that has had a profound effect on who I am, what I like, and what I like doing. I’ve enjoyed the fruits of Manchester to the full – probably a little bit too hard at times, hence these dark circles under my eyes!
Ha, glad to hear it. What about that ‘music being universal’ brief – how do you go about being referential in your work, or do you create it for yourself and just hope it connects with others?
That’s a really nice question, actually. So the audience always starts with me; I feel like if I’m producing something that I like, then hopefully others will also like it. It can be tricky at times NOT to try and second-guess what your audience might like. I think a lot of artists do that in all disciplines.
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But yeah, I have to be quite strict now, and make what feels right to me, because if I like it, then I can talk about it and present it with pride. I think with that, it will eventually find its own audience.
Love that – now, I know it’s a hard question, but if you had to sum the visual style of this work in just three words, what would they be?
Oh, come on, haha! Erm… OK, well I’m going start with that word that kicked it all off: iconic. I’m going to put the word ‘fruity’ in the middle – you know it’s bright and juicy – and I’m going to say the word accessible to finish it off.
Iconic, fruity, and accessible – I was never guessing that one, haha. As for the night itself, which famous faces are going to make you double-take?
Well, I know Pulp are up for an award, and so I’m from the era of, you know: being glued to the Brits and, you know, the whole Michael Jackson-Jarvis Cocker saga, etc. I think that’s a pretty iconic moment in British history, so I’d love Pulp to because I think Jarvis has always got something very interesting to say.
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For sure, and how do you think the spectacle of the BRIT Awards has changed over the years?
I think the shape of performance has changed a lot in the last decade. People really put on big shows, don’t they? Like it’s not it’s no longer just, you know, a backdrop with the band name on it, it’s pyrotechnics, dancers, massive visual effects, and so much more.
Last but not least, which of those big performances from that unreal lineup are you most looking forward to seeing?
I think, deservedly, up for an Achievement Award: Mark Ronson. I think that’s going to be great, and I’m looking forward to seeing Wolf Alice, too.
It’s not necessarily the kind of gig that I would go to, to be honest – I love electronic and a lot of older music a lot – but I’ve actually got tickets to see Mogwai on Friday as well, so it’s set up to be a very energetic weekend.
It was a pleasure chatting with Alex, and we definitely caught the extra tailwind of his enthusiasm, as if we weren’t buzzing enough already.
Like the man himself, a few members of our Audio North team will be at the 2026 BRIT Awards themselves, and we can’t wait to see all the glitz and glamour in the flesh.
Stay tuned to our socials over on Instagram, as well as our usual The Manc pages, to make sure you don’t miss a second of the coverage.
Happy BRITs Week, and for those of you going to Co-op Live on the night, soak it all in!
What a busy week we've got – board game festivals, new foodie openings… oh, and The @BRITs comes to our city this weekend for the first time ever too. 🎶🐝🏆
Daisy Jackson -
2nd August 2023 
