Award-winning theatre-makers Candice Edmunds and Jamie Harrison have cast a spell, transforming a childhood classic into a new must-see musical.
Bedknobs and Broomsticks is flying across the country on a musical tour, opening at our very own Palace Theatre this week for a world premiere.
A proper classic, production for the original film was given the green light by Disney studios in 1969 and received five Academy Awards in 1971.
Now, for the first time ever, a stage musical adaption of Mary Norton’s fantasy is being shown in theatres across the country.
The Manc was lucky enough to go see the magic unfold.
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Michael Harrison’s stage adaption is a force to be reckoned with. Energetic, imaginative, and fun for all – it’s sure to become the nation’s new favourite.
The Palace Theatre was packed and as the house lights lowered a spooky murmur spread across the audience. Being the first stage performance of Bedknobs and Broomsticks, to say this production had some high expectations to meet is an understatement.
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But, wow, Brian Hill’s adaption went above and beyond (there is literally a floating bed).
The main characters flying on the iconic bed / Image: Johan Persson
Seeing the original story come back to life was a pleasure for all, especially in such capable hands. The production also stayed loyal to the Disney classic in all the right places.
The set design was nothing short of magical and had audiences marveling at one another in the interval.
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Co-director and set designer James Harrison also designed the set on Harry Potter and the Cursed Child. Harrison certainly possessed the sorcery needed to conjure the magical land of ‘Bedknobs and Broomsticks’ on stage.
The iconic bed floated inexplicably above the auditorium glowing with colour and light. Miss Price commands an army of floating clothes while soaring over the audience on a broomstick. A hungry lion, a fishing bear, and a flustered bird were masterfully brought to life through puppetry. Actors turned into white rabbits and back again so seamlessly that gasps were heard followed by applause after every trick.
With these special effects, it was hard not to start believing.
Dianne Pilkington as Eglantine Price soars on a broomstick / Image: Johan Persson.
West-End star Dianne Pilkington (Glinda in Wicked and Donna in Mamma Mia!) is back on the stage for the first time to play the mysterious witch Eglantine Price. A role known and loved to be Angela Lansbury’s who played Eglantine in the film, Pilkington had mighty shoes to fill.
But only Dianne Pilkington could have filled them.
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Pilkington approaches the role with confidence and fresh energy. She captures the attention of all audience members through her unfailing vocal abilities and witty interpretation of the character. We couldn’t take our eyes off her.
Charles Brunton (Miss Trunchball in Matilda) played the con artist Emelius Brown with all the charm of a quintessential shabby Englishman. Brunton is the perfect match for Pilkington and the two danced around each other with perfect ease, a duo we would like to see again.
The Rawlins, three orphans evacuated from London and reluctantly adopted by Miss Price, were played by (Connor O’Hara, Evie Lightman, and Jasper Hawes). The children played their roles with sensitivity and were all strong vocal talents.
The three Rawlins children on stage / Image: Johan Persson.
New songs and additional music and lyrics by Neil Bartram were a grand success. ‘Nobody’s Problem’ proved the five-core actor’s strength as an ensemble, their choral harmonisations added to the heart-wrenching sadness of Bartram’s lyrics.
Sherman Brother classics including ‘Age of Not Believing’ and ‘The Beautiful Briny’ made a comeback. Combined with being old favourites and the added verve of theatricality, you wondered why this was their first time being performed on stage.
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But it was ‘Portobello Road’ that stole the show. Costumes dazzled with glitter, chorus members whirled around on carts and the detailed choreography won it The Manc’s song of the show.
The play was granted the standing ovation it deserved. Whoops and cheers shook the auditorium.
Home to lavish musicals and pantomimes since the beginning of the 20th Century, The Palace Theatre was the perfect place for Bedknobs and Broomsticks to open in Manchester.
The Palace has put on thousands of performances, but Bedknobs and Broomsticks is sure to become a gem in the crown jewels.
Grab your tickets for its run in Manchester here. Or if not, you can chase it as it flies round the rest of the country here.
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Manchester dates: October 19 – 24
Directors: Candice Edmunds and Jamie Harrison
Running Time: 2 hours
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Featured Image – Johan Persson
News
The Greater Manchester high street that now has THREE great wine bars in a 200m stretch
Daisy Jackson
A popular suburb of Greater Manchester seems to be having a bit of a wine bar moment – and for once, we’re not talking about Stockport.
Prestwich has a buzzing little food and drink scene, and just this week has welcomed a brand-new wine bar.
That brings the total number of wine bars in the village to three – and they’re all in just a 200m stretch of the high street.
The latest addition is Cellar Door, headed up by siblings Ben and Sarah and sitting side-by-side with acclaimed neighbourhood restaurant The Pearl.
Cellar Door joins long-standing favourite Whole Bunch Wines (formerly known as Grape to Grain) and the new-ish Chin Chin, which comes from the same team behind Elnecot in Ancoats.
And beyond that, The Pearl has a ‘wine window’ where they’ll pass your drink out to you to drink on their pavement bistro tables.
