Let’s start with a summary of Come From Away – this is a theatre show about a small town on the coast of Canada, that when disaster shook the world on September 11th 2001, offered accommodation to over 7,000 passengers whose flights had been diverted due to the American airspace being closed.
On the surface, you wouldn’t read the above summary of events and think ‘Let’s turn that cheery story into a musical’ but you simply have to believe me when I tell you that it just works.
Come From Away isn’t a story about disaster or tragedy (although both do feature heavily for obvious reasons) – it’s a story about community, hope and how when faced with the toughest of circumstances people are capable of extraordinary things.
The show opens in the unsuspecting town of Gander, Canada on the morning of 9/11. Gander was once home to the world’s largest airport, in a time gone by, when planes used to have to stop immediately after crossing the Atlantic.
This meant that Gander was the first place in North America that people such as The Beatles or even The Queen, ever landed. However, as we begin our story, Gander is now a small town with a population of about 11,000 and a derelict Airport, barely fit for purpose.
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These circumstances changed very quickly when at 8:46am on September 11th 2001, a terrorist attack was committed on the World Trade Centre, New York. With the US airspace immediately closed, with all airborne planes now suspected to be terrorist weapons, all flights crossing the Atlantic had to be diverted to the nearest Canadian airport… Gander.
Come From Away at The Lowry – a 9/11 musical full of heart and hope
This creates a scenario whereby within minutes a quiet unassuming town on the coast of Canada is expected to welcome over 7000 passengers from 38 different flights, without warning, without proper preparation and without any indication as to how long they’ll be staying.
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When this tale is brought to life, it’s one that will bring you to tears. I have never in my life cried so much at a musical, which I know might not sound like the most resounding endorsement but it’s truly meant to be. There were of course sad tears, heartbreaking tears and sorrowful tears but there were also tears of joy, tears of quiet happiness and tears of hope.
When you think of the horrific events of 9/11, your thoughts immediately turn to the epicentre, to New York. I’d never considered the wider implications of that day, how thousands of people flying must have had their lives turned upside down, how panicked loved ones all across the world must have been, how communities globally were affected and how a small town in a completely different country was called into action.
I don’t want to give too much away in regards to the actual characters within this story or how their journeys play out through what must of been an incredibly tough time, but what I will say is that the characters in this story, all of whom are directly based on real people (more on that later), are some of the most inspirational human beings I’ve ever come across.
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Come From Away is at The Lowry until 5 January
The show stars an extraordinary ensemble performance, with no leads or ‘main characters’, instead each of the twelve actors play a multitude of characters, whose stories inevitably intertwine with one and others.
The staging and choreography for this show are also fantastic, very minimalist with the set mainly being made up of just chairs and small props, leading the audience to use their imaginations to fill in blanks.
I sadly can’t guarantee this at every performance of Come From Away but at the curtain call the night we watched, the real residents of Gander from whom the story is based on, came onto stage and gave a speech about how ‘none of them are heroes but instead just people who decided to do the right thing’… Which inevitably led to more tears from me and an even deeper appreciation of the show.
I think this story is truly needed in the world we’re living in at the moment, with global tensions high, an economy that doesn’t favour most of us, and a lot of the world feeling more separated than ever before. This story, this beautiful, heartwarming and inspirational story shows us how even through the toughest of circumstances, we can work together for the betterment of everyone.
Please go and watch Come From Away. It’s one of the most beautiful stories I’ve seen brought to the stage and it deserves endless support from us Mancs whilst here in Salford.
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It’s running throughout the festive season till 5 January and I guarantee you’ll walk away from it feeling just that little bit more hopeful about the world we live in.
A brand-new immersive ‘walking theatre’ and XR experience has landed in Greater Manchester
Danny Jones
We hear the word immersive thrown around a lot these days, but if the notion of walking through some of your favourite fantasy and sci-fi worlds in a state-of-the-art XR tour doesn’t fit the definition, we don’t know what does.
Get ready to pull on a headset and be dropped into a different universe, Mancs.
This is Immersia XR: an industry-leading immersive entertainment and XR (extended reality) experience has just been unveiled right here in Greater Manchester.
Anyone for a ride on a magic carpet?
