Yes, we saw the crowds in Brixton, Leeds and so on, and they were also box office, no doubt – and we’re sure there’s plenty of bias coming in here – but DMA’s final night in Manchester was just magnificent on every level.
Still managing to bring a real Friday feeling even though it was a Sunday night following the protracted Valentine’s celebrations, when most were already dreading the inevitable Monday blues (morning, all), it felt like the perfect way to close out a weekend with everyone’s first love: music.
During a period when we’re all encouraged to be a little bit more sincere and spread pure positivity, seeing the sea of happy, smiling faces watching DMA’s on night two at the O2 Victoria Warehouse was just the injection we needed.
For starters, you can’t ask for much more than getting to hear not only Hills End from start to finish but ‘Lay Down’ live twice in one night. The limbs were just as mad the second time around, if not even more.
To quote a fan speaking in the comments under this video, for some, it was beyond good: “The best gig I’ve been to in my 45 years on this planet”, apparently.
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Quite the bold statement, and while we’re not sure we’re quite ready to be so superlative just yet, hearing them play their debut album from cover to cover on its 10th anniversary did make for a perfect set and an “unreal night” as we’ve heard and seen so many remark in the hours since the gig.
One person wrote, “If the next album is good, these will be absolutely huge”, while another declared that they’re “the greatest on Earth” already.
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Whatever point on the scale you land on, pretty much everyone almost universally agrees that their first record is still their best, even with all the bangers they’ve put out since.
One of the best moments of the entire nostalgia trip was when they bookended the show with ‘Timeless’ and played their usual extended outro with multiple repetitions of the chorus and a proper breakout, letting their instruments do the talking in a fast, frenetic flurry as the crowd thrashed around.
DMAs never let you down when it comes to a performance, and neither do Manc crowds.
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One of those where you saw way more arms in the air than phones. (Credit: Audio North)
And maybe that’s just it, as far as bands that come to this region and do well, the Sydney trio are one of the VERY best, vouched for by pretty much every mate and regular gig-goer whose opinion you trust implicitly; you can certainly add us onto that list.
Maybe it’s somehow to do with some of those Melbourne roots, too, as we’ve often heard the parallels drawn between the two cities, and they even asked if there was anyone in from ‘Melbs’ between songs – there was a notable cheer – or maybe it’s just some kind of uncalculable magic we can’t understand.
Either way, besides the ongoing rise of Aussie rock and Anzac bands doing very well around the UK in general, there is something very special about this particular indie outfit’s connection with the North West and Manchester, specifically.
Johnny, Tommy and Matt have all themselves cited it as a ‘second home’ throughout their career, having hit the ground running and finding a cult following here right from the off.
In fact, they admitted that the full touring band still regularly flies into Manchester first whenever they’re heading to the UK. Love that.
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‘Olympia’ and ‘Silver’ were also big standouts beyond the Hills End part of the setlist. (Credit: The Manc)
Perhaps labelling them part of the ‘Britpop revival’ is a bit reductive, but it certainly hasn’t done them any harm thus far, and conversely, it’s definitely done them plenty of favours here in Greater Manchester.
They’re not just adopted Brits who understand our history as a nation of audiophiles; they get our crowds and this city’s culture down to a tee.
Put simply, either through blind luck or divine intervention from the music gods, DMA’s are Mancs by proxy, and whether or not that means anything to them, it sure as sh*t means a whole lot to us.
Here’s to HE10, and we can’t wait for the next celebration in whatever form it comes.
Oasis, Joy Division and New Order named as 2026 inductees into world-famous Rock & Roll Hall of Fame
Emily Sergeant
It’s official – three of Manchester’s most iconic bands are joining history.
That’s because it’s been announced today that both Oasis, and Joy Division/New Order (as one act) are being inducted into the world-famous Rock & Roll Hall of Fame as part of the 2026 cohort, which is not only a huge deal for the bands individually, but also for our city’s music legacy.
It would not be an understatement to say that these past few years have been some of the biggest in Oasis‘ career, given the fact that they played all across the world 2025 on what is one of the biggest reunion tours of all time – including five nostalgia-drenched gigs in Manchester’s Heaton Park last summer.
But despite everything they’ve done over the past three decades, this could still be one of the iconic Manchester band’s greatest achievements.
Announcing Oasis’ induction this week, a statement on the Rock & Roll Hall of Fame website reads: “Oasis are one of the most successful and influential acts of all time. Exploding out of the 1990s UK music scene, they reclaimed big, brash, hook-filled rock & roll with their anthemic sound, cool swagger, expertly crafted lyrics, and electrifying live performances – eventually selling over a hundred million records.
“Their songs have become England’s go-to anthems, sung in unison by fans at sporting events and social gatherings and inspiring countless bands.”
The Gallagher brothers reunion last year was also noted by the Rock & Roll Hall of Fame as being one of the key reasons for their induction, proving that the band’s influence ‘remains as strong as ever’.
I wanna thank all the people who voted for us it’s a real honour ever since I was a little kid and singing in the shower I’d dream about 1 day being in the RnR hall of fame it’s true what they say anything is possible if you have a dream LG x
It’s not just celebration for Oasis, of course, as two of Manchester’s other most revered bands, Joy Division and New Order, have also been chosen as 2026 inductees into the Rock & Roll Hall of Fame.
A statement on the Rock & Roll Hall of Fame website about Joy Division and New Order’s joint induction reads: “Joy Division and New Order were postpunk pioneers and electronic dance-floor innovators, inspiring thousands of bands and becoming a beacon for millions of listeners.
“Spearheading the late 1970s Manchester music scene, their story is a remarkable tale of revolution, metamorphosis, and influence.
“Their dark and droning transmissions ‘Love Will Tear Us Apart’ and ‘Blue Monday’ were foundational to both dance music and alternative rock, and they still resonate deeply with outsiders and adventurous souls.
“They were innovative musicians who created something revolutionary and massively influential – not once, but twice.”
The 2026 Rock & Roll Hall of Fame induction ceremony will be held on 14 November at the Peacock Theater in Los Angeles.
Featured Image – Jill Furmanovsky (Publicity Picture)
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Morrissey claims sole credit for The Smiths’ iconic Salford Lads’ Club photo shoot idea
Danny Jones
Morrissey is once again raising the issue of credit and disputes over The Smiths’ legacy, as the controversial former frontman has now claimed that their iconic photo shoot outside of Salford Lads’ Club was entirely his idea.
The 66-year-old lead singer turned solo star from Urmston is no stranger to sparking debates and attracting controversy, and it seems his latest is to do with one of the most iconic images in British music history, let alone just Greater Manchester.
The Davyhulme-born bard and divisive artist goes on to claim that the other co-founding members of the iconic Manc band initially viewed as more of his “lunacy” – the suggestion seemingly being (as it often is with Morrissey) that they simply didn’t understand the ‘genius’ at the time.
Many of his most die-hard fans still believe that most don’t and never will.
He even jokes that, in another life, it could very well have been something entirely different and random, such as the Kellogg’s factory in Trafford, basically suggesting that other members would have simply followed suit.
In his words, he argues that “now millions of people come from all over the world to be photographed on that very spot, it is claimed as a Smiths idea. It wasn’t, it isn’t, and it never shall be.”
Once again, this is by no means the first time he’s called into question, ‘who did what’ and/or who owns what bit of intellectual property; in fact, there was apparently another one of these instances with Johnny Marr only recently.
‘Moz’ and Marr have been at loggerheads pretty much ever since the group disbanded back in 1987, and still look to be far away from seeing eye to eye on virtually anything.
Danny Jones -
16th February 2026 
