Over 80% of nightclubs and live music locations could face extinction before the end of February if they do not receive government support, a nighttime community organisation has warned.
The Night Time Industries Association (NTIA) says that hardship caused by 11 months of closures has meant this month could be “the last stand” for many late-night venues – and is calling for sector-specific support for the worst-hit businesses.
A recent survey of over 100 nightclubs has revealed that 88% are over two months in rent arrears, whilst 86% have been forced to make redundancies.
According to NTIA, the data also showed that 43% of nightclubs had received no grant support at any point during the pandemic.
Company CEO Michael Kill has called the situation a “tragedy for UK culture” – expressing concern that planning legislation may see in-debt buildings being claimed back by landlords and turned into housing.
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Michael Kill – NTIA CEO
Kill stated: “Throughout this pandemic and the restrictive measures levied against the sector, it is clear that these businesses are being systematically eradicated from society.”
“The current proposed changes in planning reform under permitted development rights is a huge threat to the sector as this has the potential to allow for the demolition and rebuilding of ‘vacant and redundant’ light industrial buildings as homes.
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“Given that over 88% of nightclub businesses are over two quarters of rent in arrears, we are poised for a windfall of landlords at the end of March when the Forfeiture Moratoria comes to end, reclaiming their property and utilising this mechanism to convert many of our much loved cultural spaces and social environments into housing.”
The NTIA is now calling on the government to deliver a tailored financial package and clear roadmap for reopening.
Former Hacienda resident Graeme Park labelled the government’s response to the crisis “highly frustrating and disappointing”.
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The DJ stated: “The cultural significance of this vibrant and varied sector has given employment to many for decades and now faces an uncertain future.
“We need the government to enter into meaningful discussion to help support a sector that is recognised around the world for its creativity before it’s too late.”
StockSnap / Pixabay
Manchester musician DJ Paulette claims the arts and events sector has been “unable to operate to any effective level” since March 2020.
“Whilst rents and taxes continue to cripple businesses, this situation is reaching critical mass,” she added.
“A watertight rescue package is needed in order to support and restore the sector and to help it to return to world-beating form.”
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A £1.57 billion Culture Recovery Fund was created in 2020 by the government to help keep venues alive – but several nightclubs have continued to suffer hardship.
In November, iconic Manchester nightclub 42s launched a fundraiser due to “little financial assistance from the government beyond the furlough scheme”, generating more than £21,000 in the process.
Sounds From The Other City festival in Salford also announced it would be suspending its 2021 edition and running a campaign to raise money from fans in the hope of making next year’s event possible.
So far, music fans are doing their bit to keep live music and clubbing alive. But government assistance may be necessary to secure the future of many venues in the nighttime industry.
Audio
Grammy-winning hardcore band Turnstile perform ‘exceptional’ cover of a Stone Roses classic
Danny Jones
In a cover version we never knew we needed, multiple Grammy award-winning hardcore band Turnstile have taken social media timelines by storm with a cover of a true British rock classic by The Stone Roses.
Described as everything from “pretty damn brilliant” and “exceptional” by CLASH Magazine to “one of the best triplej covers ever”, it’s fair to say they smashed it with this one.
This one was always likely to go down well with us Mancs, but you never know how possessive people are going to be with iconic tunes treasured not just by regions but entire eras like this.
Without further ado, please enjoy Turnstile’s cover of ‘I Wanna Be Adored’ by The Stone Roses:
Lost track of how many times we’ve watched this now.
Truly excellent.
Not only did they manage to capture the ambient atmosphere of that legendary intro, but they managed to tow the thin paint-splattered line between simply trying to imitate the original and making it their own.
There’s something about frontman Brendan Yates’ vocals that suits this particular cover so very well right from the off.
We’re, of course, not saying that he sounds like Ian Brown in any way, but his range and top notes, in particular, seemed to fit almost perfectly.
Pair that with a contemporary rock band helping rejuvenate their particular guitar-driven genre, and those raw, driving D-beat-centric drums, and you’ve got a winning combo.
As you can see, the majority of the internet seems to agree with us…
.@TURNSTILEHC step into the @triplej studio to recover their take on The Stone Roses' debut album opener 'I Wanna Be Adored'.
The bulk of social media didn’t just hail the reimagining as one that did Brown, John Squire, Reni and the late, great Mani justice, but perhaps one of the greatest that the popular Australian radio station, YouTube channel and Spotify playlisters have seen in a long time.
In fact, in Audio North‘s humble opinion, we’d go so far as to say this is the best we’ve heard in the platform since their native Royel Otis’ delightful duo of The Cranberries and Sophie Ellis-Bextor covers.
Safe to say it’s been an incredible year for Turnstile, who mopped up all manner of accolades in 2025 and were even nominated for International Group at the BRITs here in Manchester this past weekend. They might not have won that one, but they get all the plaudits from us for their song selection alone.
What did you make of it? Better still, do you have a favourite triplej ‘Like a Version’? Actually, no – scrap that: is there a better cover of a Manc artist‘s track that you can think of?
Featured Images — triplej (screenshot via YouTube)/Silverstone Records
Audio
Harry Styles One Night Only will be strictly phone-free – with thousands of real cameras handed out instead
Daisy Jackson
Harry Styles’ show in Manchester on Friday night will have a strict no-phones policy, it’s been confirmed.
Instead, the lucky few thousand of fans heading to his One Night Only gig will be handed proper disposable cameras to capture moments from the night.
Rumours of a phone ban had been swirling online for weeks after job adverts appeared for extra staff to help promote a phones-free event.
But the news has now been confirmed by the Co-op Live itself, following the announcement that Netflix would be filming the full Harry Styles show.
In a statement, the venue said it hopes fans will ‘take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience’.
Any use of cameras, smart glasses, smart watches, or other recording devices won’t be permitted in the venue on Friday night.
Fans will instead have to secure their phones inside recyclable bags, which will allow them to be used in normal ways for communications, but without the camera.
At the end of the night, your phone will be removed from the bag and the bag will be recycled.
Anyone caught using a digital recording device during the Harry Styles One Night Only phones-free show may be asked to leave the venue.
Instead of a sea of phones, Harry Styles will be asking fans to capture their memories from the night on disposable cameras, which will be included with every pair of tickets sold.
Harry Styles’ One Night Only gig in Manchester will be the subject of a Netflix documentary
The statement shared by Co-op Live says: “We are looking forward to seeing you on Friday 6th March to be part of a very special live performance – Harry Styles One Night in Manchester at Co-op Live! We’re pleased to announce Netflix will be filming the full show for everyone to enjoy and re-live again and again, it will be available globally from Sunday 8th March at 7pm GMT.
“We hope you will take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience.
“The use of cameras, smart glasses, smart watches and similar recording devices will not be permitted in the event space. Phones will be secured in a recyclable bag, kept on your person upon entry to the event, and will still be able to be used in a normal way including all communication functions but without the camera. All other recording devices will not be permitted in the building.
“At the end of the night your phone will be removed from the bag and the bag will be recycled. Please note that anyone using a digital recording device during the performance will be asked to stop and if they do not, they may be asked to leave.
“Each pair of tickets sold will receive a disposable camera on the night so you can still capture your own special moments and share them after the show.”