Credit: The Manc GroupCredit: Immersia XR (supplied)
Immersia XR specialises in what they call ‘Walking XR Theatre – a new term for a new kind of experience’, and boasts big plaudits across the board, with an average Google rating of 4.8 from dozens of reviews already.
Having just made its Manchester debut to the public at Trafford Palazzo (located right next to 0161’s famous Trafford Centre) this summer, the new addition brings cutting-edge technology blended with iconic family-favourite tales in an “unforgettable walk-through format.”
A lucky few have been treated to our first time, including us here at The Manc, and you’ll have to take our word for it when we tell you it’s a truly incredible experience.
It’s the first of its kind in the UK and Europe, and although there are other similar VR and AR offerings around the region, you won’t find anything quite like ‘walking theatre’ and this free-roam experience.
Credit: Supplied
As you can see above, there are a number of experiences to be enjoyed right from the off, including two modes inspired by childhood classics, Alice in Wonderland and Tales of Aladdin.
Ever fancied trying your hand as an astronaut and walking on the surface of the moon as you look back at the Earth below? Course you have! No training involved in this one, either.
Take that, Katy Perry, you can keep your short-lived Blue Origin nonsense to yourself.
Immersia XR’s ambition doesn’t stop there, though, as they are also preparing to introduce the exciting new ‘Terracotta Army’ experience in the near future.
Here’s a glimpse at how it looks inside the goggles.
Already open to the public and running up until Sunday, 6 July 2025, Immersia XR is fun for all ages, with kid-friendly zones and accessible narratives built into the experience.
Best of all, there are actually very few bells and whistles; no screens, no controllers – it’s just you walking through the story of your choice.
Immersia XR’s founder, Ian Xiang, said: “We’re not just launching a new attraction—we’re pioneering the future of storytelling. Walking XR Theatre is where cinema, theatre, and technology converge to create magic. You don’t just watch the story—you walk through it.”
Tickets are on sale now, with adult prices starting from only £17, children (ages 3–15) from just £12, and family tickets (2 adults, 2 kids) from £54. Great value for money.
Concession tickets are also available for students and over-65s, priced from £16, and group bookings of 10 or more receive 10% off. You can even get 20% off all ticket types with the early bird code: PRESS20. You can grab yours HERE.
Mary Poppins at Palace Theatre, Manchester – a spoonful of magic
Dec Kelly
The 2025 UK tour of Mary Poppins has arrived at Manchester Palace Theatre like a gust of wind from the East – bold, magical, and utterly charming.
This beloved musical, co-produced by Cameron Mackintosh and Disney Theatrical, continues to soar with a reinvigorated staging that captures both the heart of the original and the spectacle expected by modern audiences.
From the moment the overture begins, there’s a tangible sense of excitement.
The production is visually rich, transforming Edwardian London into a pop-up storybook come to life.
The set changes glide seamlessly, and the use of projections and stagecraft delivers the kind of magic that keeps children wide-eyed and adults grinning like them.
Mary’s iconic flight is breathtaking and still manages to feel like the first time you saw it.
Stefanie Jones returns to the role of Mary Poppins with an effortless elegance. Her portrayal is delightfully crisp, with just the right balance of mystery and warmth. She sings with clarity and control, and her comedic timing keeps the show light and pacey. She is, quite literally, the glue that holds the show together – and she does it with a wink and a twirl of her umbrella.
As Bert, Jack Chambers brings a buoyant energy that never fades. His charm is infectious, especially during “Step in Time”, a tap number that turns the theatre into a playground. Whether he’s defying gravity on rooftops or leading a chorus of chimney sweeps, Chambers is a joy to watch – charismatic, agile, and sincere.
The score, with classics like “Supercalifragilisticexpialidocious”, “A Spoonful of Sugar”, and “Feed the Birds”, remains timeless.
The orchestra handles the blend of whimsy and emotion with skill, and the choreography is as inventive as ever – especially in ensemble numbers that explode with colour and movement.
The 2025 UK tour of Mary Poppins doesn’t just revisit a classic – it refreshes it. While the story may be light on plot and character depth, the production more than makes up for it with theatrical magic and dazzling stagecraft.
It’s a visual and musical feast that reminds us why this timeless tale continues to soar. Mary Poppins is, indeed, practically perfect in every way.
You can grab tickets for Mary Poppins at the Palace Theatre in Manchester HERE.