A brand-new nightclub is set to open in Manchester city centre this winter, promising £5 tickets to see potentially the world’s biggest and best DJs.
At the 1000-capacity Amber’s, the line-ups for each Saturday night will be unannounced, but will include world-renowned DJs, live performers, and up-and-coming selectors.
For its opening season, running until March 2025, artists will play under the radar and only revealed post-event.
The venue will also have a no-photos policy to protect the experience for both DJ and dancer.
Amber’s will be taking over the old Canvas site and creating a club and multi-room music venue, with a fully functioning live space and an electronic club venue.
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It’s aiming to be an inclusive, safe and approachable space where music-lovers can see famous names, discover new talent and dance to your favourite bands.
Bringing something new to Manchester’s world-class clubbing landscape, the live space at Amber’s will be set with state-of-the-art L-Acoustics sound system and custom lighting, while the nightclub will focus on underground electronic music.
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Amber’s is a new nightclub and live music venue opening in Manchester. Credit: Supplied
Set to open this December, with £5 advance Saturday tickets, Amber’s is going to bring together local, national and international promoters for seasonal programming and events.
There’ll be an in-house welfare team to ensure the wellbeing and safety of all club-goers, making sure you can have the best time every single night.
Sam Tunstall, co-director of Salford’s Un.titled Studio and La Discotheque Orchestra creator, said: “At Amber’s we want the music, sound and vibe to be the reason you come back.
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“We aim to bring some of the best artists in the world to our club, to play at an affordable price point, with the focus on brilliant music and sound, every single week.”
James Hutchins aka Hutch from fabric (and former music editor of i-D magazine) said: “We’re totally aware of the climate at the moment when it comes to nightclubs and venues in trouble, so we aim to foster an environment where promoters, artists and attendees can thrive and grow together.”
Sneak peeks inside new Manchester nightclub, Amber’s. Credit: Supplied
And Jeremy Abbott, one part of Nothing Forced content and design agency, said: “We’ve spent decades in clubs together, being part of dancefloors that have changed our lives.
“Amber’s is an amalgamation of those formative experiences, the ones that you tell people about for years to come.
“We want to channel that into a new space for Manchester, a city that’s already blessed with amazing venues, nights and clubs.”
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Amber’s will open at Circle Square on Oxford Road on 5 December. You can follow them on Instagram HERE for updates.
General sale tickets for Saturdays at Amber’s during December are on sale now HERE.
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Daisy Jackson -
23rd October 2024 
