Let’s start with a summary of Come From Away – this is a theatre show about a small town on the coast of Canada, that when disaster shook the world on September 11th 2001, offered accommodation to over 7,000 passengers whose flights had been diverted due to the American airspace being closed.
On the surface, you wouldn’t read the above summary of events and think ‘Let’s turn that cheery story into a musical’ but you simply have to believe me when I tell you that it just works.
Come From Away isn’t a story about disaster or tragedy (although both do feature heavily for obvious reasons) – it’s a story about community, hope and how when faced with the toughest of circumstances people are capable of extraordinary things.
The show opens in the unsuspecting town of Gander, Canada on the morning of 9/11. Gander was once home to the world’s largest airport, in a time gone by, when planes used to have to stop immediately after crossing the Atlantic.
This meant that Gander was the first place in North America that people such as The Beatles or even The Queen, ever landed. However, as we begin our story, Gander is now a small town with a population of about 11,000 and a derelict Airport, barely fit for purpose.
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These circumstances changed very quickly when at 8:46am on September 11th 2001, a terrorist attack was committed on the World Trade Centre, New York. With the US airspace immediately closed, with all airborne planes now suspected to be terrorist weapons, all flights crossing the Atlantic had to be diverted to the nearest Canadian airport… Gander.
Come From Away at The Lowry – a 9/11 musical full of heart and hope
This creates a scenario whereby within minutes a quiet unassuming town on the coast of Canada is expected to welcome over 7000 passengers from 38 different flights, without warning, without proper preparation and without any indication as to how long they’ll be staying.
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When this tale is brought to life, it’s one that will bring you to tears. I have never in my life cried so much at a musical, which I know might not sound like the most resounding endorsement but it’s truly meant to be. There were of course sad tears, heartbreaking tears and sorrowful tears but there were also tears of joy, tears of quiet happiness and tears of hope.
When you think of the horrific events of 9/11, your thoughts immediately turn to the epicentre, to New York. I’d never considered the wider implications of that day, how thousands of people flying must have had their lives turned upside down, how panicked loved ones all across the world must have been, how communities globally were affected and how a small town in a completely different country was called into action.
I don’t want to give too much away in regards to the actual characters within this story or how their journeys play out through what must of been an incredibly tough time, but what I will say is that the characters in this story, all of whom are directly based on real people (more on that later), are some of the most inspirational human beings I’ve ever come across.
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Come From Away is at The Lowry until 5 January
The show stars an extraordinary ensemble performance, with no leads or ‘main characters’, instead each of the twelve actors play a multitude of characters, whose stories inevitably intertwine with one and others.
The staging and choreography for this show are also fantastic, very minimalist with the set mainly being made up of just chairs and small props, leading the audience to use their imaginations to fill in blanks.
I sadly can’t guarantee this at every performance of Come From Away but at the curtain call the night we watched, the real residents of Gander from whom the story is based on, came onto stage and gave a speech about how ‘none of them are heroes but instead just people who decided to do the right thing’… Which inevitably led to more tears from me and an even deeper appreciation of the show.
I think this story is truly needed in the world we’re living in at the moment, with global tensions high, an economy that doesn’t favour most of us, and a lot of the world feeling more separated than ever before. This story, this beautiful, heartwarming and inspirational story shows us how even through the toughest of circumstances, we can work together for the betterment of everyone.
Please go and watch Come From Away. It’s one of the most beautiful stories I’ve seen brought to the stage and it deserves endless support from us Mancs whilst here in Salford.
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It’s running throughout the festive season till 5 January and I guarantee you’ll walk away from it feeling just that little bit more hopeful about the world we live in.
Review | The Karate Kid at Palace Theatre and Opera House, Manchester – very much wax ON
Lonnie Bowes
The theatrical version of The Karate Kid has arrived at the Palace Theatre and Opera House, bringing a well-known story of discipline, resilience and mentorship to a live audience.
Best known for its iconic cinematic legacy, The Karate Kid translates surprisingly well to the stage. It leans less on spectacle and more on character, movement and emotional growth.
At the production’s heart, the story still revolves around a young outsider trying to find confidence and belonging in an unfamiliar environment, guided by an unexpected mentor.
The narrative follows Daniel, played by Gino Ochello, marking his first professional stage debut, as he struggles to adjust to a new life, facing intimidation and self-doubt before encountering the legendary Mr Miyagi, played by Adrian Pang.
