A celebration of horror movies in the form of a five day film festival is set to take place at HOME Manchester over the Halloween period.
HOME’s annual celebration of big-screen scares – known as FilmFear 2020: Scream Now, Think Later – returns for five film-filled days and a provocative programme that mixes thrills and chills, with plenty to think about.
For this year’s festival, HOME has partnered with Film4 to co-curate a line-up of modern genre classics that sink their teeth into politics, race, sexuality, social issues and more, with movie-goers told to “prepare yourself for the ‘Night of the Living Subtext’ [as] the real world can be unsettling at the best of times and, as FilmFear proves, horror cinema faces it all without flinching”.
As aptly-described by FilmFear 2020 co-curator David Cox, “even though what we’re experiencing [with the coronavirus (COVID-19) pandemic] may feel unprecedented, the horror genre has already seen it, done it and no doubt re-imagined it as either a city-devouring monster or an undead infestation.
“And somehow, these extreme representations of our worst fears and most unimaginable realities have the power to make us feel better – or at least distract us from the terror outside for 90 minutes.”
So, what films are making up the programme this year?
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Among the terrifying treats on show will be Wes Craven’s The People Under the Stairs – a savage slice of Reagan-era urban Gothic – and Philip Kaufman’s 1978 sci-fi thriller Invasion of the Body Snatchers, starring Donald Sutherland, Brooke Adams and Jeff Goldblum.
From Parasite Oscar-winner Bong Joon-ho comes The Host, which is an aquatic creature-feature that says as much about Korean society as it does about beasts from the deep. Staying under the earth, a murder on the London Underground alerts authorities to the possibility of some sort of creature living in the long dark tunnels in Death Line, which brings a whole new meaning to the phrase ‘mind the doors!’
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HOME Manchester
In lieu of the remake – which should have been in cinemas this month – HOME will present a restored version of early 1990s horror classic Candyman, in which the vengeful, hook- handed title character proves that some urban legends are actually true.
Karyn Kusama and Diablo Cody’s Jennifer’s Body makes a well-deserved return to the big screen. Starring Megan Fox and Amanda Seyfried, and critically disregarded on release, the film has been reappraised as a feminist cult classic in the wake of the Me Too movement.
This year, FilmFear 2020 extends to Thursday 5th November – Bonfire Night – for a special screening of Attack the Block, which is writer/director Joe Cornish’s social-themed sci- fi/monster movie that’s set on this very night.
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As a special Bonfire Night bonus, Cornish will take part in a live video Q&A too.
Crossing over with the ¡Viva! Spanish & Latin American Festival for only the second time, FilmFear 2020 also celebrates Spain’s horror maestro Chicho, who passed away in 2019.
Narciso Ibáñez Serrador is one of the most well-known, and best loved, names in Spanish film and television history. Forever linked to the horror genre, ‘Chicho’, as he was known to all, was responsible for the legendary TV series Historias para no dormir, which ran intermittently from 1966.
A double-bill of El asfalto and La residencia will be shown.
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FilmFear 2020 runs from Wednesday 28th October – Thursday 5th November.
The event is curated by Film4’s David Cox and Jason Wood – HOME’s Creative Director for Film and Culture – with tickets set to go on sale to the general public on Tuesday 6th October.
You can find more information and purchase your tickets to each film showing via the HOME Manchester website here.
What's On
‘Hefty’ Foo Fighters ticket prices for surprise Manchester gig divide opinion
Danny Jones
Foo Fighters fans, gig-goers and all-round music lovers in general have been left up in arms after the legendary American rock band announced some surprise shows in the UK and Ireland – including here in Manchester – as ticket prices have labelled ‘shameful’ by some.
In case you missed the news that sent us here in Manchester and all over the nation into bedlam, Foo Fighters recently revealed they would be playing just a handful of shows up and down the country, all at smaller venues than their usual arena tour dates.
Sharing the news fairly last-minute over the weekend, with tickets going on sale this past Sunday and (shock) selling out almost immediately, many have taken issue with the band’s and/or promoters’ approach to the event.
While lots have revelled in the excitement of a show scheduled for this week being dropped on our laps in the eleventh hour, lots of others feel the price point for the tickets is ‘ridiculous’.
Although they’re not quite on the level of the controversial Oasis/Harry Styles sagas, at £99 including all fees, they’re still up there with the most expensive gig tickets venues like these will ever charge.
Most poignantly, the tickets were sold strictly in person via the box office, with fans queuing up outside a trio of venues.
Taking place at the O2 Ritz, which has a capacity of roughly 1,500, the Foo Fighters’ Manchester date is not only one of the most in-demand gigs, but also promises to be one of their sweatiest – and, apparently, most divisive.
For some, this is a very cool bit of marketing and at least an attempt to curb online ticket touts, plus helping support live music spaces directly; on the other hand, the significant fee remains a sticking point they refuse to move past.
Responding in the comments underneath the post by the Ritz, one person wrote: “That ticket price is f****** disgusting. It’s not costing them f*** all to play there, if Harry Styles can play the Co-op Live for £20 then they should”; another simply added, “99 quid is wild, do better.”
Safe to say it has split opinions across the board.
i really want to know who is paying £100 to see foo fighters at o2 academy ritz and what they do for work to justify that
Big fan of the foo fighters but having only in person tickets and then still charging £100 is a joke. Then to move other bands earlier to slot them in isn’t fair
As you can see, it’s also affected other acts set to play these same rooms this month, too.
Others have also doubted whether the ‘face value exchange’ tactic really works all that much, as a few people on social media reported having already found a number of tickets being listed on resale on certain platforms.
What do you make of artists charging these kinds of prices for exclusive one-off shows like this, or the cost of gig tickets in general these days?
Better yet, did any of you succeed in grabbing tickets to see Foo Fighters at the Ritz here in Manchester this Friday, 27 February?
Featured Images — Audio North/Publicity picture (via Foo Fighters/O2 Ritz)
What's On
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Emily Sergeant -
5th October 2020 