If you much prefer a decent glass of wine instead of a pint, Prestwich is becoming the new hotspot for a bar crawl.
Read on for more on each of these brilliant independent businesses.
Cellar Door
Cellar Door is the newest wine bar to open in Prestwich. Credit: The Manc Group
The newest wine bar on the Prestwich high street is Cellar Door, opened just this month by brother and sister Ben and Sarah.
It’s their first project together and is stocked with more than 200 different wines, plus plenty of beers (including some local names), selected batched cocktails served ice-cold, and a menu of nibbles too.
Spanning two floors, there’s a sunny balcony upstairs for sunnier days, but in the meantime, get cosy in a booth with a glass of something from their VAST vino collection.
Whole Bunch Wines (formerly Grape to Grain) wine shop in Prestwich. Credit: The Manc GroupWhole Bunch Wines (formerly Grape to Grain) wine shop in Prestwich. Credit: The Manc Group
An ‘off licence with a difference’, Whole Bunch Wines (which used to be known as Grape to Grain) is Prestwich’s original spot for a wine.
Almost a decade old now, Whole Bunch Wines has a proper enomatic wine machine which means you can have a glass of their chosen bottles each week (without committing to a full bottle – though no judgement if you do want to do that too).
They also have a counter stuffed with cheese, meat and fresh bread so you can customise yourself a deli board.
There’s not much better than grabbing a bottle to take away from Whole Bunch, then changing your mind and cracking it open sat on one of the barrel tables outside instead.
Last but definitely not least on this mini wine crawl around Prestwich is Chin Chin.
This lovely spot comes from the team behind Elnecot, who initially opened it as Dokes Pizzeria (but then Rudy’s opened up opposite and honestly, who can be arsed) before pivoting it to be a wine bar.
There’s jazz vinyls playing, an enormous selection of rotating wines, a smart interior of tiled tabletops and moody red paint, and – a weekly highlight for locals – Sunday Sessions with roast dinner-inspired sandwiches and £4 pints.
Manchester City hit with backlash from season ticket holders after ‘divisive’ North Stand update
Danny Jones
Manchester City have shared a new update on the impending North Stand expansion and concourse upgrade, but the most recent reveal has been met with plenty of backlash from supporters set to suffer the consequences.
The Etihad is currently undergoing a major transformation that will see numerous new facilities added to the wider campus experience – most notably the increased capacity of the North Stand, which will make room for a further 7,000 or so fans.
Back in March, the club revealed the official brand partners for their upcoming on-site hotel, which will also accompany a new sky bar and rooftop stadium walk experience as part of the wider plans, but while adding more seats and things for matchgoers to do sounds good on paper, it’s come at a cost for many.
Reacting to the news of social media, many regular fans are now set to be forced out of their seats to make way for more hospitality sections at the end of the stadium, meaning the post has proved ‘divisive’ to say the least.
Are you joking? I’ve sat in the same seat for almost 20 years and this is how I find out I’m ‘relocating’. It’s an absolute disgrace the way you’re treating loyal fans in favour of tourists. I was there when we were shit, do you think they will be here if we go to shit again?
As you can see, both Blues, neutrals, and even rivals alike are expressing their shock and disappointment in not only the decision but the manner in which the announcement was made.
One person said on X: “You turfed me and hundreds of others out of our seats four seasons ago when you dug them up for digital signage. We were all split up and had to scrape around for new seats. Had enough of all the new rules and digital tickets/transfers. I sit on my sofa now and save £3k.
Reply in the comments underneath the response, a Manchester United fan added: “I don’t like City, but this is something I can stand with [fans] on.”
Even well-known online commentators like ‘HLTCO’ (Hopkin Looking To Curl One), a.k.a. Dan Cook – a notable Crystal Palace die-hard – shared his two cents online.
“Man City season ticket holders are being told that they’re being permanently moved from the seats they’ve had for years to accommodate a new corporate seating area”, he wrote, adding: “This is the sort of thing that fans everywhere have to push back against; these clubs see us as a nuisance.”
In terms of what the stadium overhaul looks like, the latest CGIs show the first proper glimpse of the new ‘Cross Bar’ that will “offer a relaxed, social atmosphere” for around 300 fans, as well as the new ‘City Hall’ concourse area, which will cater to around 500 punters both on game-days and beyond.
As detailed in the full statement on the club website, they have insisted that they will be supporting those “may need to move seats ahead of the commencement of the 2026/27”, clarifying that no one will need to be relocated to accommodate the Cross Bar, specifically.
They go on to add: “We understand that relocating seats may be unsettling, and we are here to support these fans”. They have promised things like a “priority relocation window” and, most crucially, a guarantee that they won’t have to pay more to sit in what is typically a more expensive stadium block.
However, while they have also assured that people will be able to move groups of seats so as to stay around their friends, as explained by a user above, this is easier said than done and ticket uncertainty remains a big concern among the fan base.
What do you make of the latest Etihad Stadium news, City fans?
Dolly Busby -
22nd October 2021 
