One of the most iconic games ever, The Witcher III: Wild Hunt, is set to see its iconic score and soundtrack reborn in concert right here in Manchester.
Better still, due to the sheer demand for tickets already, an extra date has been added, giving you an extra chance to hear the record-breaking RPG brought to life on stage in front of your very eyes.
‘The Witcher in Concert’ is an immersive audio-visual experience from developers, CD PROJEKT RED (the same team behind Cyberpunk 2077), which will see the music from the series performed by a live orchestra at Aviva Studios.
Let the Wild Hunt begin…
Revolving around The Witcher III, specifically – widely considered to be not just the best in the franchise but one of the greatest games of all time – the show is soon set to take place all over the world, but Europe is getting the pleasure first.
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The soon-to-be world tour coincides with the 10th anniversary of the third title, which remains one of the best-selling video game releases of all time, having sold well over 50 million copies and still counting.
Fans will get to witness the open-world RPG’s timeless score and soundscapes recreated not only by a live orchestra, but the show will also feature special appearances by Polish folk metal band, Percival (a.k.a. Percival Schuttenbach) – the original co-composers behind the game’s soundtrack.
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This magical, cinematic experience combines breathtaking in-game visuals with live music, making it a must-see event for lovers of The Witcher or just classical/orchestral music in general.
It’s going to be special.
A glimpse at what ‘The Witcher in Concert’ will look and, more importantly, sound like when it lands in Manchester.
Although it’s the first event of its kind at the world-class arts and cultural space, as the official home of the ever-growing Factory International programme, it’s no surprise this was chosen as the location.
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Taking place in Aviva Studios’ The Hall space, the original Manchester gig has sold out but they have now added an extra date on 6 November 2025 due to the scramble for tickets.
You can grab your seat HERE but be warned, they’ll be gone before you know it.
Over the other side of Manchester, a very similar celebration of video game music is taking place at one of the city’s other industry-leading entertainment venues.
One of the 2025 Oscar winners was a favourite at a recent film festival in Manchester
Danny Jones
It’s not often we get to say that Greater Manchester can lay any sort of claim to Oscars fame, but once in a while it happens and in this case, we’re only a few degrees of separation away from the latest Academy Award-winning film thanks to a recent film festival.
Being most recently hosted in Manchester once again, the 2024 edition of the UK Jewish Film Festival saw a number of shorts, student films and indie projects associated with the religion spotlighted – one of which just won not one but two bits of bronze.
Picking up not only the award for this year’s award for ‘Best Original Screenplay’ for the film itself but with Succession favourite and Home Alone child star, Kieran Culkin’s role winning him ‘Best Supporting Actor’, the much-celebrated A Real Pain has now won an Oscar.
But the part of all this that we’re especially happy about is that one of the first times it was seen in the UK happened right here in Manchester city centre late last year.
This year’s ‘Best Original Screenplay’ award winner at the Oscars, just a few months after screening in Manchester. Have you seen it yet?
The now Oscar-winning picture, which just so happens to be the second original feature film from Jesse Eisenberg (Social Network, Zombieland, Justice League), has been delighting audiences ever since its debut at Sundance in January 2024 and went on to premiere at several international film festivals.
However, the second time it was screened here in Britain prior to its official UK release nearly a full 12 months later (8 Jan 2025) at the UK Jewish Film Festival, was in 0161, returning for another consecutive year across multiple Greater Manchester venues.
Without giving away too much about the plot itself, the synopsis of the film reads as follows: “Mismatched cousins reunite for a tour through Poland to honour their beloved grandmother, but their old tensions resurface against the backdrop of their family history.”
Shown to us Mancs for the first time at Cineworld Didsbury on Thursday, 17 November last year, you won’t be surprised to hear it was one of the most popular picks of this festival too.
UK Jewish Film Festival is coming to Manchester! 🤩
Check out some of the amazing films that we'll be screening in Manchester.
1. A Real Pain 🚆 2. The Performance 🕺 3. British-Jewish Life On Film: Manchester ✡️ 4. Golda's War Diaries 🇮🇱
A Real Pain has been largely described as a buddy comedy and a road trip movie by lots of critics but there’s also tonnes of drama and serious subject matter that it gets stuck into.
Touching not only the obvious themes of Judaism and Zionism but also family, the Holocaust specifically and theology in general, the film has gone down as a deeply important piece of cinema for a whole community and plenty of people beyond it.
Admittedly, the Greater Manchester connection to the film might only be a slight one but given its new Oscars fame and how well-reviewed the film has been ever since we saw it at the UK Jewish Film (UJFF) Festival, we’re absolutely jumping on the bandwagon and we’re glad to keep supporting events like this.
Make sure you check out the UJFF the next time it comes to our neck of the woods. Applications to enter a film into the 2025 festival are now open.
