Without music, there is no Manchester as we know it because the buzzing atmosphere in our great city was built by roaring guitars, scratching vinyls, shimmering strobe lights and booming microphones.
It’s no secret that the coronavirus (COVID-19) pandemic has flipped life as we once knew it on its head, and the satisfying, rhythmic hum that once used to echo through the city air on a daily basis has been ground to a halt over the past couple of months.
Not only has it been sorely missed by Mancunians, but it’s also come at an unfortunate cost.
Live music in Manchester and across the UK is on life support and the industry needs our help. Without it, 30-50% of the live music workforce will become unemployed, 90% of grassroots venues will close, and the industry will lose at least £900 million.
A coalition of live music artists, venues, concerts, festivals, production companies and industry figures successfully launched the campaign last month to highlight the importance of the sector to the UK’s economy and it’s recieved widespread support on social media.
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Today we join together once again with our friends & colleagues in the music industry to call for action to help protect the live music industry. Please show your support and share the message #LetTheMusicPlaypic.twitter.com/wMx6eEG951
We're proud to continue supporting the #LetTheMusicPlay campaign, highlighting the importance of the live music sector to the UK Government. We need to protect our venues, our workforce, and the infrastructure and companies that make up this business. pic.twitter.com/K8pZSfzqwQ
Today we once again join together with our friends and colleagues in the music industry to call for action to help protect the live music industry. Please show your support and share the message #LetTheMusicPlaypic.twitter.com/CE1GwEWDne
Let The Music Play is hoping to achieve the following three aims:
A clear conditional timeline for reopening venues without social distancing.
An immediate comprehensive business and employment support package and access to finance.
Full VAT exemption on ticket sales.
And they’re working – but the fight is still a long way from over yet.
After witnessing the traction that this campaign has been gaining over the past couple of weeks, and with the intent to keep the conversation continuing, it prompted us to begin reflecting. Here at The Manc, we always want to know where you stand and in this case, we want to experience the wonders of our city’s live music culture through your eyes.
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A chance to fondly reminisce.
So, we took to our social platforms this week – Facebook, Twitter and Instagram – to ask you, our loyal audience of Mancunians – ‘What’s your favourite Manchester gig memory?.
Here’s what you said:
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Facebook
Live music is a staple in Manchester and the entire industry needs our help getting through this crisis. Show your support and share your favourite moments with us ? #LetTheMusicPlay
Live music is a staple in Manchester and the entire industry needs our help getting through this crisis. Show your support and share your favourite moments with us ? #LetTheMusicPlaypic.twitter.com/lddpG83bDS
We received hundreds of replies to our question across all social platforms, so we unfortunately haven’t been able to include every single one in this article. Instead, we chose to feature a few that seemed to resonate the best with our audience and received the most interactions overall.
Are you keen to have your say? Do you have a different view? Got a musical memory you’d like to share?
Well, there’s still time to chip in, so make sure you head on over to The Manc on Facebook, Twitter and Instagram to take part, leave your thoughts and discuss with other Mancunians in the same position as you.
Don’t forget to follow The Manc Audio – @TheMancAudio on Instagram – for all the latest musical news in Manchester.
Find out more and keep supporting the #LetTheMusicPlay campaign here.
Audio
Neil Young pulls out of ‘corporate controlled’ Glastonbury Festival
Danny Jones
Music icon Neil Young has pulled out of Glastonbury Festival 2025 after claiming it has lost its identity and is now under “corporate” control.
The 79-year-old singer-songwriter, widely considered one of the greatest and most influential to have ever lived, was due to play the festival as one of the legends named on this year’s lineup.
However, despite lots of excitement around the veteran being given the nod over others from what has largely been seen as a pop-leaning pool (at least according to the detractors) in recent years, Young has now decided to drop out of the festival.
Neil Young’s latest ‘NYA Times Contrarian’ post explains the decision to drop out of Glastonbury.Neil Young in 2023 Credit: Screenshot (via Neil Young website)/Per Ole Hagen (via Flickr)
“The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs”, it reads. “We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.”
For context, the BBC has been partnered with Glasto since way back in 1997 and Neil Young has already headlined the festival back in 2009, so this shouldn’t exactly come as a surprise.
“It seems Glastonbury is now under corporate control and is not the way I remember it being. Thanks for coming to us the last time!”, he continues. “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.”
The message concludes with him hoping to catch fans at other venues and a simple “LOVE Neil – Be well”, but the tenor of the somewhat abrupt update is that the ever-opinionated and long-celebrated protest song-writer clearly believes the BBC‘s influence over the festival has now grown too strong.
Known not only as ‘Shakey’ and the ‘Godfather of Grunge’ but as one of the pioneering anti-establishment figures of a generation, the Canadian was previously in the headlines for demanding Spotify remove his music after taking issue with Joe Rogan’s anti-vax messaging on his show.
All that to say, the solo artist co-founding member of supergroup, Buffalo Springfield, is no stranger to taking on big business and companies if he feels he has good reason. Meanwhile, Rod Stewart will be performing in the coveted ‘Legends’ headliner slot at teatime on Sunday, 29 June.
Neil Young and the Chrome Hearts are looking set for a European tour this summer but if he’s taking on corporations and concerts under umbrella control, it seems unlikely we’ll see him at too many festivals or the likes of Co-op Live.
The better question is: do you agree – has Glastonbury Festival become too corporate and sanitised, or do you think it still upholds the same core values it had when it first popped up on Worthy Farm in 1970?
Featured Images — Ross Belot (via Flickr)/The Manc Group
Audio
Popular Manchester city centre club forced to close on New Year’s Eve due to flooding
Daisy Jackson
The heavy rain that hit Manchester on New Year’s Eve has caused flooding across the region, including the city centre.
One city centre venue had to close early on one of the biggest nights out of the year as water rushed into its basement.
In a statement shared today, Joshua Brooks shared that it had to close its New Year’s Eve party prematurely ‘to ensure everyone’s wellbeing’.
The popular city centre club had moved revellers upstairs to its clubhouse, rather than its basement, but ultimately feared the ‘unknowns regarding electrical safety’ and shut down early.
Luckily, party-goers were able to ring in the new year before the venue shut at around 2am.
Joshua Brooks shared: “Unfortunately, in the early hours of New Year’s Eve, we had to make the difficult decision to close the club prematurely due to unexpected flooding in our basement. The heavy rainfall in the Pennine mountains caused the River Medlock and several tributaries to overflow, impacting multiple venues along the riverbank, including ours.
“Our top priorities are always the safety of our ravers and the preservation of our equipment. As water levels continued to rise, we considered moving the party to the clubhouse upstairs. However, there were too many unknowns regarding electrical safety, so we ultimately decided to shut down the event around 2 AM, just under two hours before the end of the night, to ensure everyone’s well-being.
“We understand the inconvenience and disappointment this has caused you and sincerely apologise for disrupting your New Year’s Eve celebrations.
“Our warm-up DJs were absolutely smashing it, and Alan Fitzpatrick was playing great until the moment we had to close.
“While this type of incident is rare and hasn’t happened in years, there is always a risk due to our location. We want to assure you that we are taking this matter seriously and exploring all options to minimise the chances of this happening again.
“Thank you for your understanding and continued support.”
Luckily, Joshua Brooks hasn’t been left with any lasting damage to its main bar area, and is set to go ahead with its New Year’s Day party this evening.
The Manc -
7th August 2020 
