International smash hit musical Six has returned to the Lowry theatre in Salford, telling the tale of Henry VIII’s notorious marital history… through pop songs.
First performed by Cambridge University students at the Edinburgh Fringe festival in 2017, Six has since ruled the theatre scene with its chart-topping soundtrack and powerful female cast.
West End productions and Broadway shows have garnered rave reviews and Six has been nominated for multiple awards at the Laurence Olivier Awards.
Credit: Johan Persson. (Caitlin Tipping as Jane Seymour, Vicki Manser as Katherine Howard, Lauren Drew as Catherin of Aragon, Maddison Bulleyment as Anne Boleyn, Shekinah McFarlane as Anna of Cleves & Elena Gyasi as Catherine Parr.)
Postponed twice already, the return of the six Queens was long awaited. Queues for the Six merchandise at the Lowry outdid the queue for food twice over.
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Groups were singing the songs in the foyer, snapping their fingers and grooving their hips, hyping themselves up to finally see it live. The Six album has reached over 10 million views on YouTube.
The Queens begin on stage with the chilling ‘Ex-wives’, introducing themselves explaining how they are more than ‘just one word in a stupid rhyme’.
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Each take centre stage in turns to prove they were the the worst-treated of Henry’s wives, with clever lyrics laying bare Henry’s blatant mistreatment of women and how he got away with it.
Credit: Johan Persson
It’s historically accurate, but this time it’s herstory – Six is a re-writing of the history books and takes the crown as this year’s musical must-see.
Writers Toby Marlow and Lucy Moss – masters of comedy – fill the hour and twenty minutes with laughs, catchy lyrics and some home truths about female victimhood and empowerment.
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Each wife takes to the stage in a hip-hop, rap, techno, soul, rock battle, fighting for the crown of the worst treated by Henry VIII.
Credit: Johan Persson. (Caitlin Tipping as Jane Seymour, Vicki Manser as Katherine Howard, Lauren Drew as Catherin of Aragon, Maddison Bulleyment as Anne Boleyn, Shekinah McFarlane as Anna of Cleves & Elena Gyasi as Catherine Parr.)
The queens really do sparkle. Gabrielle Slade kills it with her modern glittery take on 18th century dress.
The costumes here are made up of corsets, puffed sleeves, skin-tight trousers, short petit-coats and delicate hair crowns, all topped off with cute heels and biker boots.
All the anthems are girl power to the max. Spice Girls meets Beyonce meets Avril Lavigne meets Little Mix with a Tudor twist.
The performances are slick and flawless. The cast of all-female power icons are set to become musical-theatre giants after Six.
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Credit: Johan Persson.
The stars are supported by their ‘Ladies in Waiting’ who are instrumental (excuse the pun) to the performance. Usually, the band sit in the pit of the theatre, but these rock-stars are front and centre jamming on the electric keyboard, drums, bass and guitar.
The performances are wonderfully overwhelming, chills are guaranteed, and tears will well with the uplift of female empowerment.
The crowd at The Lowry become a sea of beaming faces and pumping fists, with a standing ovation and cheers of ‘encore’ echoing long after the music dies.
The play spins GCSE history into a much more entertaining experience, filled with glittery corsets and banging break-up anthems.
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Teach your children the right version of history and go and watch Six – we cannot wait to see it again.
Six sexy ex-wives give you their take on the infamous stories that have defined them for centuries, and Henry VIII gets what he’s had coming for him… a revenge musical.
It’s on it’s 2021 tour – so grab your tickets online here.
Theatre
Legally Blonde the Musical at Opera House, Manchester – the campest of revamps
Amy Williams
If you’re thinking about going seeing Legally Blonde at The Opera House this November, let us tell you why you absolutely should.
The iconic West End musical, based on the award-winning film starring Reese Witherspoon, is back on tour, and in Manchester for the next two weeks.
If you haven’t seen it before then let us give you an idea of what it’s about – the story follows Elle Woods, a girl from Malibu, who is madly in love with her high school sweetheart.
