The Music Venue Trust has defended the live music industry after a recent study found that half of Brits felt they’d been ‘priced out’ of seeing live music.
The YouGov survey found that more than three-quarters of Britons (77%) think the price to see live music is expensive, with 44% saying it’s ‘very’ expensive.
But the MVT wants to raise awareness for how affordable live music can be, if fans are willing to let go of the likes of Harry Styles and Taylor Swift (who are, admittedly, very expensive artists to go and see).
The music venue charity described the research as ‘incredibly depressing’ and argued that live music is ‘literally the cheapest, easiest, most accessible cultural experience there is’.
The MVT pointed out that there are ‘brilliant, live affirming, incredible shows’ happening every day of the year with tickets for less than a tenner.
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It stressed that schools, communities and the media need to champion these smaller, grassroots music scenes as much as the gigs with the ‘flying pianos or cartwheeling robots’.
Blossoms at Night & Day. Credit: The Manc GroupBand on the Wall. Credit: Jody HartleyThe Pink Room at YES. Credit: Facebook, Yes ManchesterGrassroots music venues were used as an example of why music isn’t ‘too expensive’
The YouGov survey also found that most people think £40 or less is a fair price for a ticket – but 75% of the gig-going public have paid more than £50.
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It means that even those who are willing to cough up the increasingly high prices for live music are paying what they feel is over the odds.
The full open letter, signed by the Music Venue Trust’s CEO Mark Davyd, is below.
“In a new YouGov survey the UK public says less than £40 is a fair price for a live music ticket. The headline also says that people are being ‘priced out of attending’ live music events.
“There are literally hundreds of brilliant, live affirming, incredible shows happening every single day at local grassroots music venues. The average price of admission is £10.90 a ticket, but there’s almost certainly one near you this week for less than a tenner. They are performed by fantastically talented musicians, just as good as any you’ll see on a huge stage. There won’t be flying pianos or cartwheeling robots, but these days there will be great sound and lighting, delivered by professional technicians. Bar prices are affordable, the staff are welcoming, and the audience in them wants you there as part of the community. And no, Harry Styles isn’t playing, but you know who is? Somebody who deserves an audience just as much, who has written as many songs, is just as passionate about the music they are making, who has something to perform for you that you might fall in love with.
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“This survey says an incredibly depressing number of people didn’t attend a live music show in 2022. About a fifth of people apparently didn’t go because they thought they couldn’t afford it. So there’s something seriously wrong there, because it’s literally the cheapest, easiest, most accessible cultural experience there is.
“Let’s make sure every parent knows that. Let’s get every school teaching their pupils that. Let’s get out into our communities and make sure that every single person in them knows they have access to live music. Let’s ensure our local and national press are reflecting that. Let’s see the incredible music from these fantastic spaces on our TV, talked about on our radio, part of the national discussion of who we are and what we do.
“Let’s find the one third of the public who didn’t attend a show in 2022 and make sure they know what they are missing out on. 14% of people regularly attended a gig in 2022. Let’s double that. Let’s make 2023 the best year of live music ever.
“Let’s never leave anybody in the UK believing that this headline is true ever again.”
Featured image: The Manc Group
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Ticket requests are now officially open for Harry Styles’ one-night-only Manchester gig
Emily Sergeant
The time has come – the ticket request system for Harry Styles’ one-night-only gig in Manchester is now live.
In case you hadn’t heard, it was announced on Wednesday evening after much speculation that Harry Styles would be making a return home to Manchester for a one-night-only ‘intimate’ gig at Co-op Live to celebrate the release of his fourth studio album next month.
Styles is set to share Kiss All The Time. Disco, Occasionally with the world on Friday 6 March – and it’s that very same night he’ll be taking to the stage in Manchester.
Although little is known about what to expect at the gig, the poster for the event does state that there’ll be a ‘special performance of the album’, so it seems fair to say that Manchester will be the first to hear the new set of songs in full live.
And if all of that wasn’t exciting enough as it is, the tickets are only £20 per person.
But, of course, there is a bit of a catch, as this isn’t your regular online queuing up for tickets scenario, this is a ‘ticket request’ system instead.
So, like us – and literally every other fan in the vicinity of Greater Manchester and beyond this week – you’re probably wondering what a ‘ticket request’ system is… what does it look like? How does it work? Basically, what the heck is it? Well, we’ve done a bit of digging around to get to the bottom of it so you’re not left too much in the dark.
According to Ticketmaster’s website, if an artist is running a ticket request, they’ll invite fans to request tickets so you don’t have to compete in a first-come, first-served sale.
This means you can take your time to review the available options and request the right tickets for you.
All you need to do is tell Ticketmaster which shows you’re interested in, the type of ticket you want, and your payment details. Then, if the tickets you request can be fulfilled, your card will be charged and you’ll get emailed instructions to access them in the Ticketmaster App.
Unfortunately, as much as we’d love it to be the case for everyone, submitting a request doesn’t guarantee you tickets – it really is just luck of the draw.
To request tickets, you’ll need to follow these three simple steps:
Select which shows you’re interested in and the type of ticket you want
Add your payment details
Harry Styles ticket requests are now live / Credit: Johnny Dufort (Publicity Picture)
Ticketmaster will then send you a summary email that details the tickets you’ve requested. Your card won’t be charged at this time, but they may charge a temporary £1 authorisation to your card to validate your request.
A maximum of two tickets per person can be requested, which has been set to allow for as many fans as possible to get tickets.
Now, here’s the crucial part – you will need to submit your request for tickets while the window is open until Sunday 8 February at 11pm GMT. After the request window closes, you’ll get a second email by 11:59pm GMT on Tuesday 10 February confirming whether or not your request has been fulfilled.
All that’s left to do now is provide you with the link here and send you on your way… oh, and may the odds be ever in your favour.
Featured Image – Wikimedia Commons
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The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Daisy Jackson -
28th December 2022 
