BGFG creates more jobs, Manchester expands to challenge as UK’s gaming capital
By Gamers for Gamers, a Manchester gaming and tech company, has announced its intent to create another 30 jobs in the city, following significant fundraising.
In the Premier League era of English football, Manchester has been the dominant force, with United and City making the Greater Manchester metropolis famous for the sport.
Now, however, there’s a relatively new scene emerging across the UK, which Manchester looks to position itself at the forefront of.
The gaming industry has been around for decades, but it’s only over the last ten to 15 years that it has become a true goliath. It’s now the most valuable entertainment medium globally, connecting to people via computers, consoles, and smartphones, with more and more companies piling into the action each year. Manchester’s gaming scene has been bustling for a long time, and it too continues to expand.
Most recently, By Gamers for Gamers, a Manchester gaming and tech company, announced its intent to create another 30 jobs in the city, following significant fundraising.
Looking to bring the top talents of the UK to the northern city, BGFC will be further contributing to Manchester’s momentum, continually growing into a digital hub of the UK. Already, it seems, as far as gaming hubs in the UK go, there’s certainly a lot about Manchester which suggests that ‘Cottonopolis’ is already a national leader for everything gaming.
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Going out to enjoy the gaming culture of Manchester
The city boasts a diverse gaming community which goes much further than there just being a console or gaming PC in several homes. Thanks to the incredibly high demand, Manchester has become a hot spot for gaming bars and games venues, used as the centrepiece of a night out. The retro games-laden Hold Fast, NQ64, and secret 80s arcade bar 17 Below offer game-centric ways to socialise at the bar. It’s not just the more classic titles and arcade machines that have been introduced to Manchester, though, with the less-night out experience venue of Virtual Hideout making its mark. Standing as the city’s virtual reality gaming centre, there is a website with mobile slots free spins, over 100 games to experience as a single player or in a team of up to four people.
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Manchester is becoming increasingly tied to perhaps the most famous gaming destination in the world: Las Vegas. Most recently, one of the city’s start-up companies, Gamer Wager, signed into a joint venture with SCCG Management of Nevada, who will utilise their peer-to-peer game wagering tech in the United States. Coming the other way, of course, the games that Las Vegas is famous for have found a vibrant audience in Manchester. While not in the form of a towering themed casino, the online library at VegasSlotsOnline contains all of the top slots from Sin City. The likes of 50 Lions, Triple Diamond, and Bier Haus continue to be the most popular of the Vegas selection. With these games available online, gaming in-person in a Vegas-like setting is also available, with Manchester235 being a part of the Caesars Rewards programme.
Giving a grand stage to gaming in Manchester
In the United States, annual conventions have become incredibly popular across entertainment mediums that were once considered niche. Comic-Con, for example, is a major driver of the comic industry and have morphed into a geek national holiday of sorts. Manchester has long sought to give gaming such a stage, with efforts proving to be very popular. In 2019, the Manchester Gaming Market presented attendees and collectors with a huge range of retro video games and consoles to snap up. On a much larger, more modern scale, there’s also the epic Play Expo event. The city’s crown jewel of annual gaming events shall return on 8 and 9 May in 2021, with over 1000 gaming hardware units set to be available across the show floor.
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The gaming business of Manchester
For anywhere in the UK to truly be hailed as a gaming hub, it needs to corral the nation’s creative force to the area. BGFG, the business behind WePC, PC Guide, Esports Verdict, and Gaming Verdict, continues to expand and offer more reasons for savvy gaming professionals to come up north. Aiming to facilitate such moves is Gameopolis, whose sole purpose is to network and promote links between the video games industry and Manchester. On the development side of the industry, the city is also home to mobile-facing devs Smashmouth Games, as well as the indie creators of The Lost Bear and The Persistence, Fabrik Games. Then, there’re the steps to further promote the ever-growing eSports scene, with Manchester United and City having eSports teams set-up, and Manchester University running several programmes and events.
Manchester has a tremendous amount of momentum right now, from the population’s overall interest in gaming to businesses looking to establish the city in the industry at large. As more companies like BGFG make positive moves to increase the allure of Manchester in gaming, it’ll grow further as the nation’s games hub.
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Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
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Peaky Blinders confirm title and release date of upcoming film
Danny Jones
After what feels like an age since it was first announced, Peaky Blinders and Netflix have finally confirmed the title and release date of the upcoming feature-length film.
It was revealed that the global streaming giant secured exclusive rights to the movie last year, and it has now been revealed that it will also be released in selected theatres before it hits the platform.
With production on the long-talked-about project getting underway in September 2024, we’ve heard little else from creator Steven Knight, who has also been booked to deliver the Oasis reunion documentary chronicling their Live ’25 world tour.
However, we now know not only the official title of the film, Peaky Blinders: The Immortal Man, and that it will be dropping early next year. They’ve even shared the first poster.
Clearly referring to the series’ most famous lead character, Thomas Shelby – played by now fully-fledged Hollywood A-lister Cillian Murphy since 2013 – the teaser shows him sat astride a horse, not to mention covered in a fair amount of dirt and/or blood.
Alongside the suit and the trademark newsboy cap with blades inserted in the brim (the calling card of both the fictional and the real ‘Peaky Blinders’), it’s quite a classic look of Tommy’s.
Scheduled to release in limited cinemas on 6 March before arriving on Netflix on 20/3/2026, this will not only be the first film in the wider franchise but the first to air separately from the BBC.
While its parent network is still involved as collaborators on the flick, this is the first instalment in the IP to be distributed directly by Netflix after they bought the rights to release the show in the US.
Another look at a seemingly older Tommy Shelby (Credit: Publicity picture via Netflix)
As for The Immortal Man, both new and returning members of the cast include:
Cillian Murphy (Oppenheimer, 28 Days Later)
Rebecca Ferguson (Dune, Silo)
Tim Roth (Reservoir Dogs, The Hateful Eight)
Sophie Rundle (After the Flood, Gentleman Jack)
Ned Dennehy (Culprits, The Peripheral)
Packy Lee (Blue Lights)
Ian Peck (His Dark Materials, Robin Hood)
Jay Lycurgo (Steve, Half Bad: The Bastard Son & The Devil Himself)
Barry Keoghan (Saltburn, The Banshees of Inisherin)
Stephen Graham (Adolescence, A Thousand Blows)
Speaking in a full press release, Murphy said: “It seems like Tommy Shelby wasn’t finished with me. It is very gratifying to be re-collaborating with Steven Knight and Tom Harper on the film version of Peaky Blinders. This is one for the fans.”
Returning four years after the end of the mainline series, but catching up with Tommy at the outset of WWII in terms of the actual timelines, Netflix say that the Shelby patriarch “is driven back from a self-imposed exile to face his most destructive reckoning yet.”
Safe to say we cannot wait to be back in the world.
In the meantime, you can find out more about the next season(s) of Peaky Blinders coming to the BBC very soon down below.
The Manc -
18th February 2021 
