Local artist Michael Browne recently debuted another striking new work in central Manchester following his much-talked-about Donald Trump painting.
And if you’ve seen that one, you’ll know that’s quite the statement.
The 62-year-old Moss Side-born artist has enjoyed an increased level of popularity since and his statement piece and de-facto political cartoon following the result of the 2025 US presidential election popped up on the corner of Deansgate earlier this year.
Now, just a couple of months on from his piece’s debut, Browne is back with another painting loaded with historical and social material that serves as a commentary on contemporary UK culture.
Taking a rather stark look not only at the British Empire and global politics – subjects he’s already flirted with plenty in the past – this towering new painting is entitled Sovereign Servant.
ADVERTISEMENT
Designed to be a thought-provoking reflection on the legacy of the Empire and its impact on modern UK society as we know it today, it takes stylistic inspiration from Jean-Auguste-Dominique Ingres’ The Apotheosis of Homer, as seen at the Louvre.
Reimagining Britain’s colonial history, controversial impact across the globe; economic exploitation and ever-evolving national identity in a vibrant and truly eye-catching multi-character portrait.
ADVERTISEMENT
Several faces can picked out from the crowd, including two very obvious royals smack back in the middle of the picture, but other standout aspects include Big Ben and the Palace of Westminster as the backdrop, as well as the high contrast colour palette.
All set on the deck of a ship in the most obvious nod towards the nation’s naval fleet and centuries of colonialism, not to mention a swirling stormy sky, there is a real sense of movement to the image even with so many figures standing straight towards the viewer.
Credit: Supplied
Unveiled to the public in a special event featuring a live Q&A at the museum, as well as a series of drop-in sessions with Browne himself last week, his latest neo-classical creation certainly left an impression.
ADVERTISEMENT
Speaking on its reveal, Browne said: “As a mixed heritage man from the North, I have often compared London’s royal heritage and standing as the centre of the British Empire with Manchester’s working-class heritage born out of industrial hard labour.
“I couldn’t resist juxtaposing these themes within one visual arena, contrasting the British desire for one overarching identity and the reality of a thriving multicultural society. I wanted to revisit those triumphant depictions of Empire to present a vision of how it appears to me today.”
Soon to be moved to the same shop window where his Trump painting is currently sat, it’s certainly something worth seeing up close for yourselves and don’t worry, it’ll be hard to miss.
Morrissey claims sole credit for The Smiths’ iconic Salford Lads’ Club photo shoot idea
Danny Jones
Morrissey is once again raising the issue of credit and disputes over The Smiths’ legacy, as the controversial former frontman has now claimed that their iconic photo shoot outside of Salford Lads’ Club was entirely his idea.
The 66-year-old lead singer turned solo star from Urmston is no stranger to sparking debates and attracting controversy, and it seems his latest is to do with one of the most iconic images in British music history, let alone just Greater Manchester.
The Davyhulme-born bard and divisive artist goes on to claim that the other co-founding members of the iconic Manc band initially viewed as more of his “lunacy” – the suggestion seemingly being (as it often is with Morrissey) that they simply didn’t understand the ‘genius’ at the time.
Many of his most die-hard fans still believe that most don’t and never will.
He even jokes that, in another life, it could very well have been something entirely different and random, such as the Kellogg’s factory in Trafford, basically suggesting that other members would have simply followed suit.
In his words, he argues that “now millions of people come from all over the world to be photographed on that very spot, it is claimed as a Smiths idea. It wasn’t, it isn’t, and it never shall be.”
Once again, this is by no means the first time he’s called into question, ‘who did what’ and/or who owns what bit of intellectual property; in fact, there was apparently another one of these instances with Johnny Marr only recently.
‘Moz’ and Marr have been at loggerheads pretty much ever since the group disbanded back in 1987, and still look to be far away from seeing eye to eye on virtually anything.
Manchester Museum to close much-loved section for ‘major’ £200k redevelopment
Emily Sergeant
Manchester Museum has announced that it’s planning to close of its best-loved exhibitions.
Thanks to a grant of £200,000 from the Department of Culture, Media and Sport’s (DCMS) Museums and Galleries Improvement Fund, Manchester Museum is planning a major redevelopment of its much-loved Vivarium.
The Vivarium has sat at the heart of Manchester Museum for more than 60 years, and is a centre for globally-significant conservation projects, caring for around 30 different amphibian and reptile species – many of which are critically endangered – in a bid to inspire generations of visitors.
Thanks to a pioneering partnership with Panama Wildlife Conservation Charity, which is just one of many projects designed to safeguard the future of endangered species and develop learning programmes that raise awareness of threats to biodiversity, Manchester Museum houses the world’s only captive ‘back-up’ population – which is why the redevelopment of the Vivarium is so important.
The funding grant will help to ‘revitalise’ public displays, and create new state-of-the art facilities and bespoke naturalistic environments for the amphibian and reptile species cared for by the Vivarium.
It will also allow the development of dedicated facilities for schools, teaching, and visiting tour groups, which the Museum hopes will ‘further enhance’ the gallery’s potential for learning.
During the redevelopment – which has been named the ‘Habitats of Hope’ project – new permanent displays will also be created that explore the connections between its wider collections and the animals it cares for.
Manchester Museum is set to close one of its much-loved sections for ‘major’ £200k redevelopment / Credit: Supplied
“Habitats of Hope speaks to how wonderful and how vulnerable the world’s rarest amphibians are” commented Georgina Young, who is the Head of Collections and Exhibitions at Manchester Museum.
“Major investment means Manchester Museum can match the highest standards of animal care with a more accessible visitor experience, while weaving stories of research, conservation, partnership and action that stretch from thriving ponds in Manchester to hyper-biodiverse ecosystems in Costa Rica and Panama.”
Danny Jones -
19th March 2025 
