The Music Venue Trust has defended the live music industry after a recent study found that half of Brits felt they’d been ‘priced out’ of seeing live music.
The YouGov survey found that more than three-quarters of Britons (77%) think the price to see live music is expensive, with 44% saying it’s ‘very’ expensive.
But the MVT wants to raise awareness for how affordable live music can be, if fans are willing to let go of the likes of Harry Styles and Taylor Swift (who are, admittedly, very expensive artists to go and see).
The music venue charity described the research as ‘incredibly depressing’ and argued that live music is ‘literally the cheapest, easiest, most accessible cultural experience there is’.
The MVT pointed out that there are ‘brilliant, live affirming, incredible shows’ happening every day of the year with tickets for less than a tenner.
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It stressed that schools, communities and the media need to champion these smaller, grassroots music scenes as much as the gigs with the ‘flying pianos or cartwheeling robots’.
Blossoms at Night & Day. Credit: The Manc GroupBand on the Wall. Credit: Jody HartleyThe Pink Room at YES. Credit: Facebook, Yes ManchesterGrassroots music venues were used as an example of why music isn’t ‘too expensive’
The YouGov survey also found that most people think £40 or less is a fair price for a ticket – but 75% of the gig-going public have paid more than £50.
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It means that even those who are willing to cough up the increasingly high prices for live music are paying what they feel is over the odds.
The full open letter, signed by the Music Venue Trust’s CEO Mark Davyd, is below.
“In a new YouGov survey the UK public says less than £40 is a fair price for a live music ticket. The headline also says that people are being ‘priced out of attending’ live music events.
“There are literally hundreds of brilliant, live affirming, incredible shows happening every single day at local grassroots music venues. The average price of admission is £10.90 a ticket, but there’s almost certainly one near you this week for less than a tenner. They are performed by fantastically talented musicians, just as good as any you’ll see on a huge stage. There won’t be flying pianos or cartwheeling robots, but these days there will be great sound and lighting, delivered by professional technicians. Bar prices are affordable, the staff are welcoming, and the audience in them wants you there as part of the community. And no, Harry Styles isn’t playing, but you know who is? Somebody who deserves an audience just as much, who has written as many songs, is just as passionate about the music they are making, who has something to perform for you that you might fall in love with.
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“This survey says an incredibly depressing number of people didn’t attend a live music show in 2022. About a fifth of people apparently didn’t go because they thought they couldn’t afford it. So there’s something seriously wrong there, because it’s literally the cheapest, easiest, most accessible cultural experience there is.
“Let’s make sure every parent knows that. Let’s get every school teaching their pupils that. Let’s get out into our communities and make sure that every single person in them knows they have access to live music. Let’s ensure our local and national press are reflecting that. Let’s see the incredible music from these fantastic spaces on our TV, talked about on our radio, part of the national discussion of who we are and what we do.
“Let’s find the one third of the public who didn’t attend a show in 2022 and make sure they know what they are missing out on. 14% of people regularly attended a gig in 2022. Let’s double that. Let’s make 2023 the best year of live music ever.
“Let’s never leave anybody in the UK believing that this headline is true ever again.”
Featured image: The Manc Group
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Daisy Jackson -
28th December 2022 
