BRITs Week 2026 is well and truly underway, and with the annual awards ceremony set to finally land in Manchester this week – the debut being just one of at least two years of the event in our part of the country – the city is teeming with art, music, colour and so much energy.
One of those people responsible for all that buzz is locally-based visual artist, Alex Giles. He’s been commissioned by Universal Music to create bespoke artwork to appear across their events during BRITs Week, including their exclusive artist showcase, BRIT Awards after-party and the invitations.
From creating some of the first-ever digital adaptations of his work to preparing himself for seeing a glorious physical re-creation in the form of a VERY big sculpture.
With the partnered War Child charity gigs now well underway across the UK, and people already planning their days before arrival at the arena, we spoke to Alex about what has been nothing short of a whirlwind few months for him.
Straight off the bat, how did the sort of project come around?
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So I was working on an installation project in Ibiza for a private client, and you know, there’s no sort of union for artists, so we have to sort of create our own contacts and our own bonds.
I feel very grateful to have a lovely network of people like that, mainly through Instagram. Anyway, I was chatting to someone that I’ve become good pals with, an artist called Matt Dosa, who actually did the artwork in a similar context a couple of years ago.
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Essentially, they asked if I could put together a sort of deck of my work and some initial ideas, and then out of the blue, I got the call back saying, “Yeah, we’d love you to jump on board and produce something for us.” It all happened really quickly and unexpectedly.
What a rush that must have been!What’s it like be wrapped up in the BRITs buzz since?
Yeah, but that’s often the way with artistic opportunities: something comes from nowhere. The initial race was to get the design sorted, so that was where all of the focus went to start with – which is a fairly familiar world for me – but this week it’s got even more surreal.
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You know, I can immerse myself in a task and think about just that alone, but now it’s got to this stage, I’ve got this continuous low-level kind of… Well, I don’t know whether it’s anxiety, excitement, or just a bit of butterflies, but there’s definitely something going on, haha.
One of the main things I’m really excited about is just seeing my work displayed in so many different ways that I wouldn’t normally do; I’m a two-dimensional artist, I make paintings, so seeing it come to life in 3D, graphic packages and in various digital formats is really exciting.
Yeah, so for those yet to see any of it, what exactly can you tell us about the project and how it’s going to take shape in different forms?
The idea was that Universal Music Group [UMG] wanted to ask an artist to create something that is their visual presence throughout Manchester for the BRITs.
So it needed to be something that was instantly recognisable, something that could be repeated, something with a bit of pattern to it so it can be scaled, but then also something instantly kind of recognisable, and the word that was used a lot at the very beginning was iconic.
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It had to be quite clear; there was a lot of back and forth, and I think at first I was maybe complicating things or overthinking things, as you can imagine for something this big, but eventually we started to refine it, and we got something really nice out of it.
Probably the most exciting thing is that there’s going to be a huge eight-foot sculpture of it [the core design] being made to go in the foyer of the Kimpton Hotel. There are flags, there’s loads of printed graphics, you know, little details like beer coasters and menus – it’s just going to be everywhere.
Incredible, and obviously, you’ve lived in Manchester for a long time now, so how special does it feel to play a part in such a big moment for the city?
You know, I’ve been here for 17 years, and it’s a special place that’s deserving of it. I’ve worked in the creative industries for nearly two decades now, and we’re very proud of what we do up here.
I work in the film industry as well, and there’s always a bit of a groan amongst Manchester crew when, you know, a load of people come up from London to do a job instead of hiring Mancunians, but any myths about the North are always dispelled quite quickly.
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Yeah, no one can question our work ethic. What is it about Greater Manchester that inspires you?
I’ve been thinking about this a lot recently. Inspiration for me is like through osmosis: it’s a gradual thing, and it sort of steadily shapes who I am and my creative output.
