And here we are: it’s officially time for the final round-up of Manchester bands and artists for 2024 and what a year it’s been for tunage.
We started this feature back in January and each month we’ve given you five different acts, be they big, small, unsigned or unsung, new on the scene or veterans that deserve more attention.
Fast forward to December and now we’re ready for our last batch of suggestions for new music from around Greater Manchester that you may or may not have heard yet.
The question is, are you ready? Let’s give it one last spin around the turntables.
New Manchester music you should check out to start the new year
1. Morgan Seatree
Speaking of turntables, it seems only fitting to start with a Manchester-based DJ Morgan Seatree, whose tunes have already queued up at a fair few tunes ready for our New Year’s Eve playlist. Born and bred in 0161, not only has he smashed the likes of The Warehouse Project but his sound is already going global.
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His inspirations include Kerri Chandler, Paul Woolford, Disclosure, Larry Heard and more, and his catchy brand of mixes has already attracted attention from other big names in the electronic scene, including Patrick Topping, Folamour, Jamie Jones and more.
Music made for nothing but dancing and good times, his ear for easily recognisable hooks and infectious beats means you’ll only be hearing more of his as time goes on. Our picks to start with include ‘Hit It!’, ‘Good Life’ and his ‘Say My Name’ remix. He’s also responsible for this iconic clip from a Fallowfield flat:
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The kind of vibes we're after this #NewYearsEve. 🙌😅
Next up to bat are the truly brilliant Dirty Laces who have been going for a few years now but we still think are criminally underrated on the Manc music scene. Not only do they blend a great mix of American rock and roll influences with 90s and 2000s UK roots, but their latest work looks to be a real evolution.
There have always been proto-punk elements to their sound and wonderful guitar solos, as well as what we would liken to Led Zeppelin, Queens of the Stone Age, Shed Seven, and even hints of Velvet Revolver on tracks like ‘These Days’ – imagine ‘Slither’ mixed with She Builds Quick Machines’.
However, it feels like we’re starting to hear them pulling in a slightly new direction and trying new things; there’s no better example of this than their recent singles, ‘Quiet Space’ and ‘If I Go’, which we’ve had on repeat for a few weeks now. ‘Seeker’, ‘Midnight Mile’ and ‘Old Friend’ are where we’d start though.
Third on our list is the immense throwback that is a young man called Elliot James Reay: the 22-year-old singer-songwriter from Bury but with a sound harkening back to the end of America’s ‘Golden Age’, where pop rolled into rock and vice versa.
Taking inspiration from the likes of Elvis Presley and deep obsessions with Roy Orbison, not only in terms of the music but look and overall style, this up-and-coming solo artist feels like he was born in the wrong era but will happily keep the fight alive with the help of vintage jackets, slicked-back hair and a guitar.
He’s only got a small handful of tunes so far, so it won’t feel too overwhelming to get through his discography either but you can also enjoy a selection of his old world covers including tracks by Orbison, Elvis, Paul Anka and more.
A Manchester artist with a straight out of the American South.
4. Florentenes
Number four of December 2024 is Florentenes from Bolton – well, Westhoughton to be more specific; are they named after the old tea room and bakery in the centre? We couldn’t possibly say, all we know is they’re very a talented group of young lads helping put the town’s music scene on the map.
Their debut EP 14:17 dropped back in November and there’s already a very clear stylistic idea in their heads even at such a young age. Melancholy nonchalant vocals that burst into shrieks and rip-roaring guitars are reminiscent of The Stokes, The Hives, Palaye Royale and even Frank Carter at times, but there are also early Arctic Monkeys drumming as well pacey Surf Curse-esque guitar riffs. There is a lot of different stuff going on, basically.
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Again, they’ve only five tunes to get through just yet so this would be a great time to latch onto them before they inevitably start gaining more momentum next year. You don’t write build-ups, breakouts and literal screams like the one lead vocalist Will Smith (not that one) delivers in ‘Glue’ and not go anywhere. Watch this space.
