Fresh off the back of his double award win at the Drum and Bass Awards 2021, Manchester-based DJ and producer, Bou, is killing the scene right now.
Last weekend, he picked up the award for Best Producer for the second year in a row, as well as Best Track for his collab with fellow Manc drum and bass legend Trigga with “Veteran VIP”.
He managed to take a break from his New Zealand tour this week to squeeze us in for a quick chat about what he’s up to at the minute.
Not only has he been busy swiping up industry awards, Bou has had his head down with the launch his own record label, Gossip – and its first release is out today.
“I’ve been visualising Gossip for over two years,” he told Audio. “Getting the right team together to make the dream come to life – having Dale, Hedex, David & Wilf around me – has helped me so much in making this happen and I can’t wait for the future of it.”
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“I have tons of unreleased bangers that I’ve kept for this label. From huge collabs with legends like High Contrast to dubs from myself that people have been after for the last three years – and also talks of my first album on there. I have so much to release and create, and it’s finally time.
“My first release on the label is “Cous Cous”, with the talented Inja. I’ve been sat on this tune for around a year and a half, so I can’t wait to get it out. Plus, we had a wicked livestream and music video to premiere, so keep an eye on that.”
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Looking back on Bou’s career so far, it’s been packed with highs and he’s still only 24-years-old.
He first got a taster of drum and bass when he went to a rave in some woods in Rivington with his mates when he was 15 – and he instantly became hooked on the genre.
So, he set about learning to DJ and produce and cites Shy FX as one of his early inspirations. But it was the legendary station Bloc2Bloc that helped him find his spot on the Manchester scene.
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The guy behind it, Jack Banner, helped put Manchester’s bass music on the map and was streaming online long before the pandemic-induced livestreams came along.
Any up-and-coming drum and bass or jungle artist in Manchester is likely to have passed through the Bloc2Bloc HQ at some point, Bou being one of them.
“I met so many people [at Bloc2Bloc] who are into drum and bass,” said Bou. “Having a community of people that relate to what you want to do is massively important, in my opinion. Jack has helped myself and many artists grow so much. Huge respects to him.”
Now, Bou is on track to becoming one of the most exciting producers on the scene at the minute. His recent awards speak for themselves. But his secret to success is taking your time with productions and releases, as you’re always learning and improving.
“I feel like my sound is always developing and maturing the longer I make music. And my taste is always changing,” he said. “One of the main things I love in drum and bass is there is so many ways to express yourself when making it, it’s something you don’t find in a lot of other genres.”
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He’s got a load of tours and festivals all around the world planned for the post-Covid comeback.
Currently touring New Zealand, he’s played alongside some familiar Mancunian drum and bass faces like Tonn Piper this week, headlining in front of a 4000-strong crowd in Christchurch. Something he says is still so surreal.
But despite global success, Bou still manages to stay humble. And it’s only a matter of time before he becomes one of the biggest names in the genre – if he isn’t already.
If you’re into drum and bass, keep your eyes on Gossip because there’ll be a lot going down on the label very soon.
Listen to “Cous Cous” on our New Manc Audio playlist now here.
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Featured image: @rhysbelding/IG
Music
Inside Sifters Records, the time capsule record shop that inspired Oasis
Harry Quick
The date the world never thought was coming is set. Manchester’s most famous brothers have against all the odds put their differences aside for music’s greater good. Oasis are BACK.
I suppose it is only good news at the moment if you were one of the lucky few who managed to secure a ticket to one of the 17 gigs (actually, now 19 with two new dates added) in the Oasis 25′ Tour. If you didn’t – hard luck – but there is arguably one shop owner who deserves one more than most.
Fans of our most iconic band from all around the world should show their gratitude to a little record store in Burnage for helping to make that happen. Some might say, Sifters Records is the home of the Gallaghers’ love for music. The two brothers were brought up just a stone’s throw away from here on Cranwell Drive and were regular visitors of Sifters throughout their teenage years.
Noel has previously mentioned how he used to stroll around to Sifters on Fog Lane and pick up records by the likes of The Smiths, Joy Division and The Happy Mondays, which would help inspire some of the world-renowned anthems Oasis would later go on to create. The relationship between the Gallaghers and Sifters Records is emblematic of their deep roots in Manchester’s music scene.
