A brand-new innovative take on Macbeth is coming to a rather surprising venue in Oldham as part of a new production by the Coliseum.
It may be BY Oldham Coliseum Theatre, but this new stage show is taking place at a rather different kind of location entirely.
Teaming up with North West actor Nick Bagnall and director, who has already served in an associate role at the Liverpool Everyman and Playhouse, this will be his very first production, and unlike most other Shakespeare performances you will have come across.
With his various plays serving as ever-perfect pairings for adaptation, his version of arguably the world’s most famous tragedy is coming to an iconic site in its own right, which just so happens to be a nightclub.
Yes, Nick Bagnall and Oldham Coliseum Theatre‘s twist on Macbeth will be coming to none other than Liquid and Envy on Retiro Street.
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A legendary local institution known for more late-night entertainment, the native artist is using it as a staging ground for a very unique interpretation.
While this version will still revolve around the same themes of ambition, masculinity, power and identity, it will instead be set against a late-1970s backdrop, in a world filled with gangsters, casinos and similarly shifting social codes.
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Perhaps not as contemporary as current modern-day (we’ve seen plenty of that even in the past couple of decades alone), but it still looks set to be a creative take on the timeless tale; a retelling of Romeo and Juliet is also part of their autumn/winter programme.
Speaking ahead of the debut, Nick said picking Macbeth was a no-brainer. “Macbeth asks profound questions about power, identity and what it means to be a man,” he said. “Those questions feel urgent in a proud industrial town like Oldham that is navigating huge social and economic change.
Romeo and Juliet is also coming to the OCT (Credit: Supplied)
“I want to blow the dust off Shakespeare. This isn’t about putting the play on a pedestal; it’s about creating an experience that grabs people by the throat, whether they have seen Macbeth ten times or never encountered it before.
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“We want people who have never set foot in a theatre to walk into Liquid & Envy and feel this story belongs to them. Staging Macbeth inside a working Oldham nightclub creates its own intrigue.”
Martina Murphy, Chief Executive of Oldham Coliseum Theatre, went on to add: “This is a huge moment for the Coliseum. Nick’s Macbeth is uncompromising, thrilling and unmistakably of this place, and it announces exactly the kind of theatre we intend to make.
“As we continue our journey back to Fairbottom Street, we are determined to keep creating ambitious work that surprises audiences and reaches people wherever they are. Macbeth demonstrates that the Coliseum isn’t waiting for its building to return before making theatre of national significance.”
Check out the full list of scheduled performances set to arrive later this year:
Macbeth at Liquid and Envy in Oldham – 2026 dates
October
Friday 23 – 1:30pm (preview)
Saturday 24 – 1:30pm and 6:30pm (previews)
Monday 26 – 7pm (preview)
Tuesday 27 – 7pm (press night)
Wednesday 28 – 7pm
Thursday 29 – 1:30pm and 7pm
Friday 30 – 6:30pm
Saturday 31 – 1:30pm and 6:30pm
November
Monday 2 – 7pm
Tuesday, 3 – 1:30pm and 7pm
Wednesday, 4 – 7pm
Thursday, 5 – 1:30pm and 7pm
Friday, 6 – 6:30pm
Saturday, 7 – 6:30pm
It’s also worth noting that these shows have been put together with accessibility in mind, with the two-week season including a relaxed performance, an audio-described version, a fully captioned version, as well as two interpreted with British Sign Language. Things we love to hear.
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The Coliseum’s new Creative Director has also ensured that tickets remain affordable, with £15 concessions and preview passes costing just £20, as well as a discount for Oldham locals.
You can see the full list of ticket options and find out more information about this exciting production right HERE.
Safe to say that we can’t wait to see how this thing turns out. It’s not the only inventive theatrical take on a classic that’s coming to Greater Manchester later this year, either; find out more down below.
Featured Images — Publicity pictures (supplied/Nick Bagnall (via Instagram)
Theatre
Legally Blonde the Musical at Opera House, Manchester – the campest of revamps
Amy Williams
If you’re thinking about going seeing Legally Blonde at The Opera House this November, let us tell you why you absolutely should.
The iconic West End musical, based on the award-winning film starring Reese Witherspoon, is back on tour, and in Manchester for the next two weeks.
