‘Tidal wave of redundancies’ coming for ‘forgotten’ Manchester music industry, claims Nightlife Adviser
Rishi Sunak's latest support scheme will replace furlough from November 1, but according to members of the Manchester music sector, these new measures do not protect employees.
The Chancellor has been accused of ‘turning his back’ on music and nightlife in Britain – with key figures in Manchester responding in dismay to his new winter economy package.
Speaking in the House of Commons on Thursday (24 September), Rishi Sunak said his latest package – which involves subsidising wages of staff working fewer hours than normal – aimed to prevent mass redundancies in a challenging economic climate.
The new support scheme will replace furlough from November 1, but according to members of the Manchester music sector, these new measures do not do enough to protect employees.
The Chancellor admitted he “could not save every job”, and the music industry is concerned they will continue to be hit hardest.
According to nightlife representatives, the music sector has been left “forgotten”.
While these new financial aid measures are helpful, they do not go far enough to keep many businesses viable, and I predict a tidal wave of redundancies across the UK night time economy as we enter the end of the year.
Sacha Lord, the Nighttime Economy Adviser for Greater Manchester, responded in detail to the Chancellor’s statement on Twitter, predicting that the lack of support would result in “a tidal wave of redundancies” nationwide.
“While these new financial aid measures are helpful, they do not go far enough to keep many businesses viable…” commented Lord.
“At the start of the crisis, the Chancellor assured us he would stick by all businesses, but today has turned his back on this commitment. Live Music Venues, Nightclubs, Musicians, Performers, Freelancers, Events. All forgotten.
“In hospitality alone, there are 900,000 workers still on furlough, and a further 1.3million people across the UK work within the nightclub industry. For many operators, it will be easier to remove these individuals from payrolls completely than go under.”
Wikimedia Commons
The Parklife and Warehouse Project founder added: “We need reassurance that the workers who will inevitably be out of work will be able to claim benefits easily and quickly, that they can apply for retraining schemes, grants and initiatives where possible, and that their mental health will be supported throughout this time.
“Those caught in the midst of local outbreaks, including the hospitality operators in Bolton who have been forced to close, will undoubtedly suffer and the local lockdown support packages will not be enough to maintain their survival.”
The government also announced a Bounce Back Loan Scheme (BBLS) as part of the winter package – which “enables smaller businesses to access finance more quickly during the coronavirus outbreak.”
However, this has also gone down like a lead balloon with local performers.
Hacienda legend Graeme Park called the government response “absolutely disgraceful”.
Speaking directly to the Chancellor, the DJ asked: “Why should I take out a ‘bounce back loan’ when my main source of income has completely disappeared? How do I pay it back when I receive zero financial support from the government and my sector remains closed?”
So, @RishiSunak why should I take out a “bounce back loan” when my main source of income has completely disappeared? How do I pay it back when I receive zero financial support from the government and my sector remains closed? Absolutely disgraceful. #ForgottenLtd#ExcludedUK
The Music Venue Trust has also denounced the government package, with CEO Mark Davyd claiming that “no part” of the sector is in a position to take advantage of the latest support.
“The new job support programme is built around the premise of returning to work, and employers returning to some level of income arising from that work to support those workers,” said Davyd.
“The government has made it clear that it does not believe that the time is right for the live music industry to return to work, and where limited events, under substantial restrictions, are permitted, the income generated is insufficient to meet any of the government targets for employer contributions.
“Bluntly, no part of the live music industry is in a position to pay 55% of its employees salaries in order to access the government support which is entirely conditional on doing that.”
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The story behind one of Noel Gallagher’s best bits of songwriting and greatest ever peformances
Danny Jones
Noel Gallagher is not only one of the greatest songwriters of a generation, but perhaps one of Britain’s best-ever; he’s certainly in the top five of all time from Greater Manchester, but did you know how the story behind how one of his best (you heard) songs, ‘Dead In The Water’ came to be?
Or rather, do you know how one little radio performance produced one of his best vocal performances to date? Keep reading…
In case you’ve never heard the haunting ‘Dead In The Water’, taken from Noel Gallagher’s High Flying Birds LP three, Who Built The Moon?, it is very much just that: an almost ghostly and preciously quiet, acoustic song that became a cult favourite on the LP and even more beloved live track.
But this tune was never even supposed to be on the album; the deep cut, which was only ever played live a few times during concerts prior to its being released to the world, was taken from a radio show on Irish station RTÉ 2FM – and Noel didn’t even know it was being recorded.
