It’s hard to believe it’s been a whole year since we last gave you a list of New Year’s Eve parties, but time marches on and it’s already time to ring in another new year.
As is usual with Manchester, there’ll be lively celebrations going on in all corners of the city, from the tiny club nights that go til dawn to the world-famous series drawing tens of thousands into one room.
Some of the city’s biggest parties – like The Warehouse Project’s New Year’s Eve club night at Depot Mayfield – have already sold out, but there are plenty more events to sink your teeth in to.
There’s loads going on in Manchester on 31 December, with tickets still available for a lot of the city’s biggest parties.
One of Manchester’s best-loved club nights will be taking over the newly-reborn New Century for an almighty New Year’s Eve party.
Homoelectric’s NYE party promises ‘an evening of cosmic grooves, street soul, slo mo dance, boogie, black heart disco, us garage, house, technoid outerspace sonic science and bass buggin’ rawness’.
ADVERTISEMENT
They say: “It seemed perfect timing to host a very special Homoelectric at this venue on New Years Eve and do something completely different from our normal dark basement back street affair.
“This our last Homoelectric party of the year. To say we are excited is an understatement.”
Famed for its all-in lavish parties, The Refuge won’t be holding back as it rings in 2023, promising to ‘turn up the heat a little’.
They’re promising to add a dash of tropical energy to Manchester, with afro-latin music, deep house and disco, explosions of colour and immersive performances.
Artists will include Hannah O’Gorman and Isaac Williams a.k.a. DJ collective, Nossa, and Levi Love.
Dine and Dance tickets are sold out but you can still get Let’s Dance tickets £30 here – including a glass of prosecco if you rock up before 9pm.
Dance into the Future at Ramona
Credit: Ramona
Fast becoming a fan favourite for a night out is Ramona and the Firehouse, located in an old MOT garage just of Swan Street.
ADVERTISEMENT
By day it’s pizza and margaritas, but by night, it’s glitterballs and catwalks.
31 December will be their ‘biggest party yet’ in the Ramona festival tipi, featuring live performances including Age of Glass, guest DJs and dance tents.
Tickets cost £27.50 and are available through See Tickets.
One of the city’s longest-running club nights is getting stuck in to all the New Year’s Eve action, right through to 4am on 1 January.
Funkademia has been running since 1995 and is heading back to its spiritual home Mint Lounge with disco and funk bangers all night long.
ADVERTISEMENT
From Michael Jackson to Aretha Franklin to James Brown to Chaka Khan to Stevie Wonder to Snoop Dogg to Prince to Diana Ross to Chic and Sister Sledge and everything in between, you’ll absolutely not want to leave that dance floor.
Tickets start at £6.60 if you’re quick – visit Skiddle for yours.
Disco Dancer at Bundobust Brewery
Bundobust Brewery. Credit: Supplied
Bundobust Brewery, easily one of Manchester’s coolest restaurants and bars, is keeping the doors open and the vibes going until 1am on New Year’s Eve.
Their Disco Dancer event – theme is Bundobust Brewery goes to Bollywood – will have entertainment, projections, and a party soundtrack from Andy Votel.
Starting the party will be Niamh McGuinness from Angel Meadows Soul Club, one of Manchester’s rising clubnight heroes. Expect rousing Northern Soul, Motown, and R&B selections 6-9pm before Andy takes over the decks.
ADVERTISEMENT
Tickets are just a tenner, which includes two drinks. Would be rude not to. Get yours here.
Keep It Unreal Nye: Mr. Scruff + Mc Kwasi at Band on the Wall
You know it’s going to be a good Manc knees-up when Mr Scruff is on the bill, and especially when that bill is taking place at the legendary Band on the Wall.
Alongside MC Kwasi, they’ll bring in the new year with a six-hour DJ session of jazz, soul, hip hop, funk, disco, deep house, reggae, afrobeat, latin, electro, techno, new wave and ‘plenty of goodies that don’t fit into any category’.
Band on the Wall stresses that all are welcome to party, ‘regardless of age, nationality, mobility, gender or sexuality’ – which is what we like to hear.
More 90s vibes now – because why not – as the beautiful Albert Hall is turned into a nostalgic dance party.
90s Baby will feature a wide range of the decade’s biggest live acts and DJs, from Alex Party (best known for her massive hit Don’t Give Me Your Life to Baby D (Let Me Be Your Fantasy).
ADVERTISEMENT
Rounding off the star-studded line-up is N-Trance, Phats & Small and K-Klass with some throwback DJ sets.
Final tickets, priced £28.00, are on sale now through Skiddle – and there’s a group discount of four tickets for the price of three if you round up some mates.
