A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
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If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
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The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
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Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.
Phoebe Bridgers announces long-awaited return with HUGE phones-free arena gig in Manchester
Emily Sergeant
It’s official, Phoebe Bridgers is back on earth.
More than six years since her last studio album, Punisher, was released to the world, cementing her status as one of indie folk’s leading figureheads, Phoebe Bridgers has given fans the news they have been waiting so patiently for.
A new tour North America and EU tour is on the horizon, and she’ll be stopping off here in Manchesterlater this year for a huge arena gig.
Following a sold-out acoustic show at New York City’s Madison Square Garden last night (4 June), Phoebe has now revealed details of ‘The Lost Tour’ for 2026.
Other than the series of surprise pop-up acoustic shows that have wrapped around the country over the last few weeks – beginning in Roswell in New Mexico on 8 May, and continuing on to smaller venues in other US cities before culminating in last night’s dazzling MSG show – this upcoming full band tour marks the first Phoebe Bridgers shows since early 2023.
Phoebe will be taking to the stage at Co-op Live here in Manchester for one night only on 26 November 2026 – with tickets going on sale next week.
And just like the pop-up shows, the use of mobile phones, cameras, and other recording devices will be strictly prohibited on this tour, encouraging fans to be more present in the moment.
This means the Co-op Live event will utilise secure pouches to store all devices during the performance.
Phoebe Bridgers is playing a huge arena gig in Manchester on her UK tour later this year / Credit: Supplied | Raph PH (Wikimedia Commons)
Upon arrival, all phones, smartwatches, and related accessories will be secured in these pouches, the pouches will be unlocked at the conclusion of the show, and any guest observed using a non-permitted device during the performance will be escorted out of the venue.
If the news of Phoebe’s return wasn’t exciting enough for fans as it is, she won’t be the only one making a highly-anticipated return to the stage, as support on the UK & EU leg of the tour is to be provided by former Black Country, New Road frontman, Isaac Wood.
Wood stepped away from the ensemble band – and the limelight as a whole – right before the release of BCNR’s critically acclaimed second studio album, Ants From Up There, in 2022, citing mental health reasons.
Phoebe has also partnered with PLUS1 so that €1/£1 from every ticket sold on the European tour leg goes to local organisations throughout the EU/UK working to support those impacted by sexual assault and violence.
Phoebe Bridgers will be playing Co-op Live as part of ‘The Lost Tour’ on Thursday 26 November 2026.
Tickets officially go on sale first through the Phoebe Bridgers Pass Presale via Fan3, and Co-op Member Presale starting at 10am on Wednesday 10 June, before general sale then begins on Friday 12 June, again at 10am.
UB40 at AO Arena, Manchester – tickets, times, setlist and more for UK tour
Thomas Melia
British-based reggae band UB40 are coming to Manchester for a celebration of all their greatest hits live at AO Arena.
Formed in Birmingham in the late 70’s, this predominantly dub and reggae band has gone on to achieve much success, including 50 UK charting singles.
UB40 have also sold over 100 million records, as well as keeping a consistent line-up for almost 30 years, before lead vocalist Ali Campbell decided to leave the band.
Now, the band’s lead vocalist is former Kioko lead singer Matt Doyle, who’s taken on this role since mid-2021 and is ready to soundtrack your night while you enjoy some ‘Red Red Wine’.
There’s no official setlist confirmed for their latest tour, however, this 11-piece band have played an array of European dates with a pretty consistent roster of tracks:
Here I Am (Come and Take Me)
Maybe Tomorrow
Homely Girl
Sing Our Own Song
One in Ten
Home
Please Don’t Make Me Cry
Many Rivers to Cross
Higher Ground
The Way You Do the Things You Do
I’ll Be Your Baby Tonight
Cherry Oh Baby
Johnny Too Bad
Red Red Wine
Food For Thought
Forever True
Kingston Town
Can’t Help Falling in Love
What are the stage times for UB40 in Manchester?
Anyone up for seeing UB40 play out at Manchester’s impressive 19,000-seater AO Arena will have to get there a tad early.
Doors will open at 6pm with a gig start time of 6:45pm due to the special guests who will be taking to the stage before them.
Make sure you get down early, as you really won’t want to miss the phenomenal duo Aswad, as well as standout vocalist Maxi Priest – It really is a reggae revolution.
For those of you heading to AO Arena, luckily, it’s connected to Manchester Victoria Station, and it has an integrated Metrolink stop to make your life even easier.
Head along the pink, light blue or yellow lines directly to the Victoria stop, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Train
Considering this live entertainment venue is situated right in the middle of one of Manchester’s most frequented stations, concertgoers should find no problem getting to the arena, wherever they are.
Bus
A variety of buses cover AO Arena andVictoria Station on their route, such as the 2 bus, which stops just a one-minute walk away from the venue.
A full list of buses and their routes can be found HERE.
The Arena has its own official CitiPark, with 958 car parking spaces, including 40 Blue Badge parking bays, which can be booked in advance.
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Alternatively, anyone attending a gig can park at their nearest train station and jump on a train service or the various Metrolink park and ride facilities.
Walk/cycle
Greater Manchester now also offers the option to hire bikes through the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app.