Award-winning theatre-makers Candice Edmunds and Jamie Harrison have cast a spell, transforming a childhood classic into a new must-see musical.
Bedknobs and Broomsticks is flying across the country on a musical tour, opening at our very own Palace Theatre this week for a world premiere.
A proper classic, production for the original film was given the green light by Disney studios in 1969 and received five Academy Awards in 1971.
Now, for the first time ever, a stage musical adaption of Mary Norton’s fantasy is being shown in theatres across the country.
The Manc was lucky enough to go see the magic unfold.
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Michael Harrison’s stage adaption is a force to be reckoned with. Energetic, imaginative, and fun for all – it’s sure to become the nation’s new favourite.
The Palace Theatre was packed and as the house lights lowered a spooky murmur spread across the audience. Being the first stage performance of Bedknobs and Broomsticks, to say this production had some high expectations to meet is an understatement.
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But, wow, Brian Hill’s adaption went above and beyond (there is literally a floating bed).
The main characters flying on the iconic bed / Image: Johan Persson
Seeing the original story come back to life was a pleasure for all, especially in such capable hands. The production also stayed loyal to the Disney classic in all the right places.
The set design was nothing short of magical and had audiences marveling at one another in the interval.
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Co-director and set designer James Harrison also designed the set on Harry Potter and the Cursed Child. Harrison certainly possessed the sorcery needed to conjure the magical land of ‘Bedknobs and Broomsticks’ on stage.
The iconic bed floated inexplicably above the auditorium glowing with colour and light. Miss Price commands an army of floating clothes while soaring over the audience on a broomstick. A hungry lion, a fishing bear, and a flustered bird were masterfully brought to life through puppetry. Actors turned into white rabbits and back again so seamlessly that gasps were heard followed by applause after every trick.
With these special effects, it was hard not to start believing.
Dianne Pilkington as Eglantine Price soars on a broomstick / Image: Johan Persson.
West-End star Dianne Pilkington (Glinda in Wicked and Donna in Mamma Mia!) is back on the stage for the first time to play the mysterious witch Eglantine Price. A role known and loved to be Angela Lansbury’s who played Eglantine in the film, Pilkington had mighty shoes to fill.
But only Dianne Pilkington could have filled them.
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Pilkington approaches the role with confidence and fresh energy. She captures the attention of all audience members through her unfailing vocal abilities and witty interpretation of the character. We couldn’t take our eyes off her.
Charles Brunton (Miss Trunchball in Matilda) played the con artist Emelius Brown with all the charm of a quintessential shabby Englishman. Brunton is the perfect match for Pilkington and the two danced around each other with perfect ease, a duo we would like to see again.
The Rawlins, three orphans evacuated from London and reluctantly adopted by Miss Price, were played by (Connor O’Hara, Evie Lightman, and Jasper Hawes). The children played their roles with sensitivity and were all strong vocal talents.
The three Rawlins children on stage / Image: Johan Persson.
New songs and additional music and lyrics by Neil Bartram were a grand success. ‘Nobody’s Problem’ proved the five-core actor’s strength as an ensemble, their choral harmonisations added to the heart-wrenching sadness of Bartram’s lyrics.
Sherman Brother classics including ‘Age of Not Believing’ and ‘The Beautiful Briny’ made a comeback. Combined with being old favourites and the added verve of theatricality, you wondered why this was their first time being performed on stage.
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But it was ‘Portobello Road’ that stole the show. Costumes dazzled with glitter, chorus members whirled around on carts and the detailed choreography won it The Manc’s song of the show.
The play was granted the standing ovation it deserved. Whoops and cheers shook the auditorium.
Home to lavish musicals and pantomimes since the beginning of the 20th Century, The Palace Theatre was the perfect place for Bedknobs and Broomsticks to open in Manchester.
The Palace has put on thousands of performances, but Bedknobs and Broomsticks is sure to become a gem in the crown jewels.
Grab your tickets for its run in Manchester here. Or if not, you can chase it as it flies round the rest of the country here.
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Manchester dates: October 19 – 24
Directors: Candice Edmunds and Jamie Harrison
Running Time: 2 hours
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Featured Image – Johan Persson
News
Oasis finally confirm ‘private ballot’ ticket information for reunion tour
Daisy Jackson
Oasis have just announced more information about how tickets will be sold through a ‘private ballot’ for their extra reunion tour dates.
The group added two additional shows at Wembley Stadium after their initial 17 gigs across London, Manchester, Dublin, Edinburgh and Cardiff generated huge demand and sold out in a day.