I can’t just pinpoint any one specific thing about Manchester, but it’s a place that has had a profound effect on who I am, what I like, and what I like doing. I’ve enjoyed the fruits of Manchester to the full – probably a little bit too hard at times, hence these dark circles under my eyes!
Ha, glad to hear it. What about that ‘music being universal’ brief – how do you go about being referential in your work, or do you create it for yourself and just hope it connects with others?
That’s a really nice question, actually. So the audience always starts with me; I feel like if I’m producing something that I like, then hopefully others will also like it. It can be tricky at times NOT to try and second-guess what your audience might like. I think a lot of artists do that in all disciplines.
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But yeah, I have to be quite strict now, and make what feels right to me, because if I like it, then I can talk about it and present it with pride. I think with that, it will eventually find its own audience.
Love that – now, I know it’s a hard question, but if you had to sum the visual style of this work in just three words, what would they be?
Oh, come on, haha! Erm… OK, well I’m going start with that word that kicked it all off: iconic. I’m going to put the word ‘fruity’ in the middle – you know it’s bright and juicy – and I’m going to say the word accessible to finish it off.
Iconic, fruity, and accessible – I was never guessing that one, haha. As for the night itself, which famous faces are going to make you double-take?
Well, I know Pulp are up for an award, and so I’m from the era of, you know: being glued to the Brits and, you know, the whole Michael Jackson-Jarvis Cocker saga, etc. I think that’s a pretty iconic moment in British history, so I’d love Pulp to because I think Jarvis has always got something very interesting to say.
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For sure, and how do you think the spectacle of the BRIT Awards has changed over the years?
I think the shape of performance has changed a lot in the last decade. People really put on big shows, don’t they? Like it’s not it’s no longer just, you know, a backdrop with the band name on it, it’s pyrotechnics, dancers, massive visual effects, and so much more.
Last but not least, which of those big performances from that unreal lineup are you most looking forward to seeing?
I think, deservedly, up for an Achievement Award: Mark Ronson. I think that’s going to be great, and I’m looking forward to seeing Wolf Alice, too.
It’s not necessarily the kind of gig that I would go to, to be honest – I love electronic and a lot of older music a lot – but I’ve actually got tickets to see Mogwai on Friday as well, so it’s set up to be a very energetic weekend.
It was a pleasure chatting with Alex, and we definitely caught the extra tailwind of his enthusiasm, as if we weren’t buzzing enough already.
Like the man himself, a few members of our Audio North team will be at the 2026 BRIT Awards themselves, and we can’t wait to see all the glitz and glamour in the flesh.
Stay tuned to our socials over on Instagram, as well as our usual The Manc pages, to make sure you don’t miss a second of the coverage.
Happy BRITs Week, and for those of you going to Co-op Live on the night, soak it all in!
What a busy week we've got – board game festivals, new foodie openings… oh, and The @BRITs comes to our city this weekend for the first time ever too. 🎶🐝🏆
The best Northern music artists of the month | June 2026
Danny Jones
It’s that time again: we’re back with more fantastic musical artists from across the country’s incredibly creative and talented Northern reaches.
Yes, in case you missed the switch-up in our last edition, with our Audio North team’s work only ramping up by the minute, we’re no longer just sticking to Manchester acts.
After last month’s edition, which saw us gather five different recommendations from all over the North, we’ve got five more bands and artists for you.
Whether it’s an up-and-coming act or one you’ve just forgotten about – maybe they’ve got some notable new material for the first time in a fair while – so long as they’re from up this direction, we’re trying to give props wherever we can. Let’s get stuck in, shall we?
Names from the North we’ve been listening to lately
1. Aaron Dinning
First up, of course, we most certainly will be starting with our official Audio North Artist of the Month for June: Aaron Dinning – a wonderful singer-songwriter who straddles roots in the North East, Yorkshire and now Greater Manchester.
A fast-growing LGBTQIA+ figure, this Durham-born solo artist reflects plenty on what it was like growing up gay on Wearside, as well as how he’s begun to carve a career path of his own thus far, studying and finding his feet in Leeds before moving to 0161.
