Hello Manchester, hope you’ve been doing well and finding lots of great new music; even if not, you’ve come to the right place because it’s time once again to dive into five bands and artists from in and around Manchester that we’ve been listening to of late.
We’re not sure what it is necessarily – perhaps all the smaller to mid-level British bands that we loved for many years announcing their break-ups recently – but we’ve been soaking ourselves in pretty much not but groups and mainly infectious indie riffs for the past 31 days.
That being said, we do have a surprise or two on the list this time around and, more importantly, everyone that we’ve spotlighted is obviously brilliant because we’d never lead you astray.
Anyway, enough faffing about, time for you to find some new Manchester artists and music to get stuck into – go right ahead.
Five Manchester bands you should check out this month
First up on our list of five Manchester bands we’ve been listening to throughout October is the still very new and already very good, The Guest List: five mates making very good indie rock with a more old-school vibe that’s almost reminiscent of the early 2000s and a general swagger way beyond their years.
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Only formed back in 2021 and are obviously still young lads, there’s already an impressive understanding of building both mature and memorable melodies, which we can only assume has come from soaking up the right influences growing up. They did go viral for a great cover of ‘505’ by Arctic Monkeys too.
They’ve only released a small selection of music so far, meaning you should definitely catch up with all their discography whilst it’s still easy, but we’d pick out ‘161’ as a great example of that impressively reminiscent sound and lyricism, so is ‘Won’t You Leave Me Alone’ and we just love the guitar on ‘Canada’.
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2. Larkins
Next up for this month is Larkins and while they have been around for a good long while now, with just a couple of EPs and one admittedly short and sweet debut album between them, they still feel like our little secret somehow.
They’re categorically not by the way: these guys gained some loyal local fans from their humble beginnings up in Glossop all the way back in 2015, unbelievably, and as their Manchester following grew, along with the number of gigs and festival slots,
‘Hit and Run’ – the first song they ever released – remains an effortless indie banger designed to get the crowd jumping and an older track we also still love is ‘Sugar Sweet’, but TV Dream is still their biggest song for a reason. You can start wherever you want with these guys, to be honest, it’s all pretty good.
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We also enjoy this slower, synthy sing-a-long, not least because of where it’s filmed…
3. The Apex Singers
In at the middle mark, we’ve got undoubtedly the most talented vocalists we’ve ever put on this list simply due to the level of classical training, range and the sheer amount of people pulling together to make such a fulsome, orchestral sound. They even do workshops but it must be hard to teach this…
A Manchester-based vocal ensemble made of eight incredible voices, the name Apex Singers couldn’t be a more fitting moniker. They can go from soothing and uplifting – like you’re listening to the Elven songs from a medieval fantasy film – to haunting, hallow and utterly tear-jerking times.
It genuinely floors us at times that humans can sound this beautiful. Their recent original song ‘The Mermaid Wife’ is a stunning production and a special shout-out to ‘The Booley House’ which actually started out life as a fiddle solo, but you’ll probably best recognise this old Irish song made famous by Hozier not too long ago.
Special shout-out to The Manc‘s very own Oli for this recommendation.
4. Rolla
The second to last band on our list of Manchester artists we recommend you get stuck into is Rolla, and we’re going from soft to hard and in your face with this one. Do the bucket hats, mod haircuts and shades give off quintessentially Northern rock and roll? Yes. Is that kind of the point? Absolutely.
Make no mistake, this isn’t just another band merely trying to imitate the Britpop sound that was mastered here in 0161 enough now, they’re the real f***ing deal if you ask. Rather ironically rolling Oasis, Stone Roses, The Verve, Shed Seven and more all into one, it’s pretty much a Mancs wet dream.
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There are so many tracks that give Liam Gallagher leaning into the mic if that’s what you’re after, but ‘No Violence’ was the first track we heard, ‘When Life’s Thunder Striking’ is the one we fell in love with and we’re quite literally addicted to their newest single ‘We Owe You Nothing’. They’re also doing their bit to help out Salford Lads Club too.
Last but not least, we’re swinging back in the direction of no-nonsense indie yet again with Ventrelles, though there’s also a throwback element sonically here too. This Manchester quartet are still pretty green as well but they seem to have found the niche they’re going for.
