Just as advertised, OVO had those in attendance at Manchester’s AO Arena last week and over the Easter bank holiday utterly enthralled as they watched over a “colourful ecosystem teeming with life – where insects work, eat, crawl, flutter, play, fight and look for love”.
While the already pre-fascinated audience made their way to their seats, a lone giant egg occupied the stage before being soon replaced by an array of bright-coloured insect-like performers, resembling crickets, spiders and other critters.
The captivating introduction to the world of OVO was then followed by what may very be one of the most beautiful and breathtaking shows to grace the AO Arena in many, many years.
A showcase of acrobatics, skill and sheer mind-blowing talent, the production takes you on a journey of awe, shock and bewilderment. As the insects and bugs swung around the stage, being thrown through the air and contorting their limbs those watching on were left gasping. Nothing but exclaim and applause.
If we had to sum up Cirque du Soleil’s return to Manchester succinctly, mind-bending doesn’t even begin to cover it.
From stunning set to stunning set, each performer evoked emotion from those in their presence. Soloists left the stands in stunned silence as they moved oh so gracefully around the stage, telling the audience a story they may not always quite understand but are simply left with no choice but to feel every moment.
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Ethereal violins are the perfect accompaniment for the physical movement that had emotions swelling, chests tightening and eyes widening all around the AO.
Such moments were still broken up with more traditional comedic circus craft, as heads flew back in laughter in response to the rather hilarious love story of the travelling blue fly and ladybird love interest.
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They even got members of the audience up on stage to create further amusement for all the family.
But then, before you know it, things whip straight back into a world of high-risk stunts you’ll struggle to believe you’re witnessing live — we certainly did.
Performers are thrown from trapeze to trapeze, basically being caught by pinky fingers and little toes, twisting and turning through their air and even flying between the support struts of the apparatus, before the cast are then thrown into the air and dive into the netting below.
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Crickets throw themselves up walls, tumbling back down towards trampolines only to rebound right back to the top, as their counterparts tumble towards the crowd performing double and triple summersaults… and we’re still genuinely out of breath even just recounting it all.
The Manchester crowd absorbed every ounce of energy, clapping and whooping in sheer disbelief and wonder. As the story concludes the crowd are still left speechless but driven once again to fill the arena with applause.
After half a decade since the world-famous circus and entertainment group last landed in Manchester, Cirque du Soleil truly brought an experience unlike any other to the city.
We might have to wait another little while before they’re back but we sincerely recommend giving this other-worldly performance art a go if you haven’t before. Better still, they rock up to our friends over at The Hoot‘s territory for a run of shows later this week.
Lastly, if you want to find out more about every other big event coming up at the AO Arena in the first half of 2024, we’ve got a handy little list for you down below:
Sterephonics frontman Kelly Jones reveals that Noel Gallagher is back in the studio
Danny Jones
Stereophonics lead singer Kelly Jones has graciously revealed to music fans that new Gallagher tunes could be on the way, as he confirmed that Noel has been back in the studio and working on new material.
The big question is, has Liam been in there with him?…
Broken rather nonchalantly in an interview with NME, Jones didn’t so much let the news slip as much as he seemingly just casually dropped it into conversation, mentioning that he bumped into the older Gallagher brother recently.
As he puts it – frustratingly briefly, might we add (sorry, fanaticism will do that to you) – the Oasis icon and High Flying Birds frontman has been doing some songwriting, but the details were scarce.
The 50-year-old ‘Phonics frontman, who was discussing the release of their 13th studio album as well as his own solo project last year, was asked his thoughts on the legendary Britpop band’s upcoming reunion shows and the impact they had on his own career.
“Funnily enough, I found some old pictures of me and Noel rehearsing when he used to have a studio down in Windsor recently, just before we toured America”, said Jones. “We were having a laugh about them and I asked him what he’d been up to and he said he’d been doing some writing in the studio.