There’s simply so much both we and, more importantly, HE has to say about his work: which is why you can read our full write-up about this talented young artist right HERE.
In at number two is a name who’s been steadily growing in popularity and who also has her foot in more than one camp; the Glasgow-born adopted scouser that is Brooke Combe is someone we think is only one or two big moments away from blowing up, so enjoy her as ‘your new thing’ while you can.
From seeing her live at the since-closed Canvas (now Ambers) in Manchester city centre as part of Neighbourhood Festival years ago, to catching her playing one of the bigger slots at 2026’s Weekender version in Warrington, the momentum is building.
So much so, we even saw her opening up for showbiz star Jeff Goldblum earlier this year – she even got him to drink IRN BRU. ‘Are You With Me? is the first song we ever heard, and we’ve been hooked ever since, be it ‘How Can I Tell You? (To Love Me More)’ or her new single ‘Tears Won’t Lie’.
Just by chance, a few years ago, we came across a unique gig series by INNSide North UK and Meliá Hotels, where budding artists were being invited to play intimate stripped-back sets from a bedroom: it was here that we first stumbled upon the Geordie charmer, Andrew Cushin.
We think this lad has the voice, lyricism, style and kind of soon-to-bloom following to go to the next level, especially with the right support shows and festival stages; having his song feature on the BBC’s World Cup 2026 coverage certainly hasn’t hurt.
Recommendation-wise, ‘Where’s My Family Gone’ never gets old and we enjoy the upbeat, summery rock energy of his latest track, ‘Goodbye’, and we love the passion locals show for the cult favourite ‘Wor Flags’ in honour of beloved Newcastle United and the dedicated supporters group of the same name.
4. Keyside
Another Liverpudlian entry, rising quartet Keyside have a fervent and super-engaged fan base that’s developing much faster than most recently formed four-pieces you’ll find within this already oversaturated genre; having only been around since 2022, they’re already doing bits.
Whether it be the somewhat high-pitched and perfect level of nasally vocals, the often folky-sounding style of guitar, or at least three out of four haircuts reminding us of The Kooks, there’s something very attractive about their particular jangly brand of indie revival.
I promise that my own personal passion for anything citrus-related isn’t the only reason I enjoy ‘Lemon And Lime’, and as for other standouts, we’d recommend trying out ‘Angeline’ and ‘Runaway’ from their upcoming self-titled debut album in just a few weeks’ time.
See us live on our UK Instore tour
06 Aug – Bury – 5pm sold out – 9pm show just added ‼️ 07 Aug – Leeds – low tickets ‼️ 08 Aug – Liverpool – selling fast ‼️ 09 Aug – London 10 Aug – Nottingham 13 Aug – Glasgow 14 Aug – Edinburgh – low tickets ‼️
Last but not least, we want to heap some long overdue praise on West Yorkshire‘s very own Embrace, a.k.a. the eternal underdogs of domestic alternative rock but one for which our soft spot will never go away. Call it post-Britpop, ‘dad rock’ – call it whatever you want, all we know is we still love these lot.
Perhaps a slight victim of breaking through right after one of the golden eras of guitar-driven music this country has ever seen, it feels like five-piece has never quite been given the plaudits they deserve for consistently putting out beyond solid studio material for the best part of three decades.
We’ve found that they sometimes fall into the category of band where you know their tracks even if you don’t know it’s the – think ‘Gravity’ and ‘Ashes’ – but we’re still eagerly awaiting the day we get to hear the likes of ‘Road to Nowhere’ and our new obsessession, ‘Funny’, in the, at times, genuinely anthemic stadium rock setting they deserve. Just watch them celebrate another top 10 album this month.
There’s something very charming and old-school about this music video.
Sadly, that’s all she wrote – at least until next month anyway.