And our last pick of the year goes to local lads Bayboards who are another local outfit that we’re getting very excited about going in 2025, for a couple of reasons. Let us explain…
Maybe it’s just how we process music or some weird serendipity, but we happened to discover these guys not long after hearing the news of Sundara Karma calling it a day and, fortunately for anyone who has been a fan of them, you’ll get a lot of that vibe from this quartet and plenty more range too.
You’ll get notes of Circa Waves and Vistas, as well as plenty of other contemporary British indie bands, not to mention some more shoegazey moments at least in those distorted guitar tones. We’re excited to see where they go next and if it’s anything like ‘Push Against The Blue’, ‘Moving to America’ or ‘Fire and Air’ we’ll be there every step of the way.
One of the most exciting new artists coming out of Manchester at the minute.
And for the last time this year, that really is all she wrote.
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We sincerely hope you’ve enjoyed coming along with us on the voyage of discovery and have genuinely cottoned on to new bands and artists from Greater Manchester that you’d never heard of before and perhaps familiarised yourself with a kind of music you never thought you’d enjoy up until now.
It goes without saying that this sort of stuff – discovering and championing local, up-and-coming bands – is the lifeblood of Audio North and genuinely keeps us going all year round.
You best believe we’ll be back with more in 2025 (so long as you’ll have us) and until then, we urge you to go back through previous months and above all else, happy listening!
Featured Images — Em Cole (supplied)/Bayboards (via Facebook)/Press Shot (Facebook)
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The Strokes at Co-op Live, Manchester – stage times, setlist, tickets and more
Lydia Mastrolonardo
This Autumn, everybody’s favourite New York-based indie band The Strokes have been treating fans across the globe to their energetic live shows – and Monday is finally Manchester’s turn.
That’s right – one of the most iconic indie rock bands of the era are set to bring their Reality Awaits tour to the Co-op Live for the first ever time, with their decade-spanning catalogue of indie anthems purely for our listening pleasure.
The Strokes formed back in 1998 and soon earned attention from major labels after becoming known for their intense live shows and with the release of their 2001 EP The Modern Age. This was closely followed by their first album, ‘Is This It,’ and ever since they’ve had fans absolutely transfixed.
These American rockers have dominated the charts with four Top 10 albums over the last decade, earning numerous awards along the way and even landing a spot on Rolling Stone’s Top 10 Debuts of All Time list. Now it’s our time to see them in the flesh – we absolutely can’t wait.
Here’s everything you need to know about the Manchester night, including dates, tickets, support, setlist, and how to get to the arena.
Gig Guide | The Strokes at Co-op Live, Manchester
Stage times for The Strokes at Co-op Live, Manchester
These are the only times that are confirmed, but it’s expected that support acts will begin around 8:00pm, followed by The Strokes on stage around 9:00pm.
For the Manchester gig, The Strokes will be joined by special guests, Alex Cameron and Fat White Family.
Alex Cameron is an Australian singer-songwriter, specialising in synth-pop and soft rock, joining us all the way from Sydney. He also has an impressive history having written for the likes of The Killers.
Fat White Family are and English rock band, which formed in 2011 in Peckham, London. The band are set to provide one of their typically high energy performances, which will be sure to get the crowd warmed up for The Strokes.
What songs can fans expect to hear?
It is set to be an unmissable show with frontman Julian Casablancas’ distinct vocals on albums containing crowd favourites like “Reptilia” and “Last Nite,” as well as material from their most recent album ‘The New Abnormal,’ and upcoming album ‘Reality Awaits.’
Based on the reported setlist from their Paris show on 22 October, Manchester fans can look forward to a strong selection of familiar hits, however as always it is subject to change.
The suspected set list goes as follows:
Going to Babble On
Reptilia
Hard to Explain
Dine N’Dash
Soma
Lonely in the Future
Juicebox
The Adults Are Talking
Heart in a Cage
Going Shopping
You Only Live Once
Meet Me in the Bathroom
One Way Trigger
Automatic Stop
Someday
Tyrants of the Mellow Moon
Take It or Leave It
Last Nite
Encore
New York City Cops
Threat of Joy
Ode to the Mets
Encore 2
Selfless
How to get to Co-op Live
Tram
For those of you heading to Co-op Live, you’ll be glad to know it’s right next door to a rather famous big blue stadium and its integrated Metrolink stop.