Oasis and Ticketmaster came under fire though for the use of dynamic pricing, which saw ticket prices shoot up by hundreds of pounds by the time people made it through the online queues.
For these additional reunion tour dates at Wembley, ticket sales will look a little different.
They’ll be using a ‘private ballot’, which will give first dibs to those who missed out on the first ticket sale.
You’ll only be invited to register for the sale if you signed into your Ticketmaster account on Saturday 31 August, and joined a queue for a specific show.
And you’ll only receive an invitation if you DIDN’T manage to bag tickets the first time round.
THEN you’ll be able to register for the actual ballot, which still doesn’t guarantee you a ticket but does at least get you into a (hopefully less lengthy) queue.
“Invitations to enter the private ballot will be sent overnight tonight (Saturday) to eligible fans we have been able to identify.
“If you signed into your Ticketmaster UK account on Saturday, 31st August, and were able to join a queue for a specific show, but didn’t get a ticket-then you may be eligible to take part and will receive an email on how to register for the ballot.
“Keep an eye on the inbox associated with your Ticketmaster account, and don’t forget to check your junkmail.
“Once successfully registered, you will be entered into the ballot for a code for access to the final Wembley on sale.
“Due to the demand for the shows and to avoid last week’s long queues, codes will be strictly limited. Entry to the ballot does not guarantee you will receive a code.
“The ballot is only open to invited fans. You must register with the email to which your invitation was sent and which is registered with your Ticketmaster account.
“All other entries will be discounted. If you do not receive an email then unfortunately you will not be eligible for the ballot.
“You will be automatically discounted from the ballot, even if you go through the registration process.”
Featured image: Simon Emmett
News
Manchester Airport named UK’s worst in annual Which? survey for third year running
Emily Sergeant
Manchester Airport has officially been declared the worst airport in the UK, according to a new survey by Which?… yet again.
The summer travel season may be drawing to a close now, with hundreds of flights having taken off and landed in our region over the last couple of months, but for any Greater Manchester holidaymakers who are still yet to jet off, an annual ranking by consumer choice group Which? has proved to be pretty grim reading.
That’s because several terminals at the UK’s third largest airport have found themselves at the bottom of the list in Which? latest findings.
Manchester Airport has hit back at the survey and defended itself, saying its own passenger surveys suggest people are “much more positive” about the airport, adding that it was “proud to give people in all parts of the North easy and affordable access to nearly 200 different destinations across the world”.
For its annual survey, Which? spoke to nearly 7,000 passengers to gather feedback about their experiences of flying from UK airports over the last 12 months, and asked them to score the airports across 11 categories.
Manchester Airport has been named the worst in the UK for the third year running / Credit: The Manc Group
Some of these categories including seating, staff, toilets, and of course, the queues we all dread at check in, bag drop, passport control, and security.
And just like in both 2022 and again in 2023, it was Manchester Airport Terminal 3 that ranked right at the bottom, receiving the lowest customer satisfaction score of 37%.
Manchester Terminal 1 ranked one place above that with a score of 40%, while Manchester Terminal 2 was a little further up the the list with a score of 51%, and just saw Luton Airport, London Stansted, and Belfast International Airport sandwiched in between it.
According to Which?, some of the complaints it received about Manchester Airport from passengers who responded to the survey this year was that older people struggled with long walks due to travelators being broken since 2021, difficulties with finding a seat, and “horrendous” queues with people apparently being “corralled like cattle”.
As mentioned though, Manchester Airport has slammed Which?’s findings in a formal statement.
The UK’s third largest airport has hit back at the survey results and defended itself / Credit:
Describing the survey as “disappointing to see”, Manchester Airport’s statement reads: “We understand not every experience is perfect and want all passengers to feel able to raise their concerns directly with us. That is why we speak to them on a daily basis, surveying hundreds of people a month to get in-the-moment feedback from a full range of perspectives.
“That is in stark contrast to Which?, which conducted a tiny and unrepresentative survey of its members six months ago, asking them to recollect airport experiences that could have been as far back in time as April 2023.
“Which? fully understands that its readers form a narrow group of passengers whose views cannot in any way be taken to represent those of the travelling public at large, but chooses to promote its survey findings as if they do.”
Manchester Airport says it’s disappointing see Which? “chase cheap headlines” with its “sensational and over-simplified characterisation of airports” and the different roles they play, adding: “To make matters worse, it has printed inaccurate statements about our facilities and security waiting times that paint a more negative picture than reality.