Self-described as everything from ‘ScallyGaze/Council Soul/Highrise Psychedelia’ to ‘Fleece Pop’, you can call their so-called sub-genre whatever you want but you’ll definitely get dripping vocals that hark back to the Roses, as well as some Echo and the Bunnymen-esque effects and guitar patterns at times.
‘County Lines’, ‘A Symphony of Sorts’ and their 2023 single ‘Happenstance’ almost reminded us a little of Hard-Fi in spots; we’re not sure whether this was just a moment in time for the band but delays, pedals and shimmery guitars or not, we just can’t wait for them to drop some more tunes.
They also credit some of their sound to Liverpool band Pale Fountains and other contemporaries from the area.
And there’s your lot, five more Manchester artists for you to familiarise yourself with and we hope you get at least some variety from us this month even despite the fact we’re still mourning the likes of Sundara Karma, Jaws, The Native and more.
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Still, it looks like we’re getting back everyone from The Maccabees and Doves to even the Scissor Sisters, so it’s not all bad and we still love stumbling across new bands and artists more than anything.
As always, we encourage you to go back and check out last month’s list and all the other for that matter, and we’ll catch you next time!
Harry Styles One Night Only at Co-op Live in Manchester – phones-free policy, stage times, and everything else you need to know
Daisy Jackson
Harry Styles will play an exclusive, intimate (for him) one night only concert in Manchester this week.
The show at the Co-op Live coincides with the release of the star’s fourth album, ‘Kiss All The Time, Disco Occasionally’, both of which will land on Friday 6 March.
Fans have waited years for HS4 and for more live shows from the former One Direction musician, only for him to announce a residency all the way down in London and no northern shows.
But Harry Styles threw us here in Manchester – the closest big city to where he grew up – with the news of a ‘One Night Only’ album release show.
If you’re one of the lucky few thousand who snagged tickets, here’s everything you need to know.
Stage times for Harry Styles One Night Only
Premium doors for Harry Styles will open at 6pm, with general admission entries from 6.30pm.
Harry and the venue haven’t yet publicly announced what time he’ll take the stage, or whether there’ll be any sort of support act.
But we’ll keep this updated as soon as we hear more.
How do tickets work?
Tickets for the Harry Styles Manchester gig were dished out in an unusual ‘ticket request’ format, where fans who registered their interest were randomly allocated tickets – no usual ‘Ticketmaster War’ competing in a first-come, first-served sale.
Those who have been successful will have been charged the £20 per ticket fee, and should be able to see their event details now in the Ticketmaster or Co-op Live apps.
Don’t panic if you can’t see your barcode just yet – they should drop in in the next day.
And remember to save your tickets to your phone’s wallet so you don’t struggle with signal at the doors.
Harry Styles’ show in Manchester on Friday night will have a strict no-phones policy, it’s been confirmed.
Instead, the lucky few thousand of fans heading to his One Night Only gig will be handed proper disposable cameras to capture moments from the night.
Any use of cameras, smart glasses, smart watches, or other recording devices won’t be permitted in the venue on Friday night.
Fans will instead have to secure their phones inside recyclable bags, which will allow them to be used in normal ways for communications, but without the camera. At the end of the night, your phone will be removed from the bag and the bag will be recycled.
Anyone caught using a digital recording device during the Harry Styles One Night Only phones-free show may be asked to leave the venue.
Instead of a sea of phones, Harry Styles will be asking fans to capture their memories from the night on disposable cameras, which will be included with every pair of tickets sold.
When can I watch Harry Styles One Night In Manchester on Netflix?
Harry Styles’ One Night Only gig in Manchester will be the subject of a Netflix documentary
Netflix will be joining Harry Styles at the Co-op Live to film for an upcoming special, Harry Styles One Night in Manchester.
A teaser trailer shows behind-the-scenes footage of the former One Direction star rehearsing in the studio.
For those of you heading to Co-op Live, you’ll be glad to know it’s right next door to a rather famous big blue stadium and its integrated Metrolink stop.
Head along the light blue or orange lines directly to the Etihad Campus or Ashton-under-Lyne, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Trams run frequently on the Ashton-Eccles line to the Etihad stop, with services leaving every six minutes from the city centre and until 1:00am on Fridays and Saturdays.
