Ok, full disclosure: as a fellow Stopfordian, this review was always going to be heavily biased, but I still wholeheartedly believe that Blossoms are some the best performers on the British music scene right now and, as far I’m concerned, their Wythenshawe Park gig was yet more proof of that.
The landmark show was their biggest to date with roughly 30,000 people packed into a Greater Manchester field for what was just the second year of the Wythenshawe Park gigs which looks destined to be a must-visit annual Manchester music event.
For starters, not only is being the second name chosen to headline this still relatively new event after Noel bloody Gallagher quite the achievement, but playing to what felt like an entire town full of people on your home turf is the kind of stuff usually reserved for, you know, GOATs…
Now, we’re not going to be so bold as to claim they’re at that point in their careers already, however, when you’re collecting the kind of support acts they are, playing to crowds this big and making music lovers of all ages sing about a giant fibreglass gorilla called Gary, you’re clearly doing something right.
🚨 Be advised: GMP are on the lookout for an eight-foot fibreglass Gorilla – first name Gary, second name trouble. 🦍
He was last spotted on stage as @BlossomsBand were playing absolute bangers at Wythenshawe Park.
Let’s kick off with the supports, shall we? That’s one of the best things about this Live From Wythenshawe Park series: these dates are closer to mini-Manc festivals than they are standalone gigs, and with such an impressive roster of so-called ‘warm-up’ acts, we were truly spoiled rotten.
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From more fledgling artists like The Guestlist and Ttrruuces, fast-rising up-and-comers like Seb Lowe and The K’s, to UK veterans like Shed Seven and the always sensational indie stars Inhaler, it was a stacked lineup spanning several generations.
Before Inhaler got the crowd bouncing and ready from Blossoms, we even got special appearances from two incredible female voices during Shed Seven’s set as Issy Ferris and fellow Manc music royalty Rowetta took the stage for some supreme harmonies and what felt like a bit of a Sunday service moment.
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But then it was time for the big guns and it really does feel like they’re among that calibre now. They’ve smashed Leeds, Glastonbury, Kendal – they even turned the Plaza and Edgeley Park back in Stockport into fully-fledged music venues – and they look more at home than ever on the big stages.
Blossoms’ Wythenshawe Park gig felt almost like a coming-of-age gig. (Credit: The Manc Group)
It feels mad to think that these lot have been going for 11 years when you first think about it, but when you actually sit back and look at the regular stream of top-quality indie bangers they’ve been putting out every couple of years, it starts to click into place.
Perhaps it’s because they’re still young men and have decades of releasing new music to come but they’re no longer the new kids and they haven’t been for ages – in fact, they’ve released some of the most popular contemporary releases in the genre consistently for a long time now.
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Even in the final promo for their now landmark Wythenshawe Park concert, they did a spoof version of ‘Gary’ where one of the lines simply said ‘Honey Sweet’s a tune’ and, you know what, they’re right but the list goes much further than that.
‘Getaway’, ‘There’s A Reason Why’, ‘I Can’t Stand It’, ‘Your Girlfriend’, ‘What Can I Say After I’m Sorry?’ and on and on it goes. We heard them all in their very best iterations, with the band’s on-stage production now at a new level and Tom Ogden’s frontman chops up their with the best right now.
One thing we really enjoyed as a group of old mates from SK was that the set wasn’t the hits either; we got to roll back the years and enjoy the tracks from that debut album when we first started getting excited about a new band coming out of our hometown.
The big extended versions of ‘Blow’ and ‘Cut Me and I’ll Bleed’, in particular, felt rather special.
Blossoms also treated Wythenshawe to some seriously good solos and breakout instrumentals. (Credit: The Manc Group)
But then you look at where the style has gone since then and you genuinely have to just step back and applaud their evolution since that breakout record.
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It’s very hard for any band to find that balance of developing their sound and actually changing whilst still managing to nail that instantly recognisable feeling that lets you know it’s one of their songs but they always seem to manage.
