Royal Blood didn’t even attempt to conceal their thoughts at the BBC Radio 1 Big Weekend, swearing at the audience and storming off stage.
Mike Kerr, frontman of the rock duo, said the young crowd were ‘pathetic’ before walking off with his middle fingers raised.
The pair – who just announced a gig in Manchester for October – were visibly annoyed to not be welcomed with adoring crowds at the free festival, which this year took place in Dundee.
Speaking to the packed crowd, Kerr said: “Well I guess we should introduce ourselves seeing as no one actually knows who we are.
“We’re called Royal Blood and this is rock music. Who likes rock music? Nine people, brilliant.”
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He then continued to lash out at the audience, saying: “We’re having to clap ourselves because that was so pathetic. Well done Ben.”
Turning to the cameraman on stage, he said: “Will you clap for us? You’re busy. Can you clap? Yes, even he’s clapping. What does that say about you?”
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Drummer Ben Thatcher, meanwhile, swigged from a bottle of Patron tequila before miming to audience members to smile.
Royal Blood making their feelings known about the crowd at BBC Radio 1’s Big Weekend yesterday 😂
— The Rock Revival (@TheRockRevival_) May 29, 2023
Naturally, social media has erupted with discussion around the band’s behaviour, and whether it was justified.
Many blamed the event organisers, who jammed Royal Blood in the BBC Radio 1 Big Weekend line-up between pop acts Lewis Capaldi and Niall Horan.
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In fact, there was a stunning moment in the live stream where the camera panned to a bored-looking audience member with ‘NIALL’ written across her face.
Hundreds of people have said that Royal Blood should have respected their audience and worked harder to win them over.
Royal Blood swearing at their audience at the BBC Radio 1 Big Weekend. Credit: BBCA thoroughly unbothered Ben Thatcher of Royal Blood at the BBC Radio 1 Big Weekend. Credit: BBCRoyal Blood swearing at their audience at the BBC Radio 1 Big Weekend. Credit: BBC
Wigan band The Lottery Winners waded in, writing: “Man, some gigs are tough and you have to win over the crowd, but this is exactly how to NOT react. Very disappointed with Royal Blood here. No matter what level you get to, you’re never better than the audience.”
One person wrote: “Speaking as a Royal Blood fan, I’m all for back and forth with the audience but ideally not: 1) to an audience of teenagers. 2) when you come across like a sassy walk-on from Made In Chelsea. Respect your audience, always.”
Another said: “Royal Blood are brilliant live, but respect the audience. This is a festival not a Royal Blood gig & you’re playing before arguably the biggest British artist right now in Lewis Capaldi, 70%+ aren’t here for you. Should be trying to make new fans at festivals like this.”
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Someone else wrote: “I’d be so f*cking pissed if a band called ROYAL BLOOD hopped up on stage to play rock and roll, patronised me in a Waitrose accent and then had a literal tantrum because I wasn’t making enough noise. I’d actually lose the plot.”
Someone else made this comparison: “Eight-year-old me storming out of the living room because my family were talking through my performance of spice girls’ wannabe #royalblood.”
One tweet said: “Ahhh, what a lovely relaxing Bank Holiday, now to log on for my first day as the PR Manager for very cool and popular band Royal Blood.”
Tickets for Royal Blood’s gig at the O2 Apollo Manchester go on sale on Friday 2 June at 9am – you can get yours through See Tickets here.
Featured image: BBC
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The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Daisy Jackson -
31st May 2023 
