At Aviva Studios, Fatboy Slim showed that even after decades in the game, he’s still finding new ways to electrify a room.
Set against a backdrop of lasers, confetti cannons and LED Screens Fatboy Slim felt less like a DJ and more like the lord of acid ballroom, ready for the tidal wave of fans in front of him.
Whether you’re an old-school Mancunian rave head or a new kid on the block you knew he was always in control, issuing a constant bombardment of psychedelic colours and smiley faces.
Long before he stepped up to the decks, anticipation had been building and when the first beat dropped the response was immediate.
From the very beginning it was clear he knew his Manc audience were hooked. Pictures of cultural iconics like Chadwick Bosman, Idris Elber and Andy Warhol were totted on the screen behind him.
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He played The Rockafeller Skank, setting out his set with an obvious hit.
It was Ya Mama (Push the tempo) to bellow out across the vast floor of Aviva Studios next, accompanied by the original 2010 music video on the backdrop behind him.
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Fatboy Slim at Aviva Studios in Manchester. Credit: The Manc Group
From there, the set unfolded like a guided tour through decades of dance floor dominance, old and new blending seamlessly.
The crowd was then hit by ‘Groove Amada – I see you baby (Fatboy Slim Remix)’ the shift that occurred at that moment is something only a tune of that stature can deliver.
Throughout the set, he doubled down on the heavier moments. ‘Weapon of Choice’ landed like a controlled explosion with lights strobing, bass reverberating through your chest, while a remix of ‘Mr Brightside’ originally by The Killers showcased his ability to stretch a breakdown just long enough to keep thousands hanging in suspense.
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The emotional high point arrived with ‘Praise You’. Phones lifted, arms wrapped around shoulders, strangers turned into temporary best mates. For a few minutes, Aviva Studio’s felt less like a room and more like a shared memory in the making.
But sentimentality didn’t linger for too long. This is Fatboy Slim, after all. The pace soon ramped back up with ‘Eat, Sleep, Rave, Repeat’ delivering that spine tingling, hands in the air, friends on shoulders moment that defines nights like these.
Even between tracks, he worked the crowd with the confidence of someone who knows exactly what they’re doing, after 40 years it’s absolutely no surprise to us. A Hawaiian shirt , a well-timed rewind, a teasing fake drop and not to mention a for airhorns it’s showmanship at it’s finest.
As the main set drew to a close, ‘Right here, Right Now’ felt like a finale in itself. The track even these days feels defiant, euphoric, and was shouted back in fragments by a crowd that’s lived with this track for years, while a percentage of the crowd hearing it live for the first time.
The encore didn’t mess about. One final surge of energy, one last seismic drop, and boom! More confetti, fireworks, lights and smoke than even Greater Manchester Fire Department could handle. It sent Aviva Studios into a closing frenzy. Fans were sweat-drenched, smiling, and reluctant to see the lights come up.
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Fatboy Slim at Aviva Studios wasn’t just another tour stop. It was a reminder that while trends shift and scenes evolve, few artists understand the architecture of a great night out quite like he does. Decades in, and he’s still orchestrating chaos with pinpoint precision. Once again proving that some acts don’t fade with time, they just refine the formula.
Jimmy Bradbury, Reuben Haycocks, Aoife Anson O’Connell, and Paddy Murphy – better known together as Westside Cowboy – formed back in 2023 when they were students at the Royal Northern College of Music, so while they may not all be from Manchester, they definitely have the spirit of our city at the heart of everything they do.
After playing in different bands across the city throughout their student years, the four-piece joined forces to create Westside Cowboy – an indie rock collective credited with self-coining the genre of ‘Britainicana’.
Put simply, Britainicana is a cultural concept that mixes the hazy, mythic feel of American country and folk, with the sound of raw British punk, indie rock, and small-town life.
Westside Cowboy have released their debut album, It Goes On / Credit: Clementine Schniedermann (Press Shots – Supplied)
If that sounds like your cup of tea, then you’ll be pleased to know that Westside Cowboy have released their debut album, It Goes On, to the world today (21 August).
And the reception from critics, arguably, couldn’t be better.
Prior to the release of their debut album, the band had released two EPs, including So Much Country ‘Till We Get There in January earlier this year, and had started to make a name for themselves with their popular debut single ‘I’ve Never Met Anyone I Thought I Could Really Love (Until I Met You)’ in 2024.
They went onto make even further waves when they supported equally-rising American rock band Geese on their UK and Irish tour back in March – with many fans calling it one of the best support and main act combinations in some time.
Three singles from their debut album were shared with the world ahead of its release – ‘Kick Stones (The Boys)’ came first, followed by ‘Pin Up Boys’ and ‘Dobro’.
So, it’s fair to say the anticipation for album was high… and if the reviews are anything to go by (which we think they are), it looks like the band has very much delivered what they set out to achieve.
Westside Cowboy’s debut album It Goes On is now available to stream, or you can purchase a physical copy in a range of formats from their website here.
Take a listen👇
Featured Image – Press Shot (Supplied)
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BBC Introducing LIVE is back with events across the North for grassroots music artists
Emily Sergeant
BBC Introducing’s flagship live event will return with a huge lineup of activities for aspiring musicians and music creators this autumn.
To celebrate and champion undiscovered talent across the country, BBC Introducing LIVE will include an array of live performances, immersive workshops, educational panels, and networking opportunities for grassroots artists, DJs, and music creators, all at the start of their careers.
Introducing LIVE will head across the UK, including hosting four special gigs in Leeds and a songwriting camp in Manchester.
The BBC Introducing Songwriting Camp is an invite-only event offering an ‘unparalleled’ experience for artists and creatives to develop skills and collaborate with industry professionals in a real music studio.
Then, on Saturday 28 November, BBC Introducing will host four showcases across Leeds, celebrating some of the best new music from across the UK – with independent music venues The Wardrobe, Belgrave Music Hall, and Oporto all taking part.
While up in Sunderland, following the success of BBC Radio 1’s Big Weekend there earlier this year, a special takeover event will take place at The Fire Station – with a day of panels, workshops, open mics, and an industry feedback centre planned, all designed to support and inspire the next generation of musicians and music industry professionals.
Other northern cities hosting events during this year’s programme are Gateshead, and major music city Liverpool.
Many successful artists, including the North’s very-own Sam Fender, as well as big names like Ed Sheeran, Raye, Olivia Dean, and Loyle Carner, all began their careers with support from BBC Introducing.
“Championing and nurturing artists and creatives is at heart of everything BBC Introducing does, and so I’m excited that Introducing LIVE will be returning in November for our biggest year yet,” commented Kelly Betts, who is the Editor of BBC Introducing.
“BBC Introducing will be at events, panels, and gigs across the UK giving emerging talent the opportunity to learn from industry experts, make music and connect with fellow artists.
“Music has the power to unite, inspire, and shape our culture and BBC Introducing’s flagship event will help some of the UK’s rising stars on their journey to achieve this.”
Lonnie Bowes -
14th February 2026 
