‘Pills ‘n’ Thrills and Bellyaches’: the Happy Mondays album that captured Madchester celebrates its 30th anniversary
Pills 'n' Thrills, released 30 years ago today, is regarded as the perfect soundtrack to the Madchester zeitgeist - a record that bottled the sound of a scene spreading across the world.
If you could journey back to 5 November 1990 and warn all those people buying copies of Happy Mondays’ third album that nightclubs wouldn’t exist in thirty years’ time.
Just picture it.
You’d send their bucket hats tumbling to the ground as they keeled over with laughter.
November ’90 was a time when the age of Madchester was at its zenith. The closure of nightclubs wouldn’t just sound absurd. It would seem impossible.
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Back then, it felt like the party was never going to stop.
Pills ‘n’ Thrills and Bellyaches – released 30 years ago today – is considered to be the definitive soundtrack to the Madchester zeitgeist; a record that bottled the sound of a scene spreading out from within the hazard-coloured walls of the Hacienda.
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Over the course of ten hedonistic dance tracks, the Happy Mondays take listeners on a vivid tour of that sodden-shirted, wild-eyed nocturnal world… a place where all the worries of the preceding week were zapped away by ecstasy and strobe lights on a Saturday night.
Three decades down the line, clubbing and gigging have been reduced from weekend adventures to distant memories. Right now, they’re a non-entity – and we don’t know when we’re going to get them back.
So, Pills ‘n’ Thrills’ 30th birthday arrives at the perfect time.
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The record is the closest thing we have to a time portal into Madchester. And on a day where the country enters another lockdown, a window into another world has never been more welcome.
At the turn of the 90s, Happy Mondays had come to represent the twisted, giddy faces of the rave movement sweeping the nation.
Fronted by local rascal Shaun Ryder – alongside bassist brother Paul, iconic percussionist Bez, drummer Gary Whelan, guitarist Mark Day, keyboard player Paul Davis, and vocalist Rowetta – the group were an instrumental and noisy cog in the Factory Records music machine.
By November, the band already had two studio releases (including Squirrel and G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out) and Bummed) under their belts and had headlined Glastonbury.
The hype for their third studio release, Pills ‘n’ Thrills, was huge; arriving when the entire planet was gawping at a city where everyone seemed to be dancing – even the inmates at Strangeways Prison.
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This was the crest of a wave; the peak of the high; the crescendo before the drop… and Pills ‘n’ Thrills captured it perfectly.
By this point, The Mondays were in a mood to push some boundaries, crank the volume and bust out some of their biggest shapes.
They drafted in Paul Oakenfold as a collaborator for the record – after the DJ had added a clean, crisp jangle and thumping bassline to their track ‘Hallelujah’ (remixing it into a more famous and popular version than the original).
Oakenfold’s production helped to steer the Mondays into sparkly electronic territory that made Pills ‘n’ Thrills such a perfect partner for the clubs – coinciding seamlessly with the rise of drug-fuelled euphoria across the region.
It’s been re-released, polished, and expanded in the years since, but the original version of Pills ‘n’ Thrills was made up of just a handful of tracks – all buoyed by delirious piano, joyful guitar, breathy maracas, nasally vocals and the distant sound of chopped-and-screwed classics (John Kongos, Change and LaBelle are all sampled).
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Slurring atop of each song are Ryder’s impudent lyrics – which echo the kind of conversation you might find in someone intoxicated to the point where their social filter has fallen away.
His verses are an arresting mixture of bullying boasts (“I’m here to harass you, I want your pills and your grass you”), puppyish enthusiasm for partying (“now that we live together we both get fucked up”), obnoxious jibes (“son, I’m 30, I only went with your mother ’cause she’s dirty”), and unintelligible nonsense (“hey rainmaker, come away from that man”).
43 minutes of kaleidoscopic mayhem, Pills ‘n’ Thrills is packed wall-to-wall with smash hits that still enjoy airplay today – including ‘Kinky Afro’, ‘Step On’, and ‘Loose Fit’. But another reason the record is so beloved is because of what it represents.
For many, Pills ‘n’ Thrills is the sound of when they were young, free and single – with flat stomachs, full heads of hair, hopes and dreams.
But that never lasts. And in hindsight, the record’s abrupt conclusion hinted at the comedown on the horizon.