If you haven’t seen it before then let us give you an idea of what it’s about – the story follows Elle Woods, a girl from Malibu, who is madly in love with her high school sweetheart.
The problem is he wants something more ‘serious’ than her, which is when she decides she’ll follow him to Harvard and become a law student, to prove she’s more than just the ‘dumb blonde’ he thinks she is.
On stage, Legally Blonde’s dialogue is almost entirely through song, so you expect there’ll be good voices amongst the cast – and they really do live up to expectations.
West End darling Amber Davies stars as Elle Woods, turning her 2018 Love Island win into an illustrious musical career that has seen her star in shows like Pretty Woman, The Great Gatsby, and 9 to 5. She absolutely blew us away.
Also putting on an incredible show is Karen Mavundukure as well, who plays Paulette, a hairdresser who becomes friends with Elle.
And some of the biggest ‘awws’ of the night of course went to the two wonderful dogs of the show, Sprout and Rocco.
Legally Blonde will make you laugh, have you sat in awe at the voices and stage set, and also really pull you into the story in hope that Elle gets what she REALLY wants in the end…
Legally Blonde is at Opera House Manchester until Saturday 14 November, make sure to grab tickets HERE before it’s too late.
ENB’s Romeo & Juliet at Palace Theatre Manchester – the world’s most famous story expertly reimagined | Review
Emily Sergeant
Every now and then you experience a bit of a full circle moment… and for me, this was one of them.
Back in 2011, when I was a dance-obsessed 14-year-old, taking and assisting classes countless times a week, I became enamoured by a BBC documentary series called Agony & Ecstasy: A Year with English National Ballet. As one of the country’s premier ballet companies – celebrating its 60th anniversary at the time of the documentary – ENB allowed cameras behind the scenes, from the rehearsal room to backstage, giving audiences a previously unseen inside look on what it takes to stage some of the most spectacular productions your eyes will ever meet.
One of the ballets being staged in the year the BBC followed the company was Romeo & Juliet.
Based on a story known around the world and with an unmistakable score by Prokofiev, it’s a ballet I was already fond of prior to the documentary, but seeing the work that went into making the show a reality, up close like never before, it turned into one of my favourites.
Over the years, I have been fortunate enough to see several different dance stagings of Romeo & Juliet – but last night, at the Palace Theatre in Manchester, was the first time I got to sit in the audience and see English National Ballet’s production live with my own eyes.
And it was just as magical as I was hoping it would be.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre / Credit: Laurent Liotardo
Right off the bat, I’m just going to presume you already have somewhat of a grasp on the story of Romeo & Juliet, right? Given the fact it’s arguably Shakespeare’s most famous work and one of the most iconic plays of all time.
And you’ll be pleased to know, even if you’re not seasoned in watching ballet, that the story we all know and love remains largely intact for this production, therefore making it easy for audiences of all ages and interests to follow along and admire.
The two title characters, the star-crossed lovers themselves, were embodied expertly by Rentaro Nakaaki and Julia Conway as Romeo and Juliet, who had the audience captivated from the second they entered the stage – with undeniable chemistry and enviable technique.
Fabian Reimair took on the role of Tybalt with ease, Noam Durand was Mercutio, and Rodrigo Pinto was Benvolio, all while Elvis Nudo and Minju Kang stepped into the shoes of Paris and Rosaline.
But the lead roles are nothing without the wider cast of supporting dancers and character actors, who really help transport you to 14th century Verona and help bring the authenticity a production as epic as this requires.
The world’s most famous story has been expertly reimagined / Credit: Bill Cooper | Laurent Liotardo
Aside from the dancing, it would be remiss not to praise the expert sets and costuming here from Ezio Frigero and Franca Squarciapino.
And I suppose I should also give a shoutout to little-known name, Rudolf Nureyev, who choreographed this version of Romeo & Juliet all the way back in 1977. Something tells me he would’ve had a great career… I could be wrong, though.
Romeo & Juliet really is one of the most tragic love stories of all time, and the power of that is not lost through dance. It’s still as raw and heartbreaking in this production as it always is.
And that is truly a credit to every single person forming part of it – both on the stage and off.
Danny Jones -
24th July 2026 
