We love digging up little glimpses of the old world and nuggets of what Greater Manchester used to be like back in the day, but unearthing a song all about how wonderful Stockport is might just be up there with one of the best things we’ve ever come discovered.
Yes, we fully appreciate how surprising and potentially funny that sentence alone might be to a lot of you, but please just bear with us.
We’ll confess that finding this gem of a track came from nothing more than a stroke of sheer luck and the whims of the YouTube algorithm during one of the late-night scrolling on our phones, at which we point we stumbled across what appeared to be an ode to the town of Stockport.
Simply entitled, ‘Stockport’, the song was performed by Liverpool-born easy-listening star and all-round crooner, Frankie Vaughan, who was a big recording artist throughout the 1950s and, without further ado, here’s what it sounds like. Are you ready?
The best and likely only song about how great Stockport is. Simply glorious.
Yes, that is a real single that was genuinely recorded in the old Cheshire borough back in 1983, and not at the legendary Strawberry Studios as you might have expected, but in the equally iconic Plaza Theatre located in the town centre.
Believed to have been recorded as a bit of a wink and a nod by Vaughan and lyricist Geoff Morrow, a songwriter and businessman from London, the tune came about as a response to an article by the Mail on Sunday which essentially dragged Stockport’s name through the dirt.
While the details surrounding exactly how that article led to this collaboration are equally muddy, it’s thought that the Mail set up a competition for someone to write about how great the area was as a kind of apology — i.e. giving the locals a chance to paint it in a better light like no one else could.
However, perhaps because SK residents weren’t overly keen to shout about the region themselves, it turned out Morrow asked Vaughan to do it as the two were friends and (tongue firmly in cheeky, we expect), the 60s/70s cabaret singer gave it his full big band best. It was a big story at the time, too.
The result is an almost Sinatra-esque soliloquy all about the place that has gone on to be dubbed ‘the new Berlin’ by some and was voted Greater Manchester’s town of culture in 2023, but we dare say few would have expected it to have such a reputation today — including the blokes who created it.
From the almost Coronation Street-like opening second or two, to Frankie Vaughan’s insistence upon occasionally letting loose a laugh at the end or even sometimes in the middle of a lyric, there are moments when this song very much feels like a bit of a parody, but I guess we’ll never know.
As someone born in Stockport myself, I feel I have some authority to assume that lines like “there’s nowhere that can beat it”, “the houses seem to say ‘come in'”, and “there’s nowhere finer” were sung at least a little bit sarcastically but, regardless, we’re very happy to have pulled this love letter out from the very back of the Manc music draw.
Nevertheless, in all seriousness, the Stockport of the mid to late-20th century is very different from the one we’ve come to know of today, boasting plenty of new cultural hotspots, highly-regarded restaurants and bars, not to mention a new wave of local artists like Blossoms, Fuzzy Sun, Findlay and more.
Fellow Stopfordians might smirk at the suggestion of their town being “where it’s at”, as Frankie Vaughan puts it with such questionable sincerity, but the honest truth is that it’s still one of our favourite places to go in and around Manchester and has a special place in our hearts.
The only difference is that we’re fairly sure our love comes from a very different place than the songs did. Exhibit A through Z.
Featured Images — Helder Rock (via YouTube)/Stockport Library Archive Footage/The Manc Group
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A new music showcase is taking place at a beautiful and historic Stockport venue
Danny Jones
A new live showcase is coming to Stockport town centre as part of a wider music, art and cultural celebration next month.
And by new, we mean the artists; if you went to the last edition, you’ll know it delivers some serious talent.
Teaming up with the likes of Manchester-based music magazine and promoters, The Rodeo, as well as ticketing platform Skiddle, Stockport is set to welcome the return of Mercury Climbing Festival.
This week-long celebration of music, art and culture around parts of the Greater Manchester borough’s historic old town, and there are some exciting names on board already.
As for Mercury Climbing 2025 itself, the multi-day festival spread across several locations boasts the best in native and Northern music, visual arts, and comedy.
Popping up across a total of eight different spaces, including the likes of the brand-new Stockroom, pubs, and headline music venue St Mary’s Church – quietly one of the coolest places we’ve ever seen a gig – you have plenty of reason to be excited about this one.
Speaking of St Mary’s, while artists such as local legends Badly Drawn Boy, Manc indie outfit The Covasettes and Riding The Low – fronted by actor Paddy Considine – are set to play the stunning ceremonial space, The Rodeo is also hosting its own dedicated stage at the church.
Highlighting emerging new talent on Saturday, 20 September, Manchester-based solo indie project Better Joy is set to headline, with Denver County Council (who featured on our Manc artists of the month round-up), Henry Webb-Jenkins, Katie & the Bad Sign, plus more to be announced in support.
The last time we saw a ‘Live at St Mary’s’ event, we can’t stress this enough: it was nothing short of an unforgettable experience.
You don’t get to enjoy a ‘religious’ gig experiences like this often…
Taking place from Friday, 19-26 September, the festival as a whole will transform Stockport’s historic Old Town into a vibrant cultural hub.
And it isn’t just music: there are local food and drink traders getting involved, artwork from the one and only Stanley Chow, as well as plenty of other entertainment.
Above all else, the event is not only steeped in SK and Greater Manchester’s rich heritage, but it’s a great way of supporting new art coming out of the region.
The Rodeo’s St Mary’s stage gets underway from 4pm and is scheduled to finish at 10:30pm, but the wider Mercury Climbing programme is an all-day festival that won’t end until late. You can grab your tickets right HERE.
Royel Otis add second Manchester date due to massive demand
Danny Jones
Australian indie pop group Royel Otis have announced a second Manchester date ahead of their upcoming UK tour due to a huge demand for tickets.
The Aussie duo, who have blown up in the past couple of years with tracks like ‘Oysters In My Pocket’ and two viral covers of Sophie Ellis-Bextor and The Cranberries, are due to play a massive Manchester gig later this year.
Set to make their O2 Victoria Warehouse debut this winter, the ‘Sofa King’ singers saw their ticket allocation sell out quicker than you can say ‘Going Kokomo’.
As a result, there was only one thing for it:
Due to demand, @RoyelOtis have just added an extra date at Manchester @O2VicWarehouse in November! 🔥
For anyone still unaware of the rising alt-pop outfit led by frontman Otis Pavlovic and Royel Maddell (hence the name), they began breaking onto the scene around 2022 after having released a couple of tracks the year prior.
Although they quickly gained support back in their home country, their presence over here and indeed around the world was helped no end after their tripleJ take on ‘Murder on the Dancefloor’ and stripped-back version of ‘Linger’ for SiriusXM hit the internet.
They even managed to land a feature on EA FC 24 – formerly known as FIFA – and we all know how getting on that soundtrack can transform careers.
Since then, their following has grown exponentially, and the rising double act has booked major festival slots such over the past 12 months or so, playing the likes of Kendal Calling, Glastonbury, as well as Reading and Leeds, just to name a few.
Regardless, fervent fans haven’t seen their clamour disappear, and now the band have announced an extra date at Victoria Warehouse.
Now set to play the venue on Friday AND Saturday, 28-29 November 2025, they will be supported by an opening act with a cool UK connection: Still Blank.
The transatlantic outfit is made up of Jordy is from Hawaii, and Ben, from right here in Manchester; the two come together to make what Stereogum has described as “sullen folk-grunge” – yet more reason for locals to be interested in the gig.
Once again, while the first gig has sold out, you can grab your tickets for Royel Otis’ second Manchester show HERE.