Manchester-based collaborative orchestra The Untold Orchestra, are aiming to redefine classical music with a modern twist by reimagining the music of widely-popular artists.
For this special project, Bowie: An Orchestral Rendition, they will deliver a musically explosive journey through some of Bowie’s greatest hits.
Taking place at Hulme’s legendary NIAMOS on Friday 15 and Saturday 16 October, a 25-strong collective of violinists, saxophonists, guitarists and the likes will reimagine the Bowie classics.
It’ll be the first time the group have performed together as a full 25-piece since 2019.
As a pioneer for individuality, Bowie was renowned for his eclectic and innovative approach to creative expression. To represent this, the music will be brought to life not only by the orchestra, but through dance too.
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Dancer and performer Finley Letchford Dobb – well-known in Manchester for his work in the LGBTQIA+ community – has been running a series of dance and movement workshops over the past few weeks.
These workshops have been designed to explore the themes of identity and freedom of expression that are found in Bowie’s music. Visuals and videos generated from these sessions will be presented on the night to accompany the orchestral renditions.
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Co-producer, Sam Davies, said: “With our icon show projects, we are always keen to see how we can play our role in understanding and celebrating the diversity of Manchester.
“It’s a constant privilege to work with so many different performers, creatives and partner organisations in curating these projects, and we’re already excited about our plans for next year.
“We’re also very excited for the two performances at the NIAMOS concluding this project – they’re already set to be a real celebration.”
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It’s the first time the collective will perform as a full 25-piece since 2019. Credit: The Untold Orchestra/IG
In a series of shows across Greater Manchester, the orchestra have been giving a selection of music icons their signature classical twist, including covers of Beyonce, Tina Turner, Paul Simon and more. Over the past couple of months, they’ve had mammoth run of up to 60 shows.
With more than 100 freelancers on their roster, the collective generates opportunities for all kinds of creatives. From musicians and sound engineers to venues and communities, they are constantly reaching new audiences.
For the full Bowie experience, head here for tickets.
NIAMOS Radical Arts & Culture Centre | 15-16 October | Chichester Road, Hulme, M15 5EU | 7.30pm
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Hannah Starkie -
8th October 2021 