What unfolds is more than just a story of learning karate; it becomes a study of patience, balance and inner strength for Daniel. The central relationship between student and teacher remains the production’s strongest theme, grounding the story in warmth and sincerity.
The bond between student and Sensei is clear to see throughout. Focusing more on the movement side of things, the musical definitely has its fair share of action; the production shines with storytelling through choreography.
The fight sequences are carefully staged. The whole production walks a balanced line between movement and tension that feels immediate without losing theatrical elements.
These scenes are not about aggression alone but about control, reflecting the philosophy at the core of the story: balance. If you’ve seen the movies or the likes of Cobra Kai, you’ll know the vibes.
The cast works cohesively to maintain this balance. Ochello playing Daniel captures a mix of genuine vulnerability and determination as he attempts to settle into his new life in California, a million miles from the streets of Jersey he once knew.
While Adrian Pang portrays Mr Miyagi does this with a quiet authority. Their dynamic evolves on stage flawlessly, allowing the audience to invest in their journey rather than simply anticipating the next fight.
Visually, the production makes effective use of staging and design. The set shifts fluidly between locations, using lighting and more than a few well-timed transitions to keep the pace moving.
Subtle changes in atmosphere mirror the cast’s internal world, moving from insecurity and isolation to confidence and connection as the story progresses. The music throughout further supports this, blending nostalgia from the old flicks we all knew and love, with a new contemporary stage feel.
As the story builds toward its familiar ending, the focus remains less on winning and more on personal growth. The final moments emphasise discipline, self-belief and restraint rather than triumph alone.
A well-deserved standing ovation. (Credit: The Manc)
Reinforcing why the story has endured across generations and how the themes explored remain powerful pillars of life in today’s world.
Ultimately, The Karate Kid on stage at the Palace Theatre succeeds not by trying to replicate the film exactly, but by reinterpreting its themes for a live audience. It’s a production that leans into character, movement, friendship and emotional resilience.
It reminds viewers that its real power lies not in the fights, although sometimes necessary as a last resort, but in what they represent on the inside. We had a much deeper experience than we expected, and loved pretty much every minute of it.
Smash-hit West End musical Trainspotting is coming to Manchester later this year
Emily Sergeant
Trainspotting The Musical is coming to Manchester.
30 years on from the film that changed everything, and following its successful world premiere run in London’s West End, Trainspotting The Musical is heading out on a major UK tour later this year, and will be taking to one of Manchester‘s most iconic stages in the autumn.
Written by Irvine Welsh – as adapted from his best-selling debut novel – and directed and developed by Caroline Jay Ranger, Trainspotting The Musical has been described by critics as ‘radical, invigorating and life-affirming’ since its premiere.
It’s said to be an unforgettable production that’ll have even the most sceptical audiences leave on a ‘consciousness-altering high.’
➕ ATG+ PRESALE ➕
CHOOSE LIFE.
Trainspotting: The Musical is coming to the Palace Theatre this November. Written by Irvine Welsh.
Groups presale 👉 Tues 12 May 10am General sale 👉 Wed 13 May 10am
— Palace & Opera Mcr (@PalaceAndOpera) May 11, 2026
In 1996, the breakthrough British film of the same name was released and became the biggest grossing UK film of the year, winning a slew of awards in the process – including a BAFTA for Best Screenplay, and even being ranked tenth in the BFI’s top 100 greatest British films of the 20th century.
Now, three decades later, the industrial drug crazed working-class heroes of British youth culture are back… but this time, live on stage.
Trainspotting The Musical is coming to Manchester later this year / Credit: Supplied
“I believe the musical has a bigger, loudly beating human heart than either the book or the film,” creator Irvine Welsh commented as the UK tour was announced this week.
“People need to think about the world we’re living in, and we offer that inspection, but they also need to sing their hearts out and laugh their heads off. It’s what being human is all about. We’ve put together an incredible Scottish cast and I can’t wait to see them bring the musical to life.”
Trainspotting The Musical will taking to the stage at Manchester Palace Theatre later this year from Monday 2 – Saturday 7 November 2026, and tickets officially go on general sale tomorrow (Wednesday 13 May) from 10am.
Oli Lowe -
9th December 2024 