Head along the light blue or orange lines directly to the Etihad Campus or Ashton-under-Lyne, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Trams run frequently on the Ashton-Eccles line to the Etihad stop, with services leaving every six minutes from the city centre and until 1am on Fridays and Saturdays.
Bus
You can find the full list of bus routes HERE, with the one in closest proximity to the venue being the 53 bus, which runs from Cheetham Hill through to Higher Crumpsall, Old Trafford and Pendleton, leaving just a two-minute walk to Co-op Live.
Getting there by car and parking
If you’re driving, there is limited parking available at the venue, but this must be pre-booked ahead of time, and there are designated drop-off areas.
The postcode is M11 3DU, and you can follow the signs towards the wider Etihad Campus as you get closer; directions to the adjacent drop-off points will also be signposted.
Keep in mind that congestion on the roads close to the stadium is expected to gather around two hours prior to any event, so if you are travelling on the road, these are the suggested times they provide on event day, though estimates will obviously vary:
Alan Turing Way (both directions): plan an additional 20 minutes into any journey by road.
Hyde Road (eastbound): expect an additional 15 minutes to be added to your journey.
Mancunian Way (westbound): plan for an extra 10 minutes of travel time.
There are also three park-and-ride facilities near Co-op Live, but be advised that the Velopark and Holt Town stops will be closed post-event to help safely manage crowds:
Ashton West (Ashton line) – 184 spaces and 11 disabled spaces
Ladywell (Ashton-Eccles line) – 332 spaces and 22 disabled spaces
Walk/cycle
Lastly, Co-op Live is only a half-hour stroll from Manchester Piccadilly, and you could even walk along the canal all the way to the front door if you fancy taking the scenic route.
Greater Manchester now also offers the option to hire bikes on the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app. There are hire points just near the south-west corner of the Etihad Stadium on Ashton New Road.
For more information on all travel options, you can check out the enhanced journey planner.
Mercury Prize 2026 review: RAYE takes home the crown as Newcastle celebrates the very best in music
Clementine Hall
One of the biggest nights in music kicked off last night as the Mercury Prize 2026 was awarded.
If there was ever a night to fall head over heels in love with British and Irish music, the 2026 Mercury Prize made a very convincing case.
Bringing together some of the country’s most exciting artists under one roof in Newcastle, this year’s ceremony was a reminder of just how much talent is packed into the current music scene.
From established legends to the names shaping what comes next, it was an absolute belter.
Images: Audio North
Held at the Newcastle Utilita Arena for the second year running, I think everybody in that room felt very lucky to be there to see firsthand who took home the coveted prize.
The shortlist brought together an impressive mix of artists, with Florence + The Machine, Olivia Dean, JADE, Suede, Pulp, Dave and Sir Paul McCartney among the big names making the lineup very star studded indeed.
Suede kicked things off with ‘Dancing With The Europeans’, bringing their unmistakable energy to the ceremony, while Pulp delivered ‘Begging For Change’ as part of the HELP(2) charity compilation.
It was a line-up that demonstrated the sheer range of music being made across the UK and Ireland, from contemporary pop to established rock and even jungle thanks to Bradford’s own Nia Archives.
And of course, there was one woman who had every reason to leave with a smile on her face.
RAYE took home the coveted Mercury Prize for THIS MUSIC MAY CONTAIN HOPE., an ambitious, genre-hopping album that blends jazz, soul, R&B and classical influences into something so fabulously unique.
Image: Audio North
Newcastle’s own Knats performance was definitely a highlight of the evening, combining slick jazz with spoken-word poetry against a projection of The Tyne Bridge.
A fitting image, and one that underlines the importance of holding such huge events in the north and highlighting the obvious talent that thrives here.
The 2026 Mercury Prize was a brilliant showcase of the country’s music at its best.
And with RAYE taking home the trophy, it’s clear there is plenty of ‘hope’ left in British music.
Danny Jones -
31st December 2024 
