Born from a desire to inspire, The Honest Youth (THY) have been making their way around the country in a restored Bailey caravan – providing an innovative way of enjoying and creating music.
Founder, George Carson, launched THY back in 2015 after having to rethink his dreams of owning his own bar. Following a long, hard graft saving enough money to buy a venue, he realised he didn’t quite fancy being tied down.
So, in 2017 he used the savings to buy an old caravan instead – transforming it into a little pop-up festival stage, offering the ideal music venue for any occasion complete with sound-system, lighting and (perhaps most importantly) a fully-stocked bar with beer pumps.
Soon enough, THY were getting hired to do small local festivals and events. They even got to host Blossoms’ ‘Cool Like You’ album signing which George says was a pinnacle moment.
Then came lockdown.
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But not all was lost. Over the past year, George has been able to put the caravan to good use to keep spirits up at home.
“In the caravan we would have people round on a winter night, wrap them in fairy lights and have mini gigs on my drive,” George told us.
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“I have such good memories of this time. Everything was so new and exciting the talent was unreal and I wouldn’t have to pack up and drive home so I could have a drink with everyone and relax.”
As so many of us found ourselves with a little extra time throughout the pandemic, George used it to develop and future-proof his THY concept.
He admits the journey hasn’t been easy. George had to hone and grow his skills from starting as a bartender to becoming a jack of all trades.
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Now, THY is on a new venture to offer a mobile recording studio. With the hire comes delivery, set-up, PA, equipment and live sound engineering. It’s the full package – and for a very reasonable price, too – starting from just £70.
“I took to the opportunity this year to adapt my skills and equipment and start doing mobile recordings,” George said.
“Really, my goal has always been to surround myself with creative people learn from some maybe teach some others.
“I have learned so much – I thought this would be easy. ‘Build it and they will come’. I started almost 10 years ago as an experienced barman looking to open a bar and since I have had to become a sound engineer, a joiner, an advertiser, a roadie, a cameraman, an accountant, a cleaner, the list goes on – I just need to learn how to be a businessman now.”
Not only does THY allow George to fulfil his own career ambitions, but it provides musicians all over the city with the opportunity to create music wherever they are. Be that in their living room, a field or by the beach.
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George says the studio aimed at people like him – people who are bored of stuffy and windowless studios and rehearsal rooms and for people who get to the studio and their mind goes blank with a lack of creativity.
By taking the studio to wherever people want, he wants musicians to feel comfortable and inspired by their surroundings. So, he’s created a space that adapts and works for everyone.
“There is a big thing in recording where people are judged by the size of their desk and equipment and it’s easy to think that the million-pound studio will get the best from your song because they have it all.
“But studios are like hairdressers sometimes. You can go in, tell them everything you want and get the same short back and sides as the five people before you. You want to find the one that will listen to you create something with you and share the passion you have for your own music.”
George wants anyone who is considering hiring THY studio to just get in touch for a chat. Over the years, he’s spent too much of his own time deliberating over lyrics he’s written, too scared to perform them for fear of someone telling him he’s got it all wrong.
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“If you have a passion for something that’s sick, even if you just have a few lyrics written down and no idea how you want it to sound, or if you don’t play any instruments or are just sick of the same four chords on every song, just ping us on Facebook or Instagram.
“I love what I do – and the advice is always free. A lot of music is deeply personal to people and sharing can be difficult. I have written some dreadful songs, but there is no right and wrong in music.
“So, don’t be shy!”
Find more information about hiring The Honest Youth studio or pop-up venue via their website.
Music
Manchester’s Co-op Live arena postpones The Black Keys and Peter Kay (again)
Daisy Jackson
The Co-op Live has announced it is postponing both The Black Keys gig and Peter Kay’s performance.
Both shows were set to take place this week as the huge arena finally opens in Manchester.
Co-op Live went ahead with a test event with Rick Astley last Saturday, albeit with a capacity that was reduced at the eleventh hour.
But the huge venue was hit with ‘power supply issues’ and took the ‘difficult decision’ to postpone Peter Kay.