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The closer, ‘Harmony’, brings things to a fitting screeching halt – sound like an authority figure had raided the studio and literally yanked the plug from the socket.
Madchester fell into decline soon after that.
Two years following the release of Pills ‘n’ Thrills, the host of the party, Factory Records, went bust.
The critical and commercial failure of The Mondays’ fourth record, Yes Please! shouldered a large portion of the blame – with the band apparently spending most of the recording process taking drugs instead of making music.
Without its major label and flagship group, Madchester had no vessel for its vibe. Within a few years, the Hacienda was gone, too.
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Still, the sound of the city enjoying its biggest ever party in November 1990 will always remain within reach. All you need to do is hit play on Pills ‘n’ Thrills.
When nightclubs and live gigs eventually return, we’ll have a big historic moment and new anniversary to celebrate.
But for now, it’s forgivable to yearn for those Happy-er Mondays.
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Travis Scott announces massive Manchester gig at Co-op Live arena
Daisy Jackson
Travis Scott will be bringing his epic Utopia – Circus Maximus Tour to Manchester this summer, announcing a huge gig at the Co-op Live arena.
The rapper and producer today released details of 12 arena and stadium dates across Europe, including his biggest UK headline show to date at Tottenham Hotspur Stadium.
His 2023 album Utopia became the biggest hip-hop album of the last year, racking up more than 50 billion streams globally and spending four weeks at the top of the Billboard charts.
And now Travis Scott is heading to Manchester’s new Co-op Live as part of the European leg of the tour, which sold out across North America.
The Utopia – Circus Maximus tour will donate £1 (or one euro) from every ticket sold to the artist’s Cactus Jack Foundation, which helps young people in Houston with scholarship programmes, toys, and experiences.
The eight-time Grammy-nominated artist will play hits from his record-breaking Utopia, as well as his three previous studio albums – Rodeo, Birds in the Trap Sing McKnight, and Astroworld.
Travis Scott’s live show is promising to ‘transport fans into an unparalleled audiovisual experience’ when it kicks off in the Netherlands in June, before arriving in Manchester in July.
Tickets for his Manchester gig will go on sale on Friday 10 May at 10am local time through See Tickets here.
Travis Scott 2024 European tour dates in full
Friday 28 June – Netherlands, Arnhem – GelreDome
Tuesday 2 July – Poland, Krakow – TAURON Arena
Thursday 4 July – Switzerland, Zurich – Hallenstadion
Saturday 6 July – France, Nice – Allianz Riviera
Monday 9 July – Belgium, Antwerp – Sportpaleis
Thursday 11 July – UK, London – Tottenham Hotspur Stadium
Saturday 13 July – UK, Manchester – Co-op Live
Tuesday 16 July – Germany, Hamburg – Barclays Arena
Thursday 18 July – Czech Republic, Prague – O2 Arena
Saturday 20 July – Germany, Cologne – RheinEnergieSTADION
Tuesday 23 July – Italy, Milan – Ippodromo SNAI La Maura
Saturday 27 July – Germany, Frankfurt – Deutsche Bank Park
Take That at AO Arena, Manchester – seating plan, stage times and more after gigs shift from Co-op Live arena
Daisy Jackson
There aren’t many bands who can sell out SEVEN arena shows in Manchester – but Take That is clearly one of them.
Gary Barlow, Mark Owen and Howard Donald were set to perform a staggering run of shows across May and June at the Co-op Live – but we all know what happened there.
Their first five gigs have now been moved to the AO Arena instead, and will officially kick off on Tuesday 7 May.
It’s a huge homecoming gig for the trio, who’ll be performing hits from their whopping nine studio albums.
Ever since their comeback in 2006 they’ve become one of the biggest and best-selling pop groups on the planet, with almost every album topping the charts and reaching Platinum status.
But change of venue for Take That has meant thousands of tickets have been reallocated, and there is a date change in the mix too.
If you’re one of the lucky ones to bag tickets for Take That’s This Life On Tour tour in Manchester, we’ve rounded up everything you need to know.
What dates are Take That performing in Manchester?
