Singer-songwriter and social media star Alex Warren is visiting Co-op Live, Manchester, for two nights of out of the ‘Ordinary’ live music.
One of the founding members of the TikTok group, the ‘Hype House’, which also included fellow pop performer Addison Rae, Warren has gone on to receive global recognition for his contributions to music.
Born in California, it’s no surprise his music has managed to catapult into the mainstream as he’s been mastering content creation since he was 10 on YouTube.
His music journey began back in 2021, when he released music as an independent artist in 2021 before signing a record deal one year later, dropping the chart-topping ‘Ordinary’ in 2025.
Now, Alex Warren prepares for his biggest UK tour to date, and he’s playing two shows right here in Manchester at the 23,500 seater Co-op Live in April and May.
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Gig guide | Alex Warren at Co-op Live, Manchester – all you need to know
Alex Warren is visiting Manchester at Co-op Live on 27 April and 4 May / Credit: Press Shots (supplied)
Alex Warren UK tour dates
Fri 24 April – Birmingham, UK – Utilita Arena
Sun 26 April – Glasgow, UK – OVO Hydro
Mon 27 April – Manchester, UK – Co-op Live
Wed 29 April – Leeds, UK – First Direct Arena
Thu 30 April – Nottingham, UK – Motorpoint Arena
Sat 2 May – Belfast, UK – SSE Arena
Mon 4 May – Manchester, UK – Co-op Live
Wed 6 May – Dublin, IE – 3Arena
Thu 7 May – Dublin, IE – 3Arena
Are there tickets left for Alex Warren at Co-op Live?
If you’re looking for somebody to ‘Save You a Seat’, look no further as you can get tickets to Alex Warren’s 27 April at Co-op Live HERE.
And don’t find yourself in ‘Troubled Waters’, make sure you grab tickets for Alex Warren at Co-op Live on 4 May HERE.
Stage times for Alex Warren at Co-op Live, Manchester
Warren has built a cult following thanks to chart-topping hits like ‘Ordinary’ (Credit: Press shots)
Co-op Live has a strict curfew of 11pm, meaning you can still get home without ‘Chasing Shadows’.
Supporting Alex Warren on the night will be Claire Rosinkranz, a singer-songwriter from California with tracks like ‘Frankenstein’ and ‘Backyard Boy’.
How to get to Co-op Live
Tram
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For those of you heading to Co-op Live, you’ll be glad to know it’s right next door to a rather famous big blue stadium and its integrated Metrolink stop.
Head along the light blue or orange lines directly to the Etihad Campus or Ashton-under-Lyne, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Trams run frequently on the Ashton-Eccles line to the Etihad stop, with services leaving every six minutes from the city centre and until 1am on Fridays and Saturdays.
Bus
You can find the full list of bus routes HERE, with the one in closest proximity to the venue being the 53 bus, which runs from Cheetham Hill through to Higher Crumpsall, Old Trafford and Pendleton, leaving just a two-minute walk to Co-op Live.
If you’re driving, there is limited parking available at the venue, but this must be pre-booked ahead of time, and there are designated drop-off areas.
The postcode is M11 3DU, and you can follow the signs towards the wider Etihad Campus as you get closer; directions to the adjacent drop-off points will also be signposted.
Keep in mind that congestion on the roads close to the stadium is expected to gather around two hours prior to any event, so if you are travelling on the road, these are the suggested times they provide on event day, though estimates will obviously vary:
Alan Turing Way (both directions): plan an additional 20 minutes into any journey by road.
Hyde Road (eastbound): expect an additional 15 minutes to be added to your journey.
Mancunian Way (westbound): plan for an extra 10 minutes of travel time.
There are also three park-and-ride facilities near Co-op Live, but be advised that the Velopark and Holt Town stops will be closed post-event to help safely manage crowds:
Ashton West (Ashton line) – 184 spaces and 11 disabled spaces
Ladywell (Ashton-Eccles line) – 332 spaces and 22 disabled spaces
Walk/cycle
Lastly, Co-op Live is only a half-hour stroll from Manchester Piccadilly, and you could even walk along the canal all the way to the front door if you fancy taking the scenic route.
Greater Manchester now also offers the option to hire bikes on the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app. There are hire points just near the south-west corner of the Etihad Stadium on Ashton New Road.
For more information on all travel options, you can check out the enhanced journey planner.
After All 2026 – the affordable grassroots music festival happening in Northern Quarter
Danny Jones
Grassroots music event After All Festival is returning to Manchester this weekend, with rising local artists and affordable tickets.