It’s now gone one step further and pushed back The Black Keys – meant to be their first proper live music event – as well as Peter Kay AGAIN.
In a statement shared today, the Co-op Live said it has been ‘undertaking an extensive protocol of testing critical procedures to ensure all areas are ready for fans’.
It said that the shows are being rescheduled to ensure they can ‘run safely’.
The 23,500-capacity arena said this will give them ‘the extra time we need to continue testing enhanced emergency communications thoroughly’.
The Black Keys will now perform on 15 May, and Peter Kay on 23 and 24 May.
As for the Bolton-born comedian, he sounds somewhat in disbelief himself:
Co-op Live’s statement reads: “Since making the difficult decision to postpone the live shows at Co-op Live due to take place this week, we have been undertaking an extensive protocol of testing critical procedures to ensure all areas are ready for fans.
“To ensure that we can run all shows safely, regretfully we have now had to take the decision to reschedule the planned The Black Keys and Peter Kay shows.
“Both The Black Keys and Peter Kay have graciously agreed to reschedule their shows. The Black Keys will now perform on 15 May 2024, and Peter Kay will now perform on 23 and 24 May 2024.
“All tickets remain valid and ticket holders will be contacted by their point of purchase. Refunds will be available for those who can no longer attend.
“We deeply appreciate the impact this will have on excited fans, and sincerely apologise for the inconvenience that this change will undoubtedly cause.
“Rescheduling Peter Kay and The Black Keys will give us the extra time we need to continue testing enhanced emergency communications thoroughly.
“This is vital to satisfy the rigorous set of guidelines and protocols that are necessary for a venue of this size to ensure that our fans, artists and staff have the safest experience possible.”
Co-op Live boss resigns just days before venue’s official opening
Daisy Jackson
The boss of Co-op Live, Manchester’s enormous, ground-breaking new arena, has resigned from his position just days before the venue is set to open.
The enormous music-first arena has been taking shape beside the Etihad Stadium for several years, and was due to welcome its first official audiences this week, but has been hit with last-minute challenges.
And now Co-op Live‘s boss Gary Roden has quit the mammoth project, with the news of his resignation announced late Thursday evening.
Oak View Group, which Co-op Live is part of, said in a statement that they would like to ‘thank Gary for his help bringing the UK’s newest arena to live entertainment fans’.
Stepping into his shoes as interim general manager will be Rebecca Kane Burton, who previously ran the U.K.’s highest-grossing venue, London’s The O2 arena.
Gary has previously come under fire for saying that some grassroots music venues ‘poorly run’ – a statement that OVG has now distanced itself from.
A separate statement said that ‘neither Co-op Live nor Oak View Group share the sentiment expressed by former Co-op Live General Manager Gary Roden regarding the grassroots industry’.
It continued: “As OVG Chairman and CEO Tim Leiweke has repeatedly stated, Co-op Live remains committed to grassroots music in Manchester and beyond, including teaming up with Mayor of Greater Manchester Andy Burnham on the Artist of the Month campaign, and as a founding partner of Beyond The Music.
“Co-op Live also donates over £1m a year to the Co-op Foundation to support communities and empower young people to take social action through its new Young Gamechangers fund.
“Oak View Group and Co-op Live remain happy to meet with grassroots organisations once the venue is fully operational.”
The news of the venue’s boss stepping down comes at a time when all eyes are on Co-op Live, the opening of which has been delayed.
The venue did host a test event with Rick Astley last weekend, but even that faced difficulties, with thousands of tickets cancelled to reduce capacity just hours before showtime.
It’s now set to officially open this Saturday 27 April with a performance by rock group The Black Keys.
The full statement from OVG about Gary’s resignation said: “Gary Roden has decided to resign. We’d like to thank Gary for his help bringing the UK’s newest arena to live entertainment fans and wish him the best for the future.
“Rebecca Kane Burton has been named Interim GM, effective today. Rebecca is a seasoned veteran of venue management and live entertainment in the UK having served as VP/GM of The O2 from 2012-2016 and CEO of LW Theatres from 2016-2021.