Played during 2015, and it barely even needed ‘mastering’ before being released in 2017.
As explained by RTÉ’s Damian Chennells, Noel was promoting the previous album, Chasing Yesterday (his sophomore HFB outing and just second solo album up to that point), and during the session in the studio, Damian decided to hit record on an otherwise behind-the-scenes moment.
You can actually hear him going back and forth with the sound engineer at the start of the track – one he’d only just finished writing the night before – before he actually starts playing and the rest, as they say, is history.
We love the notion of the piano player didn’t even know what he was doing until Noel started playing.
Taped and ultimately tracked thanks to a spur-of-the-moment decision made in 2FM Studio 8 at the national free-to-air network’s radio centre in Dublin, Oasis and High Flying Birds fans, as well as lovers of Noel and music in general, got one of the most beautiful stripped-back listening experiences imaginable.
Returning to Ireland some time later, and just four years prior to getting Oasis back together for the Live ’25 world tour show that is now well underway, he performed it once again for The Late Late Show, which goes out on RTÉ One and RTÉ Player.
Some might argue he sounds even better this time around, but just as he says in the interview above, there is something truly special and unfiltered about that first raw and ridiculously good live recording.
From 2015 to 2021, and even present day, the story behind the original ‘Dead in the Water’ recording is fascinating.
Many have even speculated that the chatter recorded at the start and played to crowds on just a handful of occasions may have even foreshadowed the eventual reunion, as it seems to feature discussion surrounding Liam
The radio tech himself said in the recent retrospective interview of his own, he felt in the moment that “this song is an Oasis B-side” and was the only one played on the day that could easily slip onto one of their records.
As for Who Built The Moon?, a.k.a. HFB3, the album never featured ever B-sides of its own; instead, it just had one extra bonus track right at the very end of the 48:46 run-time – ‘Dead in the Water (live at RTÉ 2FM Studios, Dublin)’.
So there you have it: one of Noel’s most emotional, in-the-zone/lost-in-the-moment vocal performances in history, and one that so many still rate right up there with his very bits of music, may never have been if it wasn’t for ‘Damo’. So thanks, mate, I guess…
Are there any other tracks like ‘Dead in the Water’ where you love the back-story almost as much as the song itself? Bonus points if they’re by Greater Manchester artists.
Ed Sheeran announces ‘intimate’ Manchester date later this year
Danny Jones
The king of contemporary male pop music, Ed Sheeran, is returning to Manchester for one of his biggest dates ever, as well as his venue debut.
Yep, Teddy’s coming to Co-op Live.
The 34-year-old solo star and songwriting extraordinaire hasn’t played a standalone Manchester show since 2023, when he played the legendary AO Arena barely a year on from playing four sold-out nights at the Etihad Stadium.
And now he’s back for more with his first-ever gig at the city’s newest and Europe’s biggest indoor entertainment space.
Confirmed on Wednesday, 3 September, Ed Sheeran is set to play just a small handful of huge headline spaces this winter, including dates in Paris, Munich, Coventry and Dublin, as well as here in Manchester.
Announced ahead of his new LP and eighth studio album, Play, of which we’ve already heard four new tracks: ‘Sapphire’, ‘Old Phone’, ‘A Little More’ and ‘Azizam’ – the latter of which went straight to number one and stayed there for five whole weeks after it dropped.
These upcoming shows will be an extra and rare chance to see Sheeran before his all-new ‘Loop’ stadium tour, which kicks off in Australia next January.
Revealing details about the limited number of EU dates via his own social media channels, Sheeran wrote: “Coming to play some shows in Europe. These shows will be more intimate than a stadium show, obvz, but still will be incredible.”
We don’t know how he plans to make a room as big as the Co-op Live arena ‘intimate’, but we’re looking forward to seeing what he has in store…
He went on to add that he loves “playing these venues so much”, urging fans to pre-order the new record if they want to get their hands on tickets ASAP.
Play releases on Friday, 12 September, and those who pre-order the album exclusively through Amazon.co.uk before 7pm BST this Sunday, 7 September, can put themselves in with a chance of securing pre-sale tickets.
Elsewhere, early access will also be available to official Co-op members next Wednesday (10/9/25) ahead of general admission going live on Thursday, 11 September.
You can get ready to grab your tickets for Ed Sheeran at Co-op Live on Sunday, 7 December HERE.
The Manc -
24th September 2020 
