Manchester United legend Eric Cantona has set up a special sport-based art exhibition in the National Football Museum.
Spotlighting work by fine artist Michael Browne, who created a series of pieces exploring the relationship between sport, art and modern society, the new exhibition covers everything from “human rights, equality, injustice, the impact of power and elevations to a godlike status.”
Cantona has never been one to shy away from his icon status.
Entitled ‘From Moss Side to Marseille’ – referencing Browne and Cantona’s respective places of birth – the exhibition was commissioned by the Frenchman with the aim of celebrating influenced sporting heroes who used their positions to advocate for social change, even in the face of great personal cost.
Michael Browne and Eric Cantona unveiling the new exhibitCantona and Sir Alex, a.k.a. The King and The BossCredit: National Football Museum
Browne has been creating art since he was a child and his talent was quickly recognised, going on to study at the Chelsea School of Art before completing a Master’s at Manchester Metropolitan University. He has gone on to enjoy exhibits all across the UK, earning him public and critical acclaim.
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Having grown up locally and as a football fan, it was hard for Manchester’s rich sporting heritage not to find its way into his. Similar to fellow artist Stanley Chow, Browne soon became known for his use of sporting figures in his art, though he favours a neoclassical style over polygon-heavy geometric pop art.
Though both the man himself and football feature heavily throughout the installation, the significance of key sporting and cultural icons like Muhammad Ali, Jesse Owens, Wilma Rudolph and more are also highlighted.
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Maradona and the Western Wall (2020)
Algeria Counter-Revolution (2021)
The Art of the Game (1997)
England and Brazil Real-estate and Human Rights (2019)
Muhammad Ali Freedom Without a Crown (2018)
John Carlos and Tommy Smith for 30 Pieces of Silver (2018)
Wilma Rudolph Throne of Impermanence. A letter to my Future (2022)
Carlos Caszely Theatre of Nightmares (2021)
Jesse Owens Scales of Injustice (2017)
Eric Cantona Family Portrait (2022)
As for his connection with Cantona, the two influential Mancunian figures struck up a friendship back in 1996, when Browne began working on his famous The Art of the Game painting, which chronicled Cantona’s return to football after his infamous ban. Something about a kung-fu kick?
Debuting on Saturday, 14 January, each piece is said to be ‘oversized’ and inspired by a different sports story throughout history, as well as making a statement about the associated athlete behind it, so there’s plenty to get stuck into.
Visitors will not only get to find out more about Brown and Cantona’s unique relationship through the lens of the exhibition, but they will also get to look at never before seen items from his personal archive.
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Better still, the National Footy Museum will be providing a whole host of activities in conjunction with the exhibition, including a performance by comedy duo Fan/Girl, life drawing sessions, a make-your-own ‘King Eric’ crown during half-term and lots more.
The National Football Museum has announced a new, thought-provoking exhibition jointly curated by artist @mjbfineart & France & Man Utd legend, Eric Cantona.
Writing in a statement on the museum’s website, Michael Browne said: “It has been a pleasure working in partnership with the National Football Museum to curate this exhibition, and it is very fitting for the collection to be debuted in Manchester.”
Cantona touched on his great excitement for the work to finally be seen all in one place, remarking: “There are many unsung heroes featured in the collection and it is time their stories are told.”
Admission is absolutely free, you only need to grab your tickets from the website HERE.
Featured Image — National Football Museum/Michael Browne
Art & Culture
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Danny Jones -
16th January 2023 