Hidden NYE at Hidden
UK Garage will be the order of the night at Hidden, one of Manchester’s most-loved clubbing venues.
Explore the four rooms, from the courtyard through to the graffiti-covered walkways that lead to the basement den, a Blue Room and Hangar Space, while you count down to midnight (and beyond).
Legendary DJ John Digweed will be rocking up at Joshua Brooks with his even more legendary club night Bedrock.
John has been a pioneer of electronic music for more than three decades thanks to his technical mixing style, while Joshua Brooks has cemented itself as one of Manchester’s post popular nighttime venues.
Featured image: Photography by Rob Jones (www.instagram.com/hirobjones)
Feature
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
Feature
Audio North’s Artist of the Month: Roukaya B | February 2026
Thomas Melia
The North is full of amazing artists, and we’re spotlighting one every single month – get ready for Roukaya B to bring the ‘Heat’.
Salford soulstress Roukaya B needs no introduction, but we’re giving her one anyway, as you might not be aware of her sheer musical power.
Self-proclaimed “soul enlightener” and ‘Manchester’s Queen of Soul’, this artist has been uploading music to streaming platforms since 2022.
Rou doesn’t conform to one genre; instead, she deliberately fuses them, blending R’n’B, soul, rap, afrobeats and even jazz to create some of the freshest sounds.
Now, Roukaya B sits down with Audio North after discovering her ‘Artist of the Month’ title to discuss exciting projects, personal stories and her artistry.
An interview with Roukaya – Audio North’s Artist of the Month
What has your journey in music looked like so far? My journey has been quite hectic, but in the best way. I’m a singer-songwriter and all-around creative, and I’ve learned a lot about myself and what my voice can do. I’ve developed my writing and ability to perform on stage, throwing myself into collaborations too.
I’m constantly evolving just like the music I’m putting out.
“Singer, writer, rapper, dancer, actress, drama queen, you can’t compete here” – We couldn’t put it any better ourselves.
Where did you grow up, and what music were you listening to? I was raised in Salford, and music for me was very different as I come from a multicultural background. My Dad is Algerian, my Mum is Jamaican-English; they met in the South and settled up North [great choice] to have a family.
I grew up on a lot of ‘raï’ music – a North African genre with really cool drum patterns, reggae and 90s hip hop. My Mum loved that soul tune, ‘I Believe in Miracles’ by Hot Chocolate, and my Dad absolutely loved M People, especially Heather Small; they made some iconic classic anthems.
I was raised on lots of different genres, and I think that’s showcased in my music today.
When did you realise singing was something you wanted to pursue? I’ve always known that I wanted to be a singer from a really young age. It’s what I said I’d do in primary school, it’s what I wanted to do in high school, and I did it in college.
Salford singer-songwriter Roukaya B claims our inaugural ‘Artist of the Month’ title (Credit: Audio North)
When I was growing up, it wasn’t accessible to the younger generation to see it as a viable career, so I was sort of teased and laughed at for it, so I never really dived into it. I could sing, and I studied music in high school, but I missed my opportunity on YouTube when it was fresh.
It was only after college that I decided to post covers to my Instagram, where people engaged, and it was cool for people to find and discover me. So I did college again as a music student, and the rest is history. All of this has become a part of my musical journey, and everything happens for a reason.
How did you come to this realisation? In short, the realisation was that I wasn’t focusing on my inner drive and trust me, it wasn’t just calling me, it was essentially shouting at me: ‘Hi, babes. Use your voice, whether it’s spoken, whether it’s singing, just use it. This is a healing tool and healing force.’
What is your ultimate dream as an artist?
I want to do a ‘Tiny Desk Concert’ or ‘COLORS’ show, and I’d love to make music with Sasha Keable – if you’re reading this, Rouyaka B wants to collab, haha!
Being true to myself and remaining authentic as I progress in my career is part of that dream. I don’t want to bang out a tune every single month; I want to make sure my work is always consistent. Being a genuine artist is my ultimate dream.
Are there any fellow up-and-coming artists you’re listening to?
Remée, or ‘That Remée Girl’, as she goes by on socials. She’s a Liverpool-based alt-grunge act and let me tell you… She. Is. COOL. There are some festival dates lined up, so if you get the chance, go see her.
This Manc creative champions the city wherever she can. (Credit: Liam Heeley)
What’s next for you in terms of your music career?
There’s a handful of live shows coming up, and they’re going to be very experimental. I also have a collection of work coming out in the future, which I can’t say too much about just yet.
There’s even a youth music project which I’m really, really, really excited about. So much is coming!
It was a pleasure chatting with Rou, and we have every faith that big things are coming for her in 2026 and beyond.