Over in Stockport, there’s a warehouse filled with all manner of Star Wars props – from Storm Trooper suits to Dak helmets – all created by a team of fans with a special set of skills.
Known officially as RS Propmasters, unofficially as the ‘King of Troopers’, they’ve created some incredible original Star Wars trilogy replica props for the silver screen and have had their work featured in some big Hollywood movies and at London’s V&A museum.
No strangers to the fantasy worlds of superheroes, they all met years ago in the replica prop community – a combination of painters, sculptors, mould makers and researchers.
Image: The Manc Group
That community, once comprised of secret groups and closed forums, is now very much out in the open – with the team going from fans making the cult props as a hobby, to becoming professionals in the movie prop world.
Brought together by their shared love of all the original Star Wars trilogy, they combined their passions to start creating what they saw on the screen – working from original moulds used in the 1970s.
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Those replicas got them noticed and, years later, the working prop studio has now worked with a large number of productions, including big studio movies.
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Image: The Manc Group
Image: The Manc Group
Image: The Manc Group
Today, together the studio can make two full Storm Trooper outfits in a day with a team of six people working on it at once.
And if that wasn’t impressive enough, they also recently produced 50 replica guns over six weeks for a new Hollywood superhero film.
In total, RS makes five different Star Wars characters at its Stockport studio – and so much research goes into making these props exactly how they would have been made for the films 45 years.
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The studio’s SnowTroopers, for example, have a direct lineage to the original movie. These helmets are cast from an original studio-made helmet they managed to get their hands on back in 2017 – the only time this has ever been done.
Not satisfied with that, though, they even journeyed to LA to visit a private collection in order to find the most accurate cowl fabric to do the helmet justice.
Let’s just say there are no cutting corners here.
Image: The Manc Group
A community born out of fans with a shared passion, today the studio is run by a team of ten – all with their own individual skillset.
From ‘amour guy’ Pete O’Rourke, who it’s said has probably built more accurate Stormtroopers than anyone else in the world, to Becka Albrecht, who comes from a Fine Art and Humanities background and paints and weathers all the props, every single one of them has a true passion for the stories behind the props they are creating.
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Avid Star Wars collector Simon Windus, meanwhile, puts the ‘S’ in RS – having launched the company in its early days with his original Stormtrooper suit. As for his partner Rob McCormick, he was making props before RS was just a twinkle in their eye – but back then, it was all about Boba Fett.
So well-respected and knowledgeable are Simon and Rob, they were even invited down to the Victoria and Albert Museum in London to help create a replica suit from an original costume piece back in 2015 as part of a British Film Institute exhibit.
And they’re right here on our doorstep, making magic from original cult prop pieces dating back to the 70s.
Progressing from hobbyists to esteemed industry professionals at the top of their game, it just goes to show if you are really passionate about something you can make anything happen.
To see more of the team’s work, follow them on Instagram here.
Feature image – RS Propmasters
Art & Culture
Elbow teams up with Co-op Live to donate equipment to Manchester grassroots venues
Thomas Melia
Bury band Elbow have joined forces with Manchester’s biggest indoor arena, Co-op Live, in aid of supporting local grassroots venues.
The funds will help improve the already incredible music scene in Manchester, benefitting staples likes Night and Day Café, Matt and Phred’s Jazz Club, SOUP and more.
All of the donations will be distributed across six independent music venues and will be used for various instruments, PA equipment, backline technology and other necessities depending on the requirements of each site.
Elbow have teamed up with Co-op Live in aid of supporting Manchester grassroots venues.Credit: Supplied
This initiative has been keeping Manchester’s Northern Quarter in the forefront of people’s minds when it comes to live music as well as the impressive Co-op Live.
Alongside providing vital resources for these local institutions, Elbow teaming up with Co-op Live also helps cement the North West as one of the main powerhouses in relation to live music.
The latest efforts from the largest indoor arena in Manchester fall in line with celebrating one year of bringing some of the best live music to the city, being officially open for 12 months in May.
Co-op Live have made a commitment to the people and the planet, promising to donate £1 million annually to the Co-op Foundation.
The stunning Co-op Live venue, Manchester’s largest indoor arena.Elbow performing at Co-op Live, marking history as the first act to grace the venue.Credit: Audio North/Supplied
Manchester’s latest live music venue also contributed significantly to selected charities, including Happy Doggo – chosen by Liam Gallagher and Eric Clapton’s addiction recovery centre, Crossroads.
As Elbow teams up with Co-op Live, even more money is making its way to necessary resources, this time in the likes of crucial live music establishments.
Elbow front-person Guy Garvey says: “Playing Co-op Live’s opening night will stay with us for a lifetime, not least because of how incredible the room sounded.”
“When the venue donated funds in our name to support the city we love, it made complete sense to carry that through to the Northern Quarter and to venues that have meant so much to my bandmates and I throughout our career.”
Guy Dunstan, Senior Vice President and General Manager, Co-op Live, adds: “In the past year, I have been proud to see Co-op Live become an integral part of such an incredible city.”
“Teaming up with Elbow to directly support the venues that first put Manchester on the map, and to share something so intrinsic to us as venues – proper sound – is something truly special.”
Award-winning The Kinks musical Sunny Afternoon to kick off UK tour in Manchester
Emily Sergeant
Multi award-winning musical Sunny Afternoon is set to kick off its UK tour here in Manchester later this year.
Following a sell-out run at Hampstead Theatre, the musical production featuring all the hit songs by legendary rock band The Kinks opened to critical acclaim at the Harold Pinter Theatre in London’s West End, where it ran for two years ahead of its sensational UK and Ireland tour throughout 2016/17.
It also collected four Olivier Awards, including Best New Musical and Outstanding Achievement in Music for Ray Davies, along the way.
Award-winning The Kinks musical Sunny Afternoon is kicking off its UK tour in Manchester / Credit: ATG Tickets
Set against the backdrop of Britain on the cusp of the rebellious 60s,Sunny Afternoon is described as being an ‘exhilarating and moving’ celebration of the music, life, and the band that changed it all, The Kinks.
Sunny Afternoon celebrates The Kinks’ raw energy, passion, and timeless sound.
Charting the ‘euphoric highs’ and ‘agonising lows’, the smash-hit production tells the band’s story through an incredible back catalogue of chart-toppers – including ‘You Really Got Me’, ‘Lola’, ‘All Day and All of the Night’, and of course, ‘Sunny Afternoon’ itself.
Tickets are on sale now from just £15 each / Credit: Kevin Cummins
Producers Sonia Friedman Productions and ATG Productions announced last week that the show would be returning for another UK tour later this year, and it’ll be opening right here on one of Manchester‘s most iconic stages.
The hit musical will open at Manchester’s Palace Theatre on 10 October 2025 and it will run right through until 18 October.
Sunny Afternoon has music and lyrics, and an original story, all by the band’s frontman Ray Davies, along with a book by Joe Penhall, direction by Edward Hall, design by Miriam Buether, and choreography by Adam Cooper.