At AO Arena
Tuesday 7 May
Thursday 9 May (rescheduled from Wednesday 8 May)
Friday 10 May
Saturday 11 May
Sunday 12 May
At Co-op Live
Tuesday 11 June
Wednesday 12 June
How to get your new tickets after venue change from Co-op Live
If you had tickets for the group’s original planned shows at the new Co-op Live arena, you’re probably wondering how the venue change will work.
Any tickets that were purchased through Ticketmaster will automatically change in your account in the next few days (if they haven’t already).
If you have any queries about your ticket, contact your point of purchase.
What if your new seats for Take That are worse than your original booking?
Take That will bring their huge 2024 tour to Manchester this week. Credit: Publicity picture
Ooh yeah, this has been a bit of a sore subject for Take That fans, some of whom have found themselves in much worse seats than they initially paid for.
That’s down to the different layouts of the two arenas, and the fact that the AO Arena is slightly smaller than Co-op Live.
The AO Arena has asked ticketing providers to reallocate seats as fairly as possible, keeping seats as close to the original booking as they can.
The arena said in a statement to one disgruntled fan: “We appreciate your frustration and advise you contact your provider to discuss further.”
On their FAQ page, it states: “The transfer process takes into account the position of previous tickets, and the number of tickets in the individual booking.
:However, each venue is different in their block row and seat configuration, which will undoubtedly mean that some fans won’t get exactly what they had for the original show.”
If you’re one of the affected people who’s not happy with your new seat, you need to contact your ticket provider directly for help and advice.
What to do if you can’t make the rescheduled date
Most of the Take That shows have remained on their original dates, simply switching from Co-op Live arena to the AO Arena.
But the show originally scheduled for Wednesday 8 May has unfortunately had to be rearranged to Thursday 9 May.
If the new date doesn’t work for you, refunds are available from your point of purchase.
Seating plan at the AO Arena for Take That’s Manchester gigs
The exact venue layout for Take That at the AO Arena hasn’t actually been released by Ticketmaster at the time of writing.
But after decades hosting some of the biggest acts in the world, the venue is pretty familiar to most of us at this point.
The below chart is the one for Girls Aloud, which is also being staged as a fully seated concert.
Take That have been making use of a B Stage in the heart of the floor audience too, which will likely be added to their Manchester gig.
Who is supporting Take That at their Manchester shows?
In an effort to create the most chart-friendly, crowd-pleasing, middle-of-the-road pop night of all time, Take That have recruited Olly Murs as their support act.
The former X Factor alumni headlined arenas across the UK in 2023 with his Marry Me tour, and now he’s back to warm up the crowds for Take That.
You can expect to hear some of the 39-year-old’s biggest hits, including Please Don’t Let Me Go, Heart Skips a Beat, and Dear Darlin.
What is Take That’s expected setlist?
Take That have already performed multiple dates on this tour, so we’ve got a good idea of what their setlist in Manchester will look like.
Keep Your Head Up
Windows
Giants
Days I Hate Myself
Everything Changes
Sure
Shine
A Million Love Songs
I Found Heaven
Pray
Forever Love (Gary Barlow song)
Clementine (Mark Owen song)
Speak Without Words (unreleased Howard Donald song)
Patience
The Flood
Get Ready for It
March of the Hopeful
The Champion
This Life
Greatest Day
These Days
Time and Time Again
Relight My Fire
One More Word
Hold Up a Light
Back for Good
Never Forget
Rule the World
What will the stage times be for Take That at the AO Arena Manchester?
Doors – 6pm
Olly Murs – 7.20pm
Take That – 8.35pm
Curfew – 11pm
*Stage times are often subject to change so allow plenty of time to get into the arena.
At the minute, tickets have been taken off sale for Take That, presumably while the AO Arena and Ticketmaster deal with transferring tickets from one arena to the other.
But given that Co-op Live was completely sold out, and the AO Arena is smaller, there are unlikely to be any tickets remaining.
Your one remaining chance may be some re-released tickets from those who can no longer make the rearranged date, or reliable re-sale sites.
Is tram travel included with your gig ticket?
As part of Co-op Live’s huge opening season, they announced free tram travel for gig-goers in a partnership with TfGM.
Thankfully, this is being honoured for the shows that have switched to the AO Arena.
Tram travel around Greater Manchester is included with event tickets for four hours before and after Take That on Tuesday 7, Thursday 9, Friday 10, Saturday 11 and Sunday 12 May.