At Aviva Studios, Fatboy Slim showed that even after decades in the game, he’s still finding new ways to electrify a room.
Set against a backdrop of lasers, confetti cannons and LED Screens Fatboy Slim felt less like a DJ and more like the lord of acid ballroom, ready for the tidal wave of fans in front of him.
Whether you’re an old-school Mancunian rave head or a new kid on the block you knew he was always in control, issuing a constant bombardment of psychedelic colours and smiley faces.
Long before he stepped up to the decks, anticipation had been building and when the first beat dropped the response was immediate.
From the very beginning it was clear he knew his Manc audience were hooked. Pictures of cultural iconics like Chadwick Bosman, Idris Elber and Andy Warhol were totted on the screen behind him.
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He played The Rockafeller Skank, setting out his set with an obvious hit.
It was Ya Mama (Push the tempo) to bellow out across the vast floor of Aviva Studios next, accompanied by the original 2010 music video on the backdrop behind him.
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Fatboy Slim at Aviva Studios in Manchester. Credit: The Manc Group
From there, the set unfolded like a guided tour through decades of dance floor dominance, old and new blending seamlessly.
The crowd was then hit by ‘Groove Amada – I see you baby (Fatboy Slim Remix)’ the shift that occurred at that moment is something only a tune of that stature can deliver.
Throughout the set, he doubled down on the heavier moments. ‘Weapon of Choice’ landed like a controlled explosion with lights strobing, bass reverberating through your chest, while a remix of ‘Mr Brightside’ originally by The Killers showcased his ability to stretch a breakdown just long enough to keep thousands hanging in suspense.
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The emotional high point arrived with ‘Praise You’. Phones lifted, arms wrapped around shoulders, strangers turned into temporary best mates. For a few minutes, Aviva Studio’s felt less like a room and more like a shared memory in the making.
But sentimentality didn’t linger for too long. This is Fatboy Slim, after all. The pace soon ramped back up with ‘Eat, Sleep, Rave, Repeat’ delivering that spine tingling, hands in the air, friends on shoulders moment that defines nights like these.
Even between tracks, he worked the crowd with the confidence of someone who knows exactly what they’re doing, after 40 years it’s absolutely no surprise to us. A Hawaiian shirt , a well-timed rewind, a teasing fake drop and not to mention a for airhorns it’s showmanship at it’s finest.
As the main set drew to a close, ‘Right here, Right Now’ felt like a finale in itself. The track even these days feels defiant, euphoric, and was shouted back in fragments by a crowd that’s lived with this track for years, while a percentage of the crowd hearing it live for the first time.
The encore didn’t mess about. One final surge of energy, one last seismic drop, and boom! More confetti, fireworks, lights and smoke than even Greater Manchester Fire Department could handle. It sent Aviva Studios into a closing frenzy. Fans were sweat-drenched, smiling, and reluctant to see the lights come up.
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Fatboy Slim at Aviva Studios wasn’t just another tour stop. It was a reminder that while trends shift and scenes evolve, few artists understand the architecture of a great night out quite like he does. Decades in, and he’s still orchestrating chaos with pinpoint precision. Once again proving that some acts don’t fade with time, they just refine the formula.
The Warehouse Project announces fallow year and events on ‘far smaller scale’ from 2027
Daisy Jackson
The Warehouse Project has just announced that it will take a ‘short breather’ next year, with a fallow year on the cards.
The enormous clubbing series has cemented Manchester’s position as a leading nightlife city, drawing hundreds of thousands with its curated lineups and live sets.
Over the last 20 years, The Warehouse Project has transformed venues including a disused brewery, an underground car park (the iconic Store Street), and Victoria Warehouse.
Since moving into Depot Mayfield in 2019, the scale and magnitude of the clubbing series has rocketed, attracting huge names like Fred Again, Disclosure, Skrillex, Bicep, Four Tet, and plenty more.
There have also been massive nights curated by the likes of Annie Mac, Worried About Henry, Jamie XX, and more.
Plus huge recurring events every year, like the brilliant Homobloc and WHP’s almighty New Years closing parties.
But now, after two decades, the founders have announced ‘something of a fallow year’ in 2027.
While they’ve assured fans that there will still be events, these will be ‘on a far smaller scale’ – and will definitely not be returning to Store Street.
Reflecting back, they wrote: “The idea was simple: find a space that existed for a finite period each winter and create a series of totally unique musical moments – each unique in its own right, reaching different audiences, but all coming together under one roof for one unmissable season. A whole new format in which to experience this culture.
“Those early years had a particular energy. There was huge risk at every turn and, at times, unimaginable chaos that could easily have ended the whole thing before it had really begun. Amongst it all though, there was a feeling we were onto something special. We just needed to keep going.”
The statement continued: “Over the last two decades, almost everything aroundus has changed. Music has changed. Manchester has changed.
“The way people discover artists and experience nightlife has changed. And The Warehouse Project has kept evolving alongside it. We’ve moved through different homes and chapters. Each night leaving its own mark on the story.
“We’ve welcomed our heroes to play stages in train depots, old defunct brewerys and underground car parks. And we’ve seen multiple generations create cherished memories on that dancefloor.
“We spoke at length about how to mark 20 Years. After all this time, how do we make this 2026 season feel like the landmark moment it should be? We think the answer is to dial things back the following year. So, in 2027 WHP, in its current format, will take a short breather.”
The Warehouse Project added: “The Warehouse Project as you currently know it takes something of a fallow year in 2027.
“To the artists who trusted us; the agents, managers, promoters and partners who backed that crazy idea; and all the unsung heroes who have worked so incredibly hard behind the scenes, year after year – thank you.
“And to everyone who has ever bought a ticket, stood in a queue in the Manchester rain, discovered a new artist, lost their friends, found them again, stayed until the lights came up, or walked out into the morning knowing they’d just experienced something special. You are the reason we are still here.
Legendary pop duo Erasure announces huge Manchester arena gig on 2027 UK tour
Emily Sergeant
Legendary pop duo Erasure have announced a UK arena tour next spring, and they’re set to stop off in Manchester.
Andy Bell and Vince Clarke – better known by their duo name, Erasure – have announced details of their long-awaited upcoming 20th studio album today, titled Radio!! Radio!!, alongside details of an arena tour in spring 2027 across the UK and Europe.
Described as a ‘deeply personal’ project, the BRIT and Ivor Novello award-winning duo’s first new studio album in six years sees Bell and Clarke continue to refine and deepen the pop catalogue they’ve been building over the past 40 years.
The album will be comprised of a set of songs about love, loss, and injustice that they hope speaks to our ’empathy-starved times’.
Erasure will take to the road in 2027 for an arena tour that kicks off at Cardiff’s Utilita Arena on 25 April before travelling throughout the UK, including a stop in Manchester at the AO Arena on 1 May, before finishing off in London and heading over to Europe, with more dates to follow.
Vince Clarke will be Musical Director for the tour, but will not be appearing onstage alongside Andy Bell, it has been revealed.
Bell says: “I’m so pleased that we were able to find a way for the tour to work for Vince. He’s always too modest but he’s so much more than the Musical Director, Vince is one of the great loves of my life and everything we do as Erasure we decide together.”
Erasure will be performing at the AO Arena in Manchester on 1 May 2027, and tickets go on presale this Thursday 1 October at 10am, before general sale begins a day later (2 October) also at 10am.
Lonnie Bowes -
14th February 2026 