If you feel like you’ve heard the name before, you probably have as Liam mentions the store in the song ‘Shakermaker’. In the final verse of the song – before the closing Shake Along with Me / Them interlude – he gets his special mention.
The lyrics “Mr Sifter sold me songs when I was just sixteen, now he stops at traffic lights but only when they’re green” pay homage to its main road location and the lads’ musical upbringing before the international stardom.
Sifters Records inspired Oasis’ love of music – and gets a namecheck in Shakermaker. Credit: The Manc GroupSifters Records inspired Oasis’ love of music – and gets a namecheck in Shakermaker. Credit: The Manc Group
If the lyrics alone don’t put an image in your head, the official music video for the song pictures Liam stereotypically swaggering towards the shop front in a parka and shades on the hunt for some new music. After flicking through a few 12″ vinyls he shows Red Rose Speedway to the camera by Paul McCartney’s – Wings. I wonder if he bought it that day or could it still be in there?
In a brand new 30-minute interview filmed ahead of the 30th anniversary of Definitely Maybe, Noel revealed how he wrote the infamous lyric in an off-the-cuff moment directly outside the shop.
“I have to say this shop has not changed a bit. I bought a lot of my records in here, it’s where I discovered my love of ‘best of’ albums.
“Every time I hear Shakermaker I remember pulling up in that car and looking over and seeing the song.”
It’s no wonder this was Noel’s favourite place to scope out new tunes growing up. It’s still one of Manchester’s most impressive collections with hundreds, if not thousands of vintage LPs.
Most of these are from the personal collection of ‘Mr Sifter’ himself Pete Howard who has run this musical mecca since 1977. The building itself has an unchanged charm – a time capsule of fading band posters, windows of unrelated local advertisements and well-trodden carpet from the thousands of feet on a pilgrimage from far and wide.
Fans from across the globe have rocked up for a word with Pete and the admiration for his store only keeps growing, which he sometimes struggles to believe how fortunate he got. If you pop in looking for any Oasis discography, good luck, it doesn’t stick around long.
When ‘Definitely Maybe’ dropped in ’94 he said he recognised the members of the band straight just from the album cover.
Now, with a deluxe edition re-release 30 years later, and a reunion tour around the corner, it’s undeniable that the whole world does – let’s just hope they stay mates this time!
When tickets for the original shows went on sale last Saturday, demand was so great that several ticketing platforms crashed and people spent up to six hours in virtual queues.
And then as the day wore on, Ticketmaster suddenly utilised ‘dynamic pricing’, removing the general admission tickets from sale and replacing them with ‘in-demand tickets’.
With that came a jump in price from £148.50 to £355.20. Ouch.
Oasis have faced a lot of criticism for the use of dynamic pricing – but in a new statement, they have stressed that they did not have ‘any awareness’ that it would be used.
They said that decisions on both pricing and ticketing are ‘left entirely to their promoters and management’.
Oasis said in a statement released on their behalf yesterday: “As for the well reported complaints many buyers had over the operation of dynamic ticketing: it needs to be made clear that Oasis leave decisions on ticketing and pricing entirely to their promoters and management, and at no time had any awareness that dynamic pricing was going to be used.
“While prior meetings between promoters, Ticketmaster and the band’s management resulted in a positive ticket sale strategy, which would be a fair experience for fans, including dynamic ticketing to help keep general ticket prices down as well as reduce touting, the execution of the plan failed to meet expectations.
“All parties involved did their utmost to deliver the best possible fan experience, but due to the unprecedented demand this became impossible to achieve.”
As for those final two Wembley shows going on sale, Oasis has said that tickets will be sold by an ‘invitation-only ballot process’ to manage the phenomenal demand.
They wrote: “Applications to join the ballot will be opened first to the many UK fans who were unsuccessful in the initial on sale with Ticketmaster. More details to follow.”
Oasis claims that they “at no time had any awareness that dynamic pricing was going to be used” for their reunion tour.
The band has finally spoken out about the fiasco surrounding the handling of ticket sales for Oasis Live ‘25, which saw Ticketmaster implement their… pic.twitter.com/1rbrEMWupf