Born from a desire to inspire, The Honest Youth (THY) have been making their way around the country in a restored Bailey caravan – providing an innovative way of enjoying and creating music.
Founder, George Carson, launched THY back in 2015 after having to rethink his dreams of owning his own bar. Following a long, hard graft saving enough money to buy a venue, he realised he didn’t quite fancy being tied down.
So, in 2017 he used the savings to buy an old caravan instead – transforming it into a little pop-up festival stage, offering the ideal music venue for any occasion complete with sound-system, lighting and (perhaps most importantly) a fully-stocked bar with beer pumps.
Soon enough, THY were getting hired to do small local festivals and events. They even got to host Blossoms’ ‘Cool Like You’ album signing which George says was a pinnacle moment.
Then came lockdown.
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But not all was lost. Over the past year, George has been able to put the caravan to good use to keep spirits up at home.
“In the caravan we would have people round on a winter night, wrap them in fairy lights and have mini gigs on my drive,” George told us.
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“I have such good memories of this time. Everything was so new and exciting the talent was unreal and I wouldn’t have to pack up and drive home so I could have a drink with everyone and relax.”
The Honest Youth stage
As so many of us found ourselves with a little extra time throughout the pandemic, George used it to develop and future-proof his THY concept.
He admits the journey hasn’t been easy. George had to hone and grow his skills from starting as a bartender to becoming a jack of all trades.
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Now, THY is on a new venture to offer a mobile recording studio. With the hire comes delivery, set-up, PA, equipment and live sound engineering. It’s the full package – and for a very reasonable price, too – starting from just £70.
“I took to the opportunity this year to adapt my skills and equipment and start doing mobile recordings,” George said.
“Really, my goal has always been to surround myself with creative people learn from some maybe teach some others.
“I have learned so much – I thought this would be easy. ‘Build it and they will come’. I started almost 10 years ago as an experienced barman looking to open a bar and since I have had to become a sound engineer, a joiner, an advertiser, a roadie, a cameraman, an accountant, a cleaner, the list goes on – I just need to learn how to be a businessman now.”
Not only does THY allow George to fulfil his own career ambitions, but it provides musicians all over the city with the opportunity to create music wherever they are. Be that in their living room, a field or by the beach.
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George says the studio aimed at people like him – people who are bored of stuffy and windowless studios and rehearsal rooms and for people who get to the studio and their mind goes blank with a lack of creativity.
By taking the studio to wherever people want, he wants musicians to feel comfortable and inspired by their surroundings. So, he’s created a space that adapts and works for everyone.
“There is a big thing in recording where people are judged by the size of their desk and equipment and it’s easy to think that the million-pound studio will get the best from your song because they have it all.
“But studios are like hairdressers sometimes. You can go in, tell them everything you want and get the same short back and sides as the five people before you. You want to find the one that will listen to you create something with you and share the passion you have for your own music.”
https://www.instagram.com/p/CNHpPcChTQ3/
George wants anyone who is considering hiring THY studio to just get in touch for a chat. Over the years, he’s spent too much of his own time deliberating over lyrics he’s written, too scared to perform them for fear of someone telling him he’s got it all wrong.
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“If you have a passion for something that’s sick, even if you just have a few lyrics written down and no idea how you want it to sound, or if you don’t play any instruments or are just sick of the same four chords on every song, just ping us on Facebook or Instagram.
“I love what I do – and the advice is always free. A lot of music is deeply personal to people and sharing can be difficult. I have written some dreadful songs, but there is no right and wrong in music.
“So, don’t be shy!”
Find more information about hiring The Honest Youth studio or pop-up venue via their website.
Music
Oasis’ (What’s the Story) Morning Glory? named biggest UK studio album EVER by Official Charts
Danny Jones
You’re damn right: Oasis continue to be MASSIVE as new figures from the Official Charts Company have confirmed that (What’s the Story) Morning Glory? has clocked in as the biggest UK studio album of all time.
The Britpop icons and history go hand in hand.
Yes, according to the latest numbers by our domestic chart-crunchers, only two other albums surpassed Oasis‘ second LP – and they’re both greatest hits collections.
The announcement was made on Wednesday, 22 July, just over a whole year on from those reunion world tour shows at Heaton Park. How fitting.
Starting off by channelling Liam Gallagher energy and quipping that “Oasis vibes are in the area”, they go on to explain the colossal cumulative record.