As always, we sincerely hope you enjoy our picks, and please do drop in any suggestions of what we should listen to next ahead of July’s round-up.
We’re already totting up a few names, and truth be told, we’re still listening to plenty from May’s list, too.
Andy Burnham has revealed his 13 favourite albums and some Manc classics are included
Emily Sergeant
Music lovers, gather round… fancy finding out what the could-be Prime Minister’s favourite albums of all time are?
Well, we’ve uncovered a list of 13 of them, and there’s some proper Manc classics included.
Right, in case you need bringing up to speed, let’s just get the politics bit out of the way first. After it was announced last month that Andy Burnham had clinched the victory in the crucial Makerfield by-election, winning 24,927 votes (54.8% vote share) and a majority of 9,231, he then went onto announce his intention to run for Labour Party leader, and therefore Prime Minister, after Keir Starmer confirmed he would be stepping down.
This week, Burnham delivered his first speech as part of his ongoing campaign, addressing how he plans to take the country in a ‘new direction’.
He declared that he wants to bring the ‘Greater Manchester way’ to Westminster… but who knew that meant his music taste too?
Uncovered from a couple of years ago now on Quietus – an independent music and cultural criticism online publication – Andy Burnham revealed his 13 favourite albums as part of their ‘Baker’s Dozen’ series, and alongside some famous critically-acclaimed records, there are also a few unexpected gems in the mix, and (of course) some Manchester classics too.
Picking 13 albums for this was apparently ‘really hard’, Burnham said, and not because it’s a lot to choose but because ‘it’s just so few’.
“A disclaimer” he went on to add, “these are not necessarily my favourite 13 albums, but instead these are the ones that had an impact on my life or were significant moments in my life. I tried to use that as my guide.”
On the list you’ll find, in no particular order, selections from some iconic bands like The Beatles’ popular compilation album 1962-1966 – also known as ‘The Red Album’ – Radiohead’s 1997 project OK Computer, often considered to be their magnum opus, and The Strokes’ debut album Is This It?
You’ll also find some of the most revered albums by Manchester bands on there, including The Stone Roses’ self-titled album, The Smiths’ Hatful of Hollow, and New Order’s Power, Corruption and Lies.
Andy Burnham’s 13 Favourite Albums
The Beatles – 1962-1966 (The Red Album)
The Smiths – Hatful of Hollow
The Pogues – Rum, Sodomy And The Lash
The Stone Roses – The Stone Roses
The Wedding Present – George Best
The La’s – The La’s
Billy Bragg – William Bloke
Radiohead – OK Computer
Doves – The Last Broadcast
The Strokes – Is This It?
Big Thief – Capacity
New Order – Power, Corruption and Lies
Courteeners – Falcon
Andy Burnham has revealed his 13 favourite albums of all time / Credit: Wikimedia Commons
It’s not just the so-called legendary Greater Manchester bands that have been given a shoutout on Burnham’s lineup, as there’s also the inclusion of Courteeners’ Falcon and Doves’ The Last Broadcast.
As well as the more-expected picks, there’s even a couple underrated choices on his list too like The Wedding Present’s George Best, and Big Thief’s Capacity – the latter of which also happens to be one of my personal favourite albums of all time too, and has one of my favourite songs on there as well, so I have to say, I was very (pleasantly) surprised to see it included.
For each of his thirteen picks, Burnham has explained why he’s chosen the albums, where he was in life when he discovered them, and what they all mean to him.
One particularly interesting anecdote he told in relation to Courteeners’ Falcon, Burnham wrote: “There’s a song on there called ‘Take Over The World. Early on in my failed Labour leadership campaign in 2015, I went to see them with my mate Steve Rotherham, now mayor of Liverpool City Region but then my campaign manager.
“We went to see them at Heaton Park, we were in the early days of this campaign where I thought we might win, and we were arm in arm belting out ‘Take Over the World’ together.
Danny Jones -
25th February 2026 
