One of the actors from Netflix’s new smash hit, Adolescence, is a Greater Manchester-born and bred talent and has now taken time to reflect on the “overwhelming” response the show has seen thus far.
You’ll recognise her from countless roles in British films and TV over the years, including multiple Shane Meadows projects, but Jo Hartley is one of several stars to have impressed audiences across the globe with her performance in the incredible new drama.
Topping the streaming giant’s charts after just four days, Adolescence is one of the biggest shows of the year and most streamed UK exports in some time, receiving rave reviews across the board, as well as serious plaudits for how it tackles some seriously tough subject matter.
With most having now made it through all four extremely heavy episodes, the local actor from Oldham hopped on social media not only to express her gratitude for having been part of the project, but also the incredible reaction it received and why so many feel it’s an important watch.
Overwhelmed by so many kind and generous messages about #Adolescence we are so grateful to you all! Thanks.
Sharing a lengthier response spotlighting episode two, when we first meet her character, on Instagram, Hartley wrote: “Overwhelmed by all the generous messages we are getting so far. Being part of such a groundbreaking project has given me deep joy.
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“Seeing people respond so abundantly is very moving and feels quite wonderful. These kids are epic! They smashed it. Cast and crew too. I loved our downtime, we’d all hang out and play games, chat and laugh, we became a family. What a team of talented artists and creators.”
Speaking more broadly in an earlier post, she said of the early reviews: “I’ve been so overwhelmed by such powerful messages over the last few days. THANK YOU. Thank YOU!!! It’s been wonderful to see this show make such an impact on the world.
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“Adolescence asks questions… It presents us with a fatal situation caused by one unconscious act of violence – actions have consequences. Over the four ‘one shot’ episodes we see how it devastates not only a family but a whole community. If Adolescence saves one life, it will have worked.”
Before the limited drama had even dropped, she described it as a “life-changing experience” as an actor and, from a viewer’s perspective, nothing short of a “heart-wrenching and powerful one-shot drama that’ll blow your mind and take your breath away.” We can only echo her words.
As well as Oldham‘s finest being celebrated for her extremely believable, accurate and nuanced performance as teacher Mrs Fenumore, audiences are hailing not only the impressive talent of Owen Cooper, who plays the lead role of Jamie Miller but also the sublime Stephen Graham as his father.
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Co-creator Graham, who also shared the screen with Hartley in This Is England, has been praised for numerous roles in recent years – including director Philip Barantini’s equally talked about Boiling Point (2023) – but many viewers are saying he has officially cemented himself as “one of Britain’s greatest-ever actors.”
If you’ve still not seen anything about it, we won’t dare spoil a morsel more but we will sincerely recommend that you join the millions of others in watching it – though we’ll warn you, Adolescence is by no means easy-going.
You can see the trailer down below:
The Greater Manchester actor is one of numerous show-stealers in Adolescence.
ITV is reviving an iconic music trivia gameshow Name That Tune from the 70s
Emily Sergeant
ITV is set to revive one of the most iconic music-themed gameshows of all time for a new generation.
That’s right – Name That Tune is making a comeback.
Based on the successful US format of the same name, and airing in the UK on its original run from 1976 through to 1987, before being rebooted for the first time by Channel 5 from 1997-98, Name That Tune is being revived for the third time and is set to hit screens on ITV early next year.
If you’re unfamiliar with the premise of the show, Name That Tune sees contestants pitted against each other as their music knowledge is put to the test in a series of fast-paced rounds that featuring tracks from some of the world’s best-loved music artists and bands across every genre, all building towards a nail-biting finale.
Competitors will be tasked with correctly deciphering iconic riffs, melodies and lyrics from some of the biggest songs on the planet.
Set to be presented by Alison Hammond, and with a studio audience singing along, the show’s reboot will invite viewers at home to play from their living rooms, making it the ultimate soundtrack for all generations.
Every round is designed to challenge music enthusiasts by asking them just one simple question – can you name that tune?
“As a massive music lover, my biggest challenge as a host will be trying not to grab the mic and start singing along when one of my all-time favourite tunes comes on,” commented Alison Hammond as she was announced as the host for the reboot.
“And trust me… that will take serious self control.
“I grew up absolutely loving the original show so being part of this now feels like a real full-circle moment. I cannot wait to get into the studio, put the contestants through their paces, and see who really knows their music.”
ITV has told viewers to expect the show to be ‘bigger, louder, and more feel-good than ever’ once it returns in January.
Featured Image – ITV
TV & Showbiz
BBC cancel three hit shows, including legendary stand-up series, Live at the Apollo
Danny Jones
The BBC have reportedly cancelled three of their hit TV shows, including the long-standing Live at the Apollo.
With the company facing even more cuts and the television industry facing the ever-changing obstacles set about by increasingly dominant digital platforms, the hit live stand-up series, which has run for over two decades, is the latest big IP on the chopping block.
But that’s not all: joining them in cancellation after long stints on the box are Celebrity Mastermind and the most recently rebooted version of British favourite, Blankety Blank, brought back with Bradley Walsh as host back in 2020.
With roughly 65 full-length seasons between them, and literally hundreds of episodes under their belt, the unfortunate trio have fallen foul for varying reasons.
At first I read that as Celebrity Masterchef, but that show is immortal.
Really surprised to see Live at the Apollo go. It can't cost much and has been instrumental in giving many comedians their big TV breaks. https://t.co/BrT8k2hoYd
While Walsh announced that he was quitting the programme after three series (the fourth was set to begin recording later this year) largely due to scheduling conflicts, the driving force behind the decision is the aforementioned cutbacks.
In case you hadn’t heard, the BBC has seen an approximately £500 million reduction in annual spending, which has meant that one or more productions were always going to be hit hard as a result.
They are aiming to save upwards of £100m annually, which is set to come in the form of 100-150 hours less originally telly by the end of 2028.
Issuing an official statement, they say: “We are incredibly proud of all three of these much-loved shows and would like to thank everyone involved, both in front of and behind the camera, for bringing them to screen and making them such a success over many years.
“Unfortunately, we have to make some really tough choices in light of our funding challenges, and these savings have been identified from the entertainment genre.”
With Live at the Apollo, in particular, having served as an important proving ground and spotlighting stage for rising comics, the UK mainstay originally hosted by Jack Dee is sadly going the way of Mock the Week by being pulled after 22 years on the air.
As you can see, it’s already been heavily mourned by performers around the comedy circuit and fans alike. It goes without saying that those within the industry know all too well how important it’s been.
Unfortunately, more announcements and cuts are expected throughout the remainder of the year as the BBC‘s entertainment arm tries to regain profitability.
This means that these three likely won’t be the last to be axed; who knows? Given that even the biggest of IPs don’t seem to be safe, maybe even mainline Mastermind could be in trouble…
It’s also worth noting that this news comes not long after the media giants launched their big campaign to reassert their domestic significance and beyond, with more and more people straying away from the TV licence in favour of modern streaming.
You can read the full ‘savings’ update right HERE.
Danny Jones -
19th March 2025 