“Oasis claim one of the biggest honours in British music history, they write, “as (What’s the Story) Morning Glory? is named the UK’s Official biggest studio album of all time, according to new Official Charts Company data.”
Combining UK sales of the record – both physical and digital over the years – along with modern streaming statistics, the sophomore outing from the Britpop giants has amassed approximately 6.2 million UK chart units. Staggering stuff.
Last year’s Live ’25 shows have no doubt helped give an added boost to their metrics, but it’s still gargantuan stuff from the local band.
Yet another incredible stat not just for the Burnage boys but the Manchester music scene as a whole.
2026 looks to be just as big a comeback, by the looks of things.
In case you were wondering who beat them out in the race for the top spot, they were pipped to the post by Queen’s Greatest Hits and the same again from ABBA, two worthy opponents to take third place after.
You can see the rest of the list in full right HERE.
Oh, and Definitely Maybe also made the list, too, coming in at number 39 – making that two in the top 50 even amongst all the compilations.
It feels like last July all over again, doesn’t it? And if now isn’t the perfect time to stick on the title track, we don’t know what is.
Actually, sod it – we’re sticking the full thing on…
Beat-Herder Festival 2026 – the wonderfully weird festival we can’t stop coming back to
Emily Johnson
Another weekend done in the magical, mystical world that is Beat-Herder.
For one weekend every year, a farm in Clitheroe transforms into what the organisers describe as “a place full of beats and barminess” – and honestly, they couldn’t have summed it up any better.
Big enough to keep you discovering something new all weekend, yet small enough that you’ll keep bumping into the same friendly faces, Beat-Herder strikes the balance perfectly.
Every corner has something different going on, every stage has its own personality, and every sound system is absolutely dialled in.
Where else can you go for a swim, get a tattoo, pop into church, visit Paris and dance until sunrise? No, we’re not describing a chaotic stag-do… we’re talking about Beat-Herder.
Every stage deserves a mention, but a few really stood out this year.
Julie’s Barn, a.k.a. ‘Gay Paris’, remains one of the festival’s best-kept secrets. Hidden away in the woods, it’s worth every wrong turn trying to find it.
A glowing dancefloor, disco balls hanging from the trees and a crowd that somehow never seems to leave. We even stumbled across a secret ‘Samurai Breaks SSBB’ set that had the place bouncing all the way through until sunrise.
Credit: The Manc Group
Over at Stumblefunk At The Factory, Breakage delivered one of the sets of the weekend. The bass rattled the roof, the crowd never stopped moving, and the whole place felt like it was about to lift off.
It’s also home to one of Beat-Herder’s many weird little surprises, with hidden missions and the chance to spy on other festival-goers. If you know, you know.
The Garage is another annual favourite. DJs squeezed into the front seat of a car while everyone else danced on the bonnet of old scrapped cars, bouncing to the bass that rattled from White Noise Audio’s soundsystem. It’s those ridiculous little details that make this festival unlike anywhere else.
Then there’s Beat-Herder’s Got Talent, which has become a non-negotiable part of our weekend. The winner earns a slot on the main stage, so every act gives it everything. This year’s line-up featured everything from incredible harmonica performances and live bands to rap duos.
But one contestant completely stole the show.
She walked on stage, admitted she wasn’t sure her talent was quite as impressive as everyone else’s, and the crowd fell silent. No instrument. No backing track. You could hear a pin drop. What on earth was this contestant about to do? And then she proceeded to fit her entire fist in her mouth.
If that doesn’t sum up Beat-Herder, we’re not sure what does. The wonderful woman didn’t win the contest unfortunately, but let’s hope she can get booked for next year, ey?
One of this year’s new additions was The Dub Tub, which quickly became one of our favourite discoveries. Artists like Woody Cook swapped high-energy sets for slower, dub-inspired sessions, creating the perfect place to reset before diving back into the madness.
Oh, and of course, in true Beat-Herder fashion, the DJs were performing in a bathtub, of course.
And speaking of madness… all the classics are still there. The famous tunnel leading to hidden stages, the weird and wonderful walkabout performers, the random discoveries you’ll never find on a map, the hidden swimming pool, fancy dress costumes, and the constant feeling that you’re about to stumble across something completely unexpected.
Massive credit has to go to everyone behind the scenes. From the organisers to the volunteers and crew, everything runs incredibly smoothly, despite how wonderfully chaotic it all feels. Beat-Herder, you’ve done it again; roll on 2027.
Hannah Starkie -
16th April 2021 
