Easy Life frontman and songwriter Murray Matravers has issued an emotional update explaining more details surrounding the band’s ongoing lawsuit at the hands of easyJet and the easyGroup conglomerate over naming rights.
In case you somehow missed it, earlier this week the Leicester-based five-piece revealed they had been threatened with the prospect of being sued by the company owned by Greek-Cypriot billionaire, Stelios Haji-Ioannou, and best known for its budget airline, easyJet.
As ridiculous as it sounds (because it is), the multinational corporation intends to sue the band — whose name is stylised in lowercase as ‘easy life‘ — for using the word easy in their name, which they claim to have trademarked and have already been collecting royalties from other companies for some time.
Now, the latest according to Matravers is that the band and their legal representation have a clearer picture of how much fighting this in court will cost and when the wheels will really start moving.
Starting off by thanking fans and concerned parties in general for their “outpouring of love, anger, support and compassion” following the news, he labelled the reaction across the music industry and online as both “overwhelming” and “beautiful”.
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Despite multiple groups having “offered to crowdfund” to help the band take on the lawsuit, the singer, lyricist and co-founder reiterated that “this case is going to be extremely expensive to fight in the High Court” and wouldn’t actually begin until 2025.
“We would be undertaking an absolutely massive, potentially two-year-long fight against a billion-dollar corporation”, he continues. “We’re not a limited company: it’s our name on the lawsuit, they could take everything and we could be completely financially ruined — they know that and they are extremely aggressive”.
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With several dozens of ‘easy’-prefix businesses to their name, not mention countless more trademarks in existence (be they defunct, future-proofing or otherwise), the holding group has attempted to monopolise the word and already taken several other companies to court on the same grounds.
The full list of active easyGroup brands at present (Credit: Stelios Philanthropic Foundation)
The 27-year-old also commented on how both the company and other media outlets such as the Daily Mail are trying to discredit the group and “running [his] name through the dirt”.
Adding that he and his bandmates “feel intimidated” and “are going through it” during a very clearly emotional moment in the lengthy video statement, he went on to say that he believes they “have a very strong case” but warned they are going to need “upwards of half a million quid to get a fair trial”.
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Speaking passionately and defiantly, he ultimately declared that the ‘easy life vs easyGroup’ lawsuit is no longer just about the band but is instead “a case about corporate bullying” and merely one in a long line not just by this particular organisation but several others. Many of those commenting have been quick to draw comparisons between this situation and Joe Lycett‘s famous protest stunt against Hugo Boss.
As for the band, they have received a tidal wave of support from others in the music industry, with the likes of Arlo Parks, Mahalia, Professor Green and several others sending messages of solidarity and offering to help fundraise on their behalf. Murray was also praised for proving how the company doesn’t have a leg to stand on when it comes to who came first:
In their latest statement on the looming legal battle, the now deeply unpopular easyGroup labelled Matravers as a “brand thief” and argued that Stelios has owned the ‘easy’ family of brands since 1994, adding that he “needs to understand that he is not being sued by an airline” but its parent organisation.
Warning that the company “has a legal budget of £4 million per year with which to take action against brand thieves, big and small”, they even went so far as to highlight “negative PR about Matravers (for example having to be carried off stage for being too drunk to perform)”, suggesting that this could “reflect badly on easyGroup” and that “confusion is not necessary for such tarnishment to occur.”
They also drew attention to some of Easy Life’s previous merchandising such as tour posters with planes on and band t-shirts, both of which appear to mimic the company’s branding.
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The statement continues to progress in a rather personal manner, claiming that “Mr Matravers has also tried to develop the story that this is a ‘David vs Goliath’ and somehow the ‘little guy’ has the right to use any name he likes because he can’t afford lawyers.” Let’s just say we sincerely hope David wins this one.
Featured Image — easy life (via Instagram)/easyGroup
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Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc GroupBlossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
The Warehouse Project reveals return to Rotterdam for second-ever overseas event
Danny Jones
The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for just its second-ever overseas event.
After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.
There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.
Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.
The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.
WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.
There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.
As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.
With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.
We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.
Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.
Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.
Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below:
Danny Jones -
6th October 2023 