Whether it’s those surviving 80s influences that have stood them in good stead since the start, those poppy keyboard riffs from Myles that help keep every tune as catchy as the last, they can collaborate with the likes of Jungle and CMAT whilst still sounding unmistakably like themselves. It’s quite the skill.
That’s why they very quickly went from the one current band from Stockport that people could name to one of the most recognisable modern names in British music with hordes of fans all over, not just Greater Manchester. Just look at the energy coming off that crowd, not to mention the sheer size of it:
Now, all that is simply to say that, at this point, if you’re still someone who only knows ‘that first one’ and is under the presumption that Blossoms are another indie band who fell into that trap of all their songs sounding pretty similar, you’re wrong and the sea of fans at Wythenshawe Park will tell you the same.
Whether you’ve been there from day one and have watched these lads, well, blossom into fully graduated performers and festival-toppers like this currently very sappy Stopfordian, or you got hooked after dozenth irresistible indie anthem, we’re sure you’re all in agreement: they’re proper headliners.
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‘Charlemagne’ will forever be a favourite but make no mistake, they’ve come on leaps and bounds in every department since it helped launch their career, and even if it is still their biggest song when they’re headlining the likes of Glasto one day (you heard us), it’ll still sound incredible.
In fact, who cares: here it is from another angle – we’re off to do a bit of research about some reunion people are talking about…
Review | Villanelle debut: Liam Gallagher’s son’s band release their first track – here’s our review
Danny Jones
Liam Gallagher’s son, Gene, and his band Villanelle, have officially released their debut single to the masses, and since we’re still very much immersing ourselves in everything even remotely to do with Oasis, we thought we’d give this first track a review.
Now, if you’re expecting a familiar Britpop vibe like his dad and uncle used to bash out back in the day, you’d be very wrong…
It’s one thing to settle into something similar to what you’ve grown up around and try to continue a lineage if you’re from a successful family – especially with a legacy as important and influential as the one left by Liam and Noel – but we’re glad to report they’ve done something pretty different.
24-year-old Gene Gallagher and his bandmates Ben Taylor (guitar), Jack Schiavo (bass), and Andrew Richmond (drums) haven’t just tried to do an impression of Oasis; instead, they’ve found their own sound, and while it does give somewhat of an old-school flavour, it’s not what we expected.
It takes literally milliseconds for you to click into realising the vibe they’re going for.
‘Hinge’ is a simplistic but hard-hitting, grungey and dark debut from Villanelle, who, despite having played a number of in-progress songs live over the last year or so, have only just dropped their first studio single.
In fact, they’ve actually taken the admittedly bizarre and unorthodox first steps of having already played live with Liam Gallagher on the Definitely Maybe 30th anniversary tour before they actually released anything people can easily listen to outside of their live performances.
Nevertheless, the young four-piece introduces Villanelle as the latest post-punk outfit amidst the ongoing revival of the classic rock genre.
That is to say that punk is a tried and true classic style of music, not that these lads are trying to sound like The Rolling Stones…
Anyway, we’re getting sidetracked: Villanelle draw plenty of influences from both original and contemporary examples of this sonic subculture, and while it isn’t explosive per se, ‘Hinge’ is short, direct and hits the same formulaic notes.
It’s also fair to say you can hear a bit of the recognisable LG whine in Gene’s vocals at times, too. Listen to it in full down below and see if you agree.
Even the basic found-footage style video fits into the same category.
To call it straightforward isn’t intended as any kind of a diss, by the way – some of our favourite tunes and best artists spearheading the renaissance of the punk scene write like this.
What we will say is that it looks like bloody good fun to both play and listen to in a small, sweaty room, with plenty of pits and people bouncing off the walls.
Gallagher Sr. might be surprised to see his son going for a slightly heavier, more hardcore route with his sound, but he can’t accuse him of forgetting his roots as the child of a ‘Rock ‘N’ Roll Star.’
The boys are actually hitting the road this winter, including a date at The Castle Hotel in the Northern Quarter, if you fancy grabbing a ticket.
You can grab your tickets to see Villanelle on tour HERE, and in the meantime, let us know what you think of their debut track down in the comments.