The unmistakable Welsh vocalist went on to add: “I’m assuming he’s doing some writing for either his stuff or if they’re [Oasis] gonna bring out a couple songs, I don’t know.”
It seems the pair are still more than friendly, though he gave little away about his relationship with Liam Gallagher; the two British rock groups did share somewhat of a rivalry in the 90s and 2000s, with Stereophonics making no secret of Oasis inspiring their own music.
Describing the band in their heyday, Jones described the period “kind of chaotic and mayhem but it was all very joyous”, insisting that things are very different nowadays but that he is not the less excited than a whole new generations of fans are going to be able to see them live for the first time
As for whether he and his bandmates will be able to find the time, he revealed in a subsequent chat live on Radio X that their own tour clashes may mean they’ll miss out on the Live ’25 tour experience.
Further reflecting on the age of streaming, content overload and what some would argue is an overabundance of media, Kelly said of art and music in particular that “people need it now more than they’ve needed it in a long time.”
We don’t know whether or not Noel’s return to songwriting is for the next High Flying Birds record or whether the rumours are true and new Oasis music really is on the way.
As much as we love his solo stuff, PLEASE let it be the latter.
We do know that the siblings are said to be getting on swimmingly so far and even spent some of the Easter break together, according to LG himself. Here’s hoping they were throwing around ideas for another instant hit.
Science and Industry Museum reveals CGIs of iconic Power Hall that’s been closed for years
Daisy Jackson
One of the Science and Industry Museum’s most iconic attractions will reopen this summer – and the beloved museum has revealed a sneak peak of how things will look.
The museum has shared CGIs of the reimagined Power Hall: The Law Family Gallery, where visitors will be able to explore a lively working gallery full of engines and rail vehicles.
The popular part of the museum closed for urgent repairs in 2019 and has since been undergoing conservation work and a new look created by award-winning designers Studio MUTT.
The sounds, smells and sights of Manchester’s past and present industry will be brought to the Power Hall when it reopens.
Visitors will soon again be able to rediscover objects and learn the stories behind those who powered Manchester’s industry.
There’ll be three main themes within the Power Hall – Making More, which will explore how engines helped people make more, faster, with steam engines installed at factories and mills.
Then there’ll be Powering Lives, which will examine how engines power the electricity network we all plug into every day.
And also Connecting Places, which looks at how locomotives have connected communities around the world, starting at the site of the museum which sparked a transport revolution in 1830.
Science and Industry Museum reveals CGIs of iconic Power Hall that’s been closed for years
Kate Chatfield, Interpretation and Content Manager at the Science and Industry Museum, said: “Power Hall: The Law Family Gallery will be a must-see Manchester experience – a living gallery that showcases a unique collection of historic 19th and early 20th century working engines to tell the story of Manchester as an epicentre for the engine-driven ideas and industry that shaped the world as we know it today.
“Our most iconic objects will be available to explore like never before as we bring to life the people behind the power through stories of the engineers, makers and technicians who use their skills and senses to create and care for engines, both today and in the past.”
The work on the Power Hall is part of a multi-million-pound regeneration project across the Science and Industry Museum, which is conserving and reimagining these historic buildings.
The Power Hall has been future-proofed in the six years it’s been closed to the public, including urgent roof and timber repairs.
Further information about what to see and do and the Power Hall’s opening date will be announced in the coming weeks. Sign up to the museum’s mailing list to be among the first to hear more.
Power Hall: The Law Family Gallery project has been made possible with support from The Law Family Charitable Foundation, the Wolfson Foundation, The National Lottery Heritage Fund, The Headley Trust, Royal Commission for the Exhibition of 1851, Atmos International, The Beaverbrooks Charitable Trust, The Zochonis Charitable Trust and other donors who choose to remain anonymous.
Special thanks to the Department for Culture, Media and Sport for their significant contribution to the gallery, and to the Department for Energy Security and Net Zero for funding the decarbonisation of the Power Hall through the Public Sector Decarbonisation Scheme, delivered by Salix Finance.
The Manc -
2nd April 2024 