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Bus
You can find the full list of bus routes HERE, with the one in closest proximity to the venue being the 53 bus, which runs from Cheetham Hill through to Higher Crumpsall, Old Trafford and Pendleton, leaving just a two-minute walk to Co-op Live. You also get free Bee Network travel with any valid event.
If you’re driving, there is limited parking available at the venue, but this must be pre-booked ahead of time, and there are designated drop-off areas.
The postcode is M11 3DU, and you can follow the signs towards the wider Etihad Campus as you get closer; directions to the adjacent drop-off points will also be signposted.
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Keep in mind that congestion on the roads close to the stadium is expected to gather around two hours prior to any event, so if you are travelling on the road, these are the suggested times they provide on event day, though estimates will obviously vary:
Alan Turing Way (both directions): plan an additional 20 minutes into any journey by road.
Hyde Road (eastbound): expect an additional 15 minutes to be added to your journey.
Mancunian Way (westbound): plan for an extra 10 minutes of travel time.
There are also three park-and-ride facilities near Co-op Live, but be advised that the Velopark and Holt Town stops will be closed post-event to help safely manage crowds:
Ashton West (Ashton line) – 184 spaces and 11 disabled spaces
Ladywell (Ashton-Eccles line) – 332 spaces and 22 disabled spaces
Walk/cycle
Lastly, Co-op Live is only a half-hour stroll from Manchester Piccadilly, and you could even walk along the canal all the way to the front door if you fancy taking the scenic route.
Greater Manchester now also offers the option to hire bikes on the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app. There are hire points just near the south-west corner of the Etihad Stadium on Ashton New Road.
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For more information on all travel options, you can check out the enhanced journey planner
Cruz Beckham and The Breakers live in Manchester – a torch passed from father to son?
Lonnie Bowes
Cruz Beckham graced the stage of The Deaf Institute in Manchester last night. Whether it’s your first time through the doors or you’ve been going for years, the venue carries an unmistakable energyand always will.
With a feel and set in its Victorian past, unmistakable Mancunian patina, the building leaves a mark on you – and on every grassroots artist who plays there.
The intimate upstairs room has long been a springboard for acts who go on to much bigger stages. History certainly likes to repeat itself, and perhaps this was a small sign of things to come for the youngest son of David and Victoria Beckham.
With his dad watching from the wings – fittingly in a number seven shirt synonymous with his years at Man United – Cruz stepped onto the stage with quiet confidence. For the next hour, he set his sights firmly on the crowd, eager to show exactly who he is as an artist beyond the famous surname.
Backed by a tight band that seemed to fit together like a glove, the set leaned into guitar-driven indie with an easy chemistry between players.
There were moments where the group locked into a groove, so naturally, it felt less like a new project and more like a band that had been touring together for years.
Cruz and co’s audience reflected the curiosity surrounding the night; inside the packed room was an eclectic mix of indie fans, university students, couples of all ages and a fair share of Beckham devotees – all keen to see whether the hype surrounding the young performer translated on stage.
The 21-year-old ran through his most popular (albeit limited number of) tracks thus far, including ‘Lick the Toad’, ‘Optics’, and ‘For Your Love’, each of which was met with enthusiastic cheers from the crowd.
His songs showed off a good deal of melodic indie sensibility, with jangling guitars and hooks that landed well in the intimate setting of the venue.
While Cruz held the stage, there were emotional moments playing out just above him. Throughout the set, David Beckham could be spotted proudly filming and what appeared to be FaceTiming other family members to share the moment in real time. We’re not sure Brooklyn’s picking up at the minute…
Toward the end of the night, visibly moved, the former footballer appeared to wipe away a tear — a quiet but powerful reminder that beyond the celebrity and headlines, this was still a father watching his son manifest his own destiny.
For Cruz Beckham, the night wasn’t about stadium lights or global headlines: it was about proving himself in a room that has hosted literally countless emerging artists before him. If the energy inside Deaf Institute was anything to go by, this may well be one of those early chapters people look back on later.
Did any of you head to the venue as a fan or purely out of curiosity – and if so, what did you make of Cruz Beckham’s first proper Manc gig?
Danny Jones -
1st November 2024 