Now well over half a decade since it was founded, All All Fest takes place in the heart of the Northern Quarter, and this year they’re proving that their slow and steady approach to backing the best new up-and-coming bands at core intimate venues is more important than ever.
With plenty of previous acts having impressed in recent years, we’re looking forward to seeing how 2026 stacks up in comparison to its predecessors.
Increasingly prolific native group Dirty Laces are set to headline the whole thing, Manilla Times are locked in, and Bolton’s very own James Holt also stands out on the lineup, just to highlight a few.
As the festival continues to grow in size and popularity, they have obviously had to scale things up even further this year.
That being said, beloved live music spot and Manc institution, Band on the Wall, is among the chosen arts spaces for this latest iteration.
BoW will be offering up their 500-capacity main room to the organisers for the very first time, serving as the de facto main stage of After All Fest 2026.
Joining them will be the Rose and Monkey next door, as well as cult favourite pub, Gullivers on Oldham Street, who have a long history of supporting local musicians and the arts in general.
And would you look at that, now you’ve got all the stage splits and set times, too.
Labelled by Dead Records’ Rob Fiddaman as “one of the UK’s most exciting new music festivals”, homegrown DJing legend Dave Sweetmore has also described it as “unique in so many ways”, hailing it as a “brilliant event with a great atmosphere to discover new music.”
Having been ourselves on multiple occasions since its inception in 2019 – both as Audio North off-duty and as punters before then – we can’t recommend it highly enough.
The latest edition takes place at 12 noon onwards this Saturday until 2am on Sunday, 17 May, and while the cheapest early bird tickets (£16.50) are long gone, general admission tickets are still available, with prices starting from just £20. Grab yours HERE before they sell out.
It’s not the only live music event worth being a part of this month…
Review | The Karate Kid at Palace Theatre and Opera House, Manchester – very much wax ON
Lonnie Bowes
The theatrical version of The Karate Kid has arrived at the Palace Theatre and Opera House, bringing a well-known story of discipline, resilience and mentorship to a live audience.
Best known for its iconic cinematic legacy, The Karate Kid translates surprisingly well to the stage. It leans less on spectacle and more on character, movement and emotional growth.
At the production’s heart, the story still revolves around a young outsider trying to find confidence and belonging in an unfamiliar environment, guided by an unexpected mentor.
The narrative follows Daniel, played by Gino Ochello, marking his first professional stage debut, as he struggles to adjust to a new life, facing intimidation and self-doubt before encountering the legendary Mr Miyagi, played by Adrian Pang.
What unfolds is more than just a story of learning karate; it becomes a study of patience, balance and inner strength for Daniel. The central relationship between student and teacher remains the production’s strongest theme, grounding the story in warmth and sincerity.
The bond between student and Sensei is clear to see throughout. Focusing more on the movement side of things, the musical definitely has its fair share of action; the production shines with storytelling through choreography.
The fight sequences are carefully staged. The whole production walks a balanced line between movement and tension that feels immediate without losing theatrical elements.
These scenes are not about aggression alone but about control, reflecting the philosophy at the core of the story: balance. If you’ve seen the movies or the likes of Cobra Kai, you’ll know the vibes.
The cast works cohesively to maintain this balance. Ochello playing Daniel captures a mix of genuine vulnerability and determination as he attempts to settle into his new life in California, a million miles from the streets of Jersey he once knew.
While Adrian Pang portrays Mr Miyagi does this with a quiet authority. Their dynamic evolves on stage flawlessly, allowing the audience to invest in their journey rather than simply anticipating the next fight.
Visually, the production makes effective use of staging and design. The set shifts fluidly between locations, using lighting and more than a few well-timed transitions to keep the pace moving.
Subtle changes in atmosphere mirror the cast’s internal world, moving from insecurity and isolation to confidence and connection as the story progresses. The music throughout further supports this, blending nostalgia from the old flicks we all knew and love, with a new contemporary stage feel.
As the story builds toward its familiar ending, the focus remains less on winning and more on personal growth. The final moments emphasise discipline, self-belief and restraint rather than triumph alone.
A well-deserved standing ovation. (Credit: The Manc)
Reinforcing why the story has endured across generations and how the themes explored remain powerful pillars of life in today’s world.
Ultimately, The Karate Kid on stage at the Palace Theatre succeeds not by trying to replicate the film exactly, but by reinterpreting its themes for a live audience. It’s a production that leans into character, movement, friendship and emotional resilience.
It reminds viewers that its real power lies not in the fights, although sometimes necessary as a last resort, but in what they represent on the inside. We had a much deeper experience than we expected, and loved pretty much every minute of it.
Thomas Melia -
27th April 2026 