Side note: it also led to arguably one of the best acceptance speeches in years:
Kieran Culkin’s acceptance speech for his first-ever #Oscar
“[My wife] said we can have 4 children when I win an Oscar… let’s get cracking with these kids!”
Joseph and the Amazing Technicolor Dreamcoat – a masterclass in comedy, colour and movement
Danny Jones
To start with, we’re going to begin this review by advocating for going into stage shows with as little knowledge as possible because it only dials up the already exaggerated nature even further – we knew next to nothing about Joseph and the Amazing Technicolor Dreamcoat before seeing it in Manchester.
And we truly think it helped.
Now, when we say nothing, we’ve obviously heard the title plenty of times over the years as it remains one of the most celebrated musical productions on the planet, and you don’t need to be an avid theatre buff to know who Andrew Lloyd Webber is. The point being is that all we knew was its reputation.
Going along with a second party several decades older than us who shared the same blindspot and just never quite understood what all the fuss was about makes the next part even funnier: we both loved it.
Colour, colour and more colour.Some impressive yet superbly simple production value.Our review of Joseph and the Amazing Technicolor Dreamcoat at the Opera House in Manchester. (Credit: Press Tristram Kenton)
We’re not going to dive too heavily into the story as we’re sure plenty of you who are more well-versed in the genre don’t need a synopsis regurgitating for the umpteenth time, but what we will say is that we’re somewhat glad we weren’t aware of its religious themes and numerous biblical references.
Not because we have any particular issue with Christianity nor adapting stories within theologies to turn them into entertainment, but because as atheists we probably would have been less keen to choose this particular text over another.
However, this is why we’re thankful for going in blind as we fear many others have missed out on this long-standing vibrant, energetic, all-singing, all-dancing twist on the tale of Genesis for decades simply due to being non-believers/agnostic.
That being said, we can confidently assure you that not only can you put your thoughts on faith to one side for the duration of the performance but, for us at least, it felt like it was more of an undercurrent than anything else and had little bearing on what a truly joyful evening for all ages.
You also get hand-held through it through the eyes of the children being retold the story right in front of you by the expert narrator, Christina Bianco, whose interventions and comic timing were lethal on a crowd already easily cracked up by a punchline or two – but she had the best of the lot.
Where else to begin than with Joseph himself, played by Adam Filipe, who although we’ll admit to being layman on the subject until last night, feels almost born to play the role.
Not only did he bring respite to an otherwise frenetic (in the best way possible) onslaught of singing with his ability to deliver certain lines as nothing more than perfectly enunciated and emotional speech, but his voice was on point throughout and the way he made full use of the stage from the start was great.
One particularly immature slide up the curved wall of the set in the opening five minutes and we knew all we needed to know about not just movement but the rest of the cast too; pretty much non-stop movement and expression virtually at all times.
The dancing – particularly a rather hilarious ‘can-can’ confusion – was top-notch throughout and no matter which bright, flowing costume he or the ensemble was wearing during a specific number, they all looked the part and didn’t put a foot out of place.
Even a more serious interlude was welcome.We’d have loved more yellow-forward moment and backdrops in the palette but that’s just us being picky…Credit: Press Images
But much to our delight, there really wasn’t one standout performance that stood head and shoulders above the rest, simply because they were all brilliant.
Whether it was the Jacobs and Sons company of brothers bringing both melodrama and some comic relief, or the score of female dancers delivering an elegance and added level of pageantry to proceedings, they all played their part.
However, every time one or more of the kids took to the stage a show-stealing moment was ripe for the picking and they all seized their opportunity, be it in unison or in the select few solo moments in the spotlight. An audience is always going to get up for youngsters shining front and centre.
But, we suppose if we absolutely had to give another special mention to another member of the production and single them out, there’s only one person it could be…
Having previously played the lead role back in 2016 following his X-Factor success, Joe McElderry returns to Joseph and the Amazing Technicolor Dreamcoat and the Manc crowd in the role of the Pharoah and boy was he good having passed the baton and shifted gears. So good and so funny.
As well as an expert command of light, colour and choreography, the one thing we were surprised by was just how well-placed the comedy was throughout.
Not too much, not too little and nothing too contrived – a hard balance to strike and one that helps ease in those rare typically theatre-goers prone to a touch of cringe.
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All in all, we sincerely urge you to go and see this show for yourselves, especially if you’re like us and have never given it a chance before. You won’t regret it.
Joseph and the Amazing Technicolor Dreamcoat is on in Manchester until Sunday, 9 March. You can still grab tickets HERE.
In case you were wondering who stole the show in @JosephMusical at the @PalaceAndOpera, they all did… but we'll admit the Pharoah is a bit of a legend. 😅👏