A three-week outdoor theatre festival will bring a jam-packed programme of arts and cultural events to Ancoats this summer.
Created by Manchester’s iconic Hope Mill Theatre in association with Electric Park, HOPE FEST will see musicals, comedy, live music, family shows, film screenings, one-off special community events and even a dog festival all arrive in the city’s sought-after suburb this July.
The festival – which has been made possible through a collaboration to champion post-COVID cultural arts in Manchester – has an ambition to bring a unique programme of community-centric events, and will take place inside a large sheltered tent that’s set to accommodate 250 people based beside New Islington Tram Station, just a stone’s throw away from the theatre itself.
To offer a wide range of local beers, spirits and good grub, the new pop-up summer venue will also include an onsite bar and an eating area with a BBQ.
So, what are some of the highlights on the lineup for this year’s event?
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Appearing in the festival will be comedians such as Jason Manford, Boothby Graffoe, Elf Lyons, Mike Newall and Vince Atta, with Kirk Jameson also directing a celebration of the history of musical theatre.
Touring stage shows include a revival of Stiles and Drewe’s Three Little Pigs The Musical, as well as Judy and Liza.
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There will also be film screenings of some classics, plus a tribute to Dolly Parton, and more.
HOPE FEST / Hope Mill Theatre / DaveDraws
That’s not all either, as Hope Mill Theatre is also launching a special ‘FANCOATS’ scheme, which offers ticket discounts to locals and will also invite them to a one-off residents gathering designed to bring the local community together.
Speaking ahead of the festival, William Whelton – Executive Director at Hope Mill Theatre – said: “After a year of closure and uncertainty, we have been working hard to bring together a festival of outdoor work in our local area [and] this is an opportunity for us to bring together our audiences in a new and exciting way, as well as engaging with a whole new audience.
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“The New Islington area and surrounding community has been our home for over five years now and has many diverse and creative residents.
— Hope Mill Theatre (@hopemilltheatre) May 19, 2021
“With HOPE FEST, we also have a varied and diverse line up of arts and culture available, which offers a special opportunity for us to bring together the local community under one roof, or tent. It is important to us that HOPE FEST has something for everyone, whether it be a Sing A Long Frozen for families, music from Matt & Phreds a celebration of musical theatre, or a dog friendly event, this is an incredible opportunity for our organisation, in a very exciting phase for the New Islington and Electric Park area”.
“The pandemic had an immediate and substantial impact on the arts and cultural sector and is, unfortunately, likely to be the slowest in its recovery,” added Ben Cross, from Electric Park.
“And so, in that context, we’re immensely privileged and proud to play our part in supporting this incredible grassroots organisation at a time when it is needed most”.
HOPE FEST
HOPE FEST will take place from 16th July – 8th August 2021, and you can find more here.
Featured Image – HOPE FEST
Art & Culture
After All 2026 – the affordable grassroots music festival happening in Northern Quarter
Danny Jones
Grassroots music event After All Festival is returning to Manchester this weekend, with rising local artists and affordable tickets.
Now well over half a decade since it was founded, All All Fest takes place in the heart of the Northern Quarter, and this year they’re proving that their slow and steady approach to backing the best new up-and-coming bands at core intimate venues is more important than ever.
With plenty of previous acts having impressed in recent years, we’re looking forward to seeing how 2026 stacks up in comparison to its predecessors.
Increasingly prolific native group Dirty Laces are set to headline the whole thing, Manilla Times are locked in, and Bolton’s very own James Holt also stands out on the lineup, just to highlight a few.
As the festival continues to grow in size and popularity, they have obviously had to scale things up even further this year.
That being said, beloved live music spot and Manc institution, Band on the Wall, is among the chosen arts spaces for this latest iteration.
BoW will be offering up their 500-capacity main room to the organisers for the very first time, serving as the de facto main stage of After All Fest 2026.
Joining them will be the Rose and Monkey next door, as well as cult favourite pub, Gullivers on Oldham Street, who have a long history of supporting local musicians and the arts in general.
And would you look at that, now you’ve got all the stage splits and set times, too.
Labelled by Dead Records’ Rob Fiddaman as “one of the UK’s most exciting new music festivals”, homegrown DJing legend Dave Sweetmore has also described it as “unique in so many ways”, hailing it as a “brilliant event with a great atmosphere to discover new music.”
Having been ourselves on multiple occasions since its inception in 2019 – both as Audio North off-duty and as punters before then – we can’t recommend it highly enough.
The latest edition takes place at 12 noon onwards this Saturday until 2am on Sunday, 17 May, and while the cheapest early bird tickets (£16.50) are long gone, general admission tickets are still available, with prices starting from just £20. Grab yours HERE before they sell out.
It’s not the only live music event worth being a part of this month…
Review | The Karate Kid at Palace Theatre and Opera House, Manchester – very much wax ON
Lonnie Bowes
The theatrical version of The Karate Kid has arrived at the Palace Theatre and Opera House, bringing a well-known story of discipline, resilience and mentorship to a live audience.
Best known for its iconic cinematic legacy, The Karate Kid translates surprisingly well to the stage. It leans less on spectacle and more on character, movement and emotional growth.
At the production’s heart, the story still revolves around a young outsider trying to find confidence and belonging in an unfamiliar environment, guided by an unexpected mentor.
The narrative follows Daniel, played by Gino Ochello, marking his first professional stage debut, as he struggles to adjust to a new life, facing intimidation and self-doubt before encountering the legendary Mr Miyagi, played by Adrian Pang.
What unfolds is more than just a story of learning karate; it becomes a study of patience, balance and inner strength for Daniel. The central relationship between student and teacher remains the production’s strongest theme, grounding the story in warmth and sincerity.
The bond between student and Sensei is clear to see throughout. Focusing more on the movement side of things, the musical definitely has its fair share of action; the production shines with storytelling through choreography.
The fight sequences are carefully staged. The whole production walks a balanced line between movement and tension that feels immediate without losing theatrical elements.
These scenes are not about aggression alone but about control, reflecting the philosophy at the core of the story: balance. If you’ve seen the movies or the likes of Cobra Kai, you’ll know the vibes.
The cast works cohesively to maintain this balance. Ochello playing Daniel captures a mix of genuine vulnerability and determination as he attempts to settle into his new life in California, a million miles from the streets of Jersey he once knew.
While Adrian Pang portrays Mr Miyagi does this with a quiet authority. Their dynamic evolves on stage flawlessly, allowing the audience to invest in their journey rather than simply anticipating the next fight.
Visually, the production makes effective use of staging and design. The set shifts fluidly between locations, using lighting and more than a few well-timed transitions to keep the pace moving.
Subtle changes in atmosphere mirror the cast’s internal world, moving from insecurity and isolation to confidence and connection as the story progresses. The music throughout further supports this, blending nostalgia from the old flicks we all knew and love, with a new contemporary stage feel.
As the story builds toward its familiar ending, the focus remains less on winning and more on personal growth. The final moments emphasise discipline, self-belief and restraint rather than triumph alone.
A well-deserved standing ovation. (Credit: The Manc)
Reinforcing why the story has endured across generations and how the themes explored remain powerful pillars of life in today’s world.
Ultimately, The Karate Kid on stage at the Palace Theatre succeeds not by trying to replicate the film exactly, but by reinterpreting its themes for a live audience. It’s a production that leans into character, movement, friendship and emotional resilience.
It reminds viewers that its real power lies not in the fights, although sometimes necessary as a last resort, but in what they represent on the inside. We had a much deeper experience than we expected, and loved pretty much every minute of it.
Emily Sergeant -
19th May 2021 
