That’s just about as good as it gets for a Manc; not to go over the top right from the off but Liam Gallagher’s first night at the Co-op Live arena is comfortably up there with one of the best gigs we’ve ever been to.
We could end the review right there and we’re sure you’d understand (we don’t think it needs explaining why seeing Definitely Maybe played live in full to a home crowd all these years later is so special) but we’re going to carry on anyway.
We also could spend time bigging up the supports and how great they were, which is entirely true – there’s also a lot of understandable excitement about Liam’s son Gene Gallagher and the opening warm-up act, Villanelle – but, honestly, we just want to relive last night.
First things first, it’s probably fair to start off by saying that regardless of the palava when it first opened or rather struggled to, Co-op Live is quite a sight to behold.
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There are plenty of people who have taken aim at the ‘big black box’ now sitting right next to Manchester City’s stadium and the wider Etihad Campus, but once you see it in the evening, lit up with its digital hoardings and especially in the bowl itself, it’s pretty impressive, it has to be said.
Obviously, the location felt fitting for such a massive Blue and LG made sure to have his beloved football club represented on stage, however, it more just highlighted how this man could fill a room of pretty much any size.
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As we waited for his arrival whilst the roadies rolled back the years (quite literally) and recreated the Definitely Maybe album cover for the set, you couldn’t help but be blown away by the scale of everything as roughly 23,5000 people poured in to celebrate Oasis‘ timeless debut album 30 years on.
People were jumping to rock classics and cheering a clock ticking backwards before the gig had even started. (Credit: The Manc Audio)
And that’s what it was: a pure celebration. From the moment he kicked the arena into gear with ‘Rock ‘N’ Roll Star’, the place barely stopped bouncing except for the likes of ‘Whatever’ and ‘Half The World Away’, as they were too busy being a choir in those moments.
He even dedicated the latter to its original singer and his big brother Noel, as well as tackling the likes of ‘D’Yer Wanna Be a Spaceman?’ and ‘Lock All The Doors’, which the older Gallagher already dug out of the archives with High Flying Birds – though it was interesting to see how the two versions differed.
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We will always be envious of those who were there at the very start; for the likes of the Knebworth and Maine Road gigs, as we can only imagine how nuts the atmosphere must have been at the very height of Britpop, but if this is the closest we ever come to recreating that we will absolutely take it.
Getting to hear those “cheeky” B-sides from that seminal record was a treat too, mainly because as was often the case with Oasis, they were just as popular as the official tracklist and not a single lyric was missed. Manchester hasn’t even come to moving past its best-ever band and probably never will.
Liam Gallagher celebrated everything we know and love about rock and roll on his first night at Co-op Live. (Credit: The MancGroup)
What made this gig even more staggering is that we’d just seen Foo Fighters light up the Emirates Old Trafford on Thursday and knew they were playing again at the same time we were all doing our best ‘sunshyiiiiiine’, but there wasn’t a single part of us wondering which was the better gig. Sorry, Dave.
Is the local bias taking a good chunk of the wheel here? Absolutely. Do we care one bit? Not even a little.
We’ve seen Liam play his own stuff and some old favourites before; we’ve seen Noel fill Wythenshawe Park and play as many Oasis tracks as he likes, but nothing comes close to seeing the album that started it all being played in Manchester at its newest and biggest venue.
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Liam said that he wanted to “put this arena on the map” before he kicked into ‘Cigarettes & Alcohol’ and he didn’t just do that, he blew the roof off the place. And that’s an expensive bloody roof…
Not exaggerating when we say Liam Gallagher at Co-op Live Night One felt like a cultural moment for Manchester. (Credit: The Manc)
What’s more, the 51-year-old proved two things: this is exactly why he’s one of the greatest frontmen of all time, even if his voice isn’t quite as crisp as it once was (it’s still one of the most distinct on the planet), and that Oasis are still the best thing since sliced bread. The bee’s knees. The absolute b*****ks.
We’re not going to start arguing over where they fit among the greatest of all time – we know even Liam Gallagher himself would say, ‘Don’t talk daft, it’s The Beatles’ and so on – but we’re not sure we’ll ever be able to describe just how much Oasis are intrinsically part of what makes Manchester what it is.
Banging on about a reunion year after year feels pretty useless as we know it would take some extraordinary circumstances for it to happen, but all we’ll say is that at this point Noel is just missing out on playing some of the best shows you could ever hope for.
That being said, watching Liam Gallagher give Co-op Live its biggest gig yet was a privilege and until they both kiss and makeup to give the fans what they want, we’re here for these nostalgic nights and you best believe we’ll be going to the (What’s The Story) Morning Glory? anniversary tour if it happens too.
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Danny Jones -
16th June 2024 
