At Aviva Studios, Fatboy Slim showed that even after decades in the game, he’s still finding new ways to electrify a room.
Set against a backdrop of lasers, confetti cannons and LED Screens Fatboy Slim felt less like a DJ and more like the lord of acid ballroom, ready for the tidal wave of fans in front of him.
Whether you’re an old-school Mancunian rave head or a new kid on the block you knew he was always in control, issuing a constant bombardment of psychedelic colours and smiley faces.
Long before he stepped up to the decks, anticipation had been building and when the first beat dropped the response was immediate.
From the very beginning it was clear he knew his Manc audience were hooked. Pictures of cultural iconics like Chadwick Bosman, Idris Elber and Andy Warhol were totted on the screen behind him.
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He played The Rockafeller Skank, setting out his set with an obvious hit.
It was Ya Mama (Push the tempo) to bellow out across the vast floor of Aviva Studios next, accompanied by the original 2010 music video on the backdrop behind him.
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Fatboy Slim at Aviva Studios in Manchester. Credit: The Manc Group
From there, the set unfolded like a guided tour through decades of dance floor dominance, old and new blending seamlessly.
The crowd was then hit by ‘Groove Amada – I see you baby (Fatboy Slim Remix)’ the shift that occurred at that moment is something only a tune of that stature can deliver.
Throughout the set, he doubled down on the heavier moments. ‘Weapon of Choice’ landed like a controlled explosion with lights strobing, bass reverberating through your chest, while a remix of ‘Mr Brightside’ originally by The Killers showcased his ability to stretch a breakdown just long enough to keep thousands hanging in suspense.
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The emotional high point arrived with ‘Praise You’. Phones lifted, arms wrapped around shoulders, strangers turned into temporary best mates. For a few minutes, Aviva Studio’s felt less like a room and more like a shared memory in the making.
But sentimentality didn’t linger for too long. This is Fatboy Slim, after all. The pace soon ramped back up with ‘Eat, Sleep, Rave, Repeat’ delivering that spine tingling, hands in the air, friends on shoulders moment that defines nights like these.
Even between tracks, he worked the crowd with the confidence of someone who knows exactly what they’re doing, after 40 years it’s absolutely no surprise to us. A Hawaiian shirt , a well-timed rewind, a teasing fake drop and not to mention a for airhorns it’s showmanship at it’s finest.
As the main set drew to a close, ‘Right here, Right Now’ felt like a finale in itself. The track even these days feels defiant, euphoric, and was shouted back in fragments by a crowd that’s lived with this track for years, while a percentage of the crowd hearing it live for the first time.
The encore didn’t mess about. One final surge of energy, one last seismic drop, and boom! More confetti, fireworks, lights and smoke than even Greater Manchester Fire Department could handle. It sent Aviva Studios into a closing frenzy. Fans were sweat-drenched, smiling, and reluctant to see the lights come up.
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Fatboy Slim at Aviva Studios wasn’t just another tour stop. It was a reminder that while trends shift and scenes evolve, few artists understand the architecture of a great night out quite like he does. Decades in, and he’s still orchestrating chaos with pinpoint precision. Once again proving that some acts don’t fade with time, they just refine the formula.
Green Island Festival and Nell’s team up for bank holiday street party in Northern Quarter next month
Emily Sergeant
Green Island Festival is teaming up with pizza pros Nell’s and taking over the Northern Quarter for a big street party early next month.
For one day only, Edge Street will be locked off and a ‘fiesta’ will be taking over.
This early May bank holiday weekend, Green Island Festival will be linking up with Manchester’s favourite New York-style pizza merchants, Nell’s, for a special street party takeover right in the heart of the Northern Quarter.
Set to take over from midday on Saturday 2 May, families are first invited to join in on the bank holiday fun, as Born to be Wild Child – celebrated for their family-friendly parties – will be first up, encouraging all daytime ravers to get down early doors with their little ones.
Deptford George then takes the reins afterwards with his signature blend of soulful house, disco, funk and deeper electronic music, while Manc heavyweights Sprechen are guaranteed to bring a mixture of groove, soul, and energy with no limits.
Into the evening, Manchester-based collective Me Gusta will be taking things up a notch, so you can expect to hear sounds ranging from Afro-Latin and Caribbean, to Middle Eastern musical diaspora.
Closing the street party is La Noche, who again, will be bringing the best of Afro and Latin music to the streets of the city.
Green Island Festival and Nell’s are teaming up for bank holiday street party in the Northern Quarter next month / Credit: Supplied | The Manc Group
All day long, Nell’s famous New York-style pizza slices and pies will be available to feast on, as will Yard & Coop’s legendary buttermilk fried chicken, burgers, wings by order.
And then to wash it all down with, RIPE Beer are also getting involved, so partygoers can sip on delicious pints of beer as they dance the night away right through to 9pm.
Green Island x Nell’s Bank Holiday Street Party is landing on Edge Street from 12-9pm on Saturday 2 May, and it’s completely free to attend with no booking needed – just turn up on the day.
Featured Image – Supplied
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‘If only he was here’: Peter Hook reflects on Ian Curtis as Joy Division join Rock and Roll Hall of Fame
Danny Jones
We were lucky enough to play a part in a bit of music history (albeit only a small one) this week, as we had the privilege of chatting with the one and only Peter Hook of Joy Division and New Order, as the pair were finally admitted into the Rock and Roll Hall of Fame.
A long overdue bit of recognition, if you ask, but a momentous day nonetheless.
Chatting with Hooky and a long-time friend, collaborator, and beloved Manchester-based DJ, Graeme Park, in the aftermath of being named in the ‘Class of 2026’, he was visibly moved and honoured by the announcement. Here’s what he had to say…
Joking from the off by repeating Graeme’s initial question, “How does it feel?” (an absolute tap-in, that one), the 70-year-old bassist and co-founder of both iconic Greater Manchester groups admitted that they “had a couple of false starts”, to put it mildly, but went on to add: “we can only thank our fans.”
Confessing there has been somewhat of a mixed reaction about “what it means” to them and/or in the industry these days, he made it clear that on a personal level, it’s still a huge moment.
Put simply, he said: “Without the fans, we’d all be nothing.”
He also went on to praise the sort of no-nonsense, DIY and unapologetic approach of the Manc music scene, quipping: “You know, what would Simon Cowell have said about Ian Curtis, Bez, Shaun [Ryder] – Ian Brown, for god’s sake?!”
Acknowledging that while no one was necessarily an “accomplished singer” (often the case when you start early and just pursue a passion), his caveat was that “they had heart and soul” and “they embody something deep within us all that has lasted and will continue to last.”
Noting a de facto ‘Renaissance’ that a few names have enjoyed – especially following the passing of certain notable figures – he believes, rather, that they never went anywhere and that Northern crowds and beyond have helped those songs stretch to three, four, even five different generations.”
He’s not wrong: they’ve never stopped connecting with audiences, and they NEVER will.
Once more, it was an absolute joy (again, pardon the pun) to chat with Peter and Parky, who clearly haven’t lost their love for each other, nor this business – even after all these decades.
Congratulations to both bands, Hooky, Bernard Sumner, Stephen Morris, Gillian Gilbert, Tom Chapman, Phil Cunningham, as well as every session musician who’s ever played these tunes and kept them alive.
Last but not least: forever and always, rest in peace, Ian Curtis.
Lonnie Bowes -
14th February 2026 