The problem is he wants something more ‘serious’ than her, which is when she decides she’ll follow him to Harvard and become a law student, to prove she’s more than just the ‘dumb blonde’ he thinks she is.
On stage, Legally Blonde’s dialogue is almost entirely through song, so you expect there’ll be good voices amongst the cast – and they really do live up to expectations.
West End darling Amber Davies stars as Elle Woods, turning her 2018 Love Island win into an illustrious musical career that has seen her star in shows like Pretty Woman, The Great Gatsby, and 9 to 5. She absolutely blew us away.
Also putting on an incredible show is Karen Mavundukure as well, who plays Paulette, a hairdresser who becomes friends with Elle.
And some of the biggest ‘awws’ of the night of course went to the two wonderful dogs of the show, Sprout and Rocco.
Legally Blonde will make you laugh, have you sat in awe at the voices and stage set, and also really pull you into the story in hope that Elle gets what she REALLY wants in the end…
Legally Blonde is at Opera House Manchester until Saturday 14 November, make sure to grab tickets HERE before it’s too late.
ENB’s Romeo & Juliet at Palace Theatre Manchester – the world’s most famous story expertly reimagined | Review
Emily Sergeant
Every now and then you experience a bit of a full circle moment… and for me, this was one of them.
Back in 2011, when I was a dance-obsessed 14-year-old, taking and assisting classes countless times a week, I became enamoured by a BBC documentary series called Agony & Ecstasy: A Year with English National Ballet. As one of the country’s premier ballet companies – celebrating its 60th anniversary at the time of the documentary – ENB allowed cameras behind the scenes, from the rehearsal room to backstage, giving audiences a previously unseen inside look on what it takes to stage some of the most spectacular productions your eyes will ever meet.
One of the ballets being staged in the year the BBC followed the company was Romeo & Juliet.
Based on a story known around the world and with an unmistakable score by Prokofiev, it’s a ballet I was already fond of prior to the documentary, but seeing the work that went into making the show a reality, up close like never before, it turned into one of my favourites.
Over the years, I have been fortunate enough to see several different dance stagings of Romeo & Juliet – but last night, at the Palace Theatre in Manchester, was the first time I got to sit in the audience and see English National Ballet’s production live with my own eyes.
And it was just as magical as I was hoping it would be.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre / Credit: Laurent Liotardo
Right off the bat, I’m just going to presume you already have somewhat of a grasp on the story of Romeo & Juliet, right? Given the fact it’s arguably Shakespeare’s most famous work and one of the most iconic plays of all time.
And you’ll be pleased to know, even if you’re not seasoned in watching ballet, that the story we all know and love remains largely intact for this production, therefore making it easy for audiences of all ages and interests to follow along and admire.
The two title characters, the star-crossed lovers themselves, were embodied expertly by Rentaro Nakaaki and Julia Conway as Romeo and Juliet, who had the audience captivated from the second they entered the stage – with undeniable chemistry and enviable technique.
Fabian Reimair took on the role of Tybalt with ease, Noam Durand was Mercutio, and Rodrigo Pinto was Benvolio, all while Elvis Nudo and Minju Kang stepped into the shoes of Paris and Rosaline.
But the lead roles are nothing without the wider cast of supporting dancers and character actors, who really help transport you to 14th century Verona and help bring the authenticity a production as epic as this requires.
The world’s most famous story has been expertly reimagined / Credit: Bill Cooper | Laurent Liotardo
Aside from the dancing, it would be remiss not to praise the expert sets and costuming here from Ezio Frigero and Franca Squarciapino.
And I suppose I should also give a shoutout to little-known name, Rudolf Nureyev, who choreographed this version of Romeo & Juliet all the way back in 1977. Something tells me he would’ve had a great career… I could be wrong, though.
Romeo & Juliet really is one of the most tragic love stories of all time, and the power of that is not lost through dance. It’s still as raw and heartbreaking in this production as it always is.
And that is truly a credit to every single person forming part of it – both on the stage and off.
Dolly Busby -
16th December 2021 
