The DMA’s are still, four albums in, hell-bent on starting a riot everywhere they go.
But an evening spent at one of their gigs is the best kind of chaos, with music that immediately strips inhibitions and unleashes child-like, gleeful energy.
For a full 90 minutes at the O2 Apollo, there’s a swirling mass of 3500 people – from my perch up on the balcony, all I see is limbs and flashes of grinning faces.
The Australian trio are back out on tour, showing off music from their latest album How Many Dreams?
That new music, only a couple of weeks old at this point, is peppered throughout and received politely – but no one comes to a DMA’s gig wanting politeness.
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What we want is to belt out ‘The End’ with our elbows in each other’s faces, or sing ‘Tape Deck Sick’ with so much gusto you can feel it from your diaphragm.
The energy never gets more frenetic than it does for ‘Hello Girlfriend’, which truly is a bucket list experience for live music fans. Just when you think it’s over, just when the only sound left is feedback, Matt Mason is back at the mic chanting “Such a funny thing for me, try to explain” – and the band’s back, crashing drums and pounding guitars. Then quiet again, then Matt returns, and the pattern repeats, over and over, getting louder and louder, the crowd getting livelier and livelier. It seems like it will never stop – like we’ll all be sucked into a swirling vortex of flung pints of Carling and sticky floors for the rest of eternity.
But it does stop and slow down a little – for ‘Delete’, it’s less about shoving and more about hugging. I even spot a two-storey cuddle happening between a group of mates who are still on each other’s shoulders.
It’s pretty clear that frontman Tommy O’Dell has us all in the palm of his hand when he walks a stage-width away from his mic for the full ‘Silver’ chorus and we all fill in the gaps for him.
Their gigs in Manchester always have an air of a homecoming show about them. It doesn’t really make sense – they’re half-a-globe away from their actual home – but this bunch of Aussies have adopted that very distinctive Manc swagger, down to the waterproof parkas they all wear on stage.
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Johnny Took sincerely tells us: “You guys have changed our lives. You’ve taken us under your wing and it blows us away, so thank you.”
It makes sense then that the next time the DMA’s are back in Manchester, they’ll be supporting the Courteeners at their huge Heaton Park gig. Chaos is guaranteed.
Mercury Prize 2026 review: RAYE takes home the crown as Newcastle celebrates the very best in music
Clementine Hall
One of the biggest nights in music kicked off last night as the Mercury Prize 2026 was awarded.
If there was ever a night to fall head over heels in love with British and Irish music, the 2026 Mercury Prize made a very convincing case.
Bringing together some of the country’s most exciting artists under one roof in Newcastle, this year’s ceremony was a reminder of just how much talent is packed into the current music scene.
From established legends to the names shaping what comes next, it was an absolute belter.
Images: Audio North
Held at the Newcastle Utilita Arena for the second year running, I think everybody in that room felt very lucky to be there to see firsthand who took home the coveted prize.
The shortlist brought together an impressive mix of artists, with Florence + The Machine, Olivia Dean, JADE, Suede, Pulp, Dave and Sir Paul McCartney among the big names making the lineup very star studded indeed.
Suede kicked things off with ‘Dancing With The Europeans’, bringing their unmistakable energy to the ceremony, while Pulp delivered ‘Begging For Change’ as part of the HELP(2) charity compilation.
It was a line-up that demonstrated the sheer range of music being made across the UK and Ireland, from contemporary pop to established rock and even jungle thanks to Bradford’s own Nia Archives.
And of course, there was one woman who had every reason to leave with a smile on her face.
RAYE took home the coveted Mercury Prize for THIS MUSIC MAY CONTAIN HOPE., an ambitious, genre-hopping album that blends jazz, soul, R&B and classical influences into something so fabulously unique.
Image: Audio North
Newcastle’s own Knats performance was definitely a highlight of the evening, combining slick jazz with spoken-word poetry against a projection of The Tyne Bridge.
A fitting image, and one that underlines the importance of holding such huge events in the north and highlighting the obvious talent that thrives here.
The 2026 Mercury Prize was a brilliant showcase of the country’s music at its best.
And with RAYE taking home the trophy, it’s clear there is plenty of ‘hope’ left in British music.
Alex Warren announces massive Heaton Park gig in Manchester
Daisy Jackson
Alex Warren has just announced a huge summer gig in Manchester, performing to massive crowds at Heaton Park.
The chart-topping star will be performing on the hallowed grounds that have hosted the likes of Oasis, Courteeners, and Catfish and the Bottlemen.
Heaton Park will also be the site of two enormous Fontaines D.C. gigs next summer.
And now Alex Warren has added his name to the list, announcing that he’ll be taking the stage here in Manchester in July 2027 – one of the biggest gigs of his career.
The news follows a massive 12 months for the star, whose second album WILDCHILD topped charts around the world.
After first rising to fame as part of the TikTok group The Hype House, he went on to release music independently, eventually getting signed to Atlantic Records.
Since then, he’s topped charts globally with his songs and gone four-times platinum in the UK with his massive track, Ordinary.
He has also won an MTV VMA for best new artist, and has been nominated for a Grammy.
As well as Heaton Park, Alex will play summer shows at Cardiff’s Blackweir Fields, Belfast’s Belsonic, Dublin’s Malahide Castle, Live At Glasgow Green and Live at Powderham in Exeter, plus Blenheim Palace Festival, Scarborough Open Air Theatre, and two huge headline shows at Crystal Palace Park Live in London.
Alex Warren will play at Heaton Park in Manchester on 2 July – tickets will go on sale at 9am on Friday 30 October, with a number of artist, promoter and O2 presale available beforehand.