Johnny Marr teases his work on upcoming Gorillaz album
Danny Jones
Legendary Manchester musician Johnny Marr has revealed he features on the new Gorillaz album, adding even more interest in the highly anticipated release.
The Mountain is the ninth studio LP from the musical collective led by Damon Albarn, which is set to drop in early 2026, more than three years on from their last album, Cracker Island.
Although the virtual band made up of several real-life creatives (though the ex-Blur frontman and artist, Jamie Hewlett, technically remain the only two consistent core members) hasn’t been away for too long, each new project brings a wave of excitement.
With that in mind, we have no shame in admitting we have even more interest in Gorillaz’s latest album now that we know Johnny Marr is attached to it.
I’m pleased to share that I appear on four tracks on the upcoming Gorillaz album The Mountain. It’s a privilege to be a part of this record along with so many great artists. #Gorillaz#JohnnyMarrpic.twitter.com/KXVZxgyGg9
In the new rundown of tunes already posted earlier this month, the former Smiths songwriter and lead guitarist features on four different songs on the new record. You can see it in full down below:
Gorrilaz – The Mountain tracklist
1. The Mountain (feat. Dennis Hopper, Ajay Prasanna, Anoushka Shankar, Amaan Ali Bangash and Ayaan Ali Bangash) 2. The Moon Cave (feat. Asha Puthli, Bobby Womack, Dave Jolicoeur, Jalen Ngonda and Black Thought) 3. The Happy Dictator (feat. Sparks) 4. The Hardest Thing (feat. Tony Allen) 5. Orange County (feat. Bizarrap, Kara Jackson and Anoushka Shankar) 6. The God of Lying (feat. IDLES) 7. The Empty Dream Machine (feat. Black Thought, Johnny Marr and Anoushka Shankar) 8. The Manifesto (feat. Trueno and Proof) 9. The Plastic Guru (feat. Johnny Marr and Anoushka Shankar) 10. Delirium (feat. Mark E. Smith) 11. Damascus (feat. Omar Souleyman and Yasiin Bey) 12. The Shadowy Light (feat. Asha Bhosle, Gruff Rhys, Ajay Prasanna, Amaan Ali Bangash, and Ayaan Ali Bangash) 13. Casablanca (feat. Paul Simonon and Johnny Marr) 14. The Sweet Prince (feat. Ajay Prasanna, Johnny Marr and Anoushka Shankar) 15. The Sad God (feat. Black Thought, Ajay Prasanna and Anoushka Shankar)
As you can see, the 61-year-old appears for the first time on song seven, ‘The Empty Dream Machine’, as well as ‘The Plastic Guru’, ‘Casablanca’, and the penultimate track on the album, ‘The Sweet Prince’.
It’ll be interesting to see how he fits into the captivating soundscape already teased by the group, with Gorillaz having now shared ‘The Happy Dictator’ featuring art pop duo Sparks.
A strong and politically loaded start.
Marr – who only released his fourth batch of solo material, Fever Dream Pts 1-4, back in 2022 – has continued to craft and produce with countless other artists over the past few decades, sharing the studio with fellow icons such as Noel Gallagher, Billy Bragg, Talking Heads and many more.
He even helped create the score for The Amazing Spider-Man 2 soundtrack with legendary composer Hans Zimmer.
That being said, we can only hope to hear some of his famous guitar tones sprinkled throughout this album, though it’s still unclear as to exactly how much input he had on The Mountain overall.
What we do know about the album is that it’s the first to be released via Albarn’s new record label KONG; it’s 15 tracks, and was largely made following extended recording sessions across India, with the likes of Ajay Prasanna, Omar Souleyman and Anoushka Shankar, joining IDLES, Jalen Ngonda and other collabs.
Perhaps most excitingly, the announcement of ‘Gorillaz no.9’ came alongside a series of tour dates, including one right here in Manchester. We can’t wait to see 2D, Murdoc Niccals, Russel Hobbs and Noodle ‘live’ in 0161.