A night like this – when Bastille took to the stage at the AO Arena – reminds you exactly why live music matters.
It felt like travelling back to our early teens – windows down, speakers up, yelling Bastille lyrics like our lives depended on it. That familiar rush came flooding back the moment we stepped into the legendary AO Arena.
And honestly, the whole experience, from securing tickets through AXS to walking into one of Manchester’s best venues, was seamless and stress-free, setting the tone perfectly for the night.
The band opened with a classic from their debut album Bad Blood. A single orange beam flickered across the stage, almost like a fire dancing in the dark, creating an intimate calm before the storm. Dan Smith’s slow, acoustic rendition of ‘Things We Lost in the Fire’ pulled the entire crowd into silence. It was raw, emotional, and the perfect way to kick off a night dedicated to the anthems that shaped a decade.
From there, the pace picked up. The show unfolded like a living scrapbook of Bastille’s 15 years of music, skipping through albums and eras with effortless precision. Every transition felt like rediscovering a memory of songs we’d forgotten we loved, songs we never stopped playing, and songs that hit harder live than they ever could through headphones. It was a rollercoaster of indie brilliance, nostalgia, and the kind of energy only Bastille can create.
ADVERTISEMENT
Credit: Bastille at the AO Arena in Manchester
One of the biggest highlights of the night was the VS. (Other People’s Heartache) segment. We genuinely don’t talk enough about what a masterpiece that project is. The band stripped back their setup as two DJ decks rolled out centre stage, transforming the arena into a full-blown Bastille club experience. It was unexpected, refreshing, and showed off the band’s ability to bend genres without ever losing their identity. The lighting, the bass, the crowd reaction everything came together to create a completely different vibe, proving just how dynamic and experimental Bastille can be.
And then came ‘Pompeii’ and ‘Happier’ , two songs that feel almost woven into modern music culture at this point. Hearing thousands of voices echo those choruses back at Dan Smith was genuinely spine-tingling. It’s moments like that when you realise how much Bastille’s music has grown, evolved, and connected with fans over the years. Their audience now spans generations, and you could feel that unity in the room of parents with teens, old fans, new fans, and everyone in between, all sharing the same unforgettable moment.
What also stood out was the atmosphere. There’s something special about AO Arena: the acoustics, the crowd energy, the lights that sweep across the entire venue. Every detail enhances the performance, making even the quietest moments feel grand and the biggest hits feel monumental.
And honestly, the whole experience was made so much easier by AXS. Keeping track of gigs, managing tickets, and discovering upcoming shows is all right there in the app. No stress, no scrambling, just tap, book, go. It’s the perfect way to make sure you’re always one step ahead and never miss out on seeing your favourite artists live.
Last night wasn’t just a concert, it was a reminder of why we fell in love with Bastille in the first place. A celebration of their past, a showcase of their growth, and a promise that they’re not done surprising us yet.
ADVERTISEMENT
And if this tour is anything to go by, your next best memory might be only one AXS tap away.
Grammy-winning hardcore band Turnstile perform ‘exceptional’ cover of a Stone Roses classic
Danny Jones
In a cover version we never knew we needed, multiple Grammy award-winning hardcore band Turnstile have taken social media timelines by storm with a cover of a true British rock classic by The Stone Roses.
Described as everything from “pretty damn brilliant” and “exceptional” by CLASH Magazine to “one of the best triplej covers ever”, it’s fair to say they smashed it with this one.
This one was always likely to go down well with us Mancs, but you never know how possessive people are going to be with iconic tunes treasured not just by regions but entire eras like this.
Without further ado, please enjoy Turnstile’s cover of ‘I Wanna Be Adored’ by The Stone Roses:
Lost track of how many times we’ve watched this now.
Truly excellent.
Not only did they manage to capture the ambient atmosphere of that legendary intro, but they managed to tow the thin paint-splattered line between simply trying to imitate the original and making it their own.
There’s something about frontman Brendan Yates’ vocals that suits this particular cover so very well right from the off.
We’re, of course, not saying that he sounds like Ian Brown in any way, but his range and top notes, in particular, seemed to fit almost perfectly.
Pair that with a contemporary rock band helping rejuvenate their particular guitar-driven genre, and those raw, driving D-beat-centric drums, and you’ve got a winning combo.
As you can see, the majority of the internet seems to agree with us…
.@TURNSTILEHC step into the @triplej studio to recover their take on The Stone Roses' debut album opener 'I Wanna Be Adored'.
The bulk of social media didn’t just hail the reimagining as one that did Brown, John Squire, Reni and the late, great Mani justice, but perhaps one of the greatest that the popular Australian radio station, YouTube channel and Spotify playlisters have seen in a long time.
In fact, in Audio North‘s humble opinion, we’d go so far as to say this is the best we’ve heard in the platform since their native Royel Otis’ delightful duo of The Cranberries and Sophie Ellis-Bextor covers.
Safe to say it’s been an incredible year for Turnstile, who mopped up all manner of accolades in 2025 and were even nominated for International Group at the BRITs here in Manchester this past weekend. They might not have won that one, but they get all the plaudits from us for their song selection alone.
What did you make of it? Better still, do you have a favourite triplej ‘Like a Version’? Actually, no – scrap that: is there a better cover of a Manc artist‘s track that you can think of?
Featured Images — triplej (screenshot via YouTube)/Silverstone Records
Audio
Harry Styles One Night Only will be strictly phone-free – with thousands of real cameras handed out instead
Daisy Jackson
Harry Styles’ show in Manchester on Friday night will have a strict no-phones policy, it’s been confirmed.
Instead, the lucky few thousand of fans heading to his One Night Only gig will be handed proper disposable cameras to capture moments from the night.
Rumours of a phone ban had been swirling online for weeks after job adverts appeared for extra staff to help promote a phones-free event.
But the news has now been confirmed by the Co-op Live itself, following the announcement that Netflix would be filming the full Harry Styles show.
In a statement, the venue said it hopes fans will ‘take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience’.
Any use of cameras, smart glasses, smart watches, or other recording devices won’t be permitted in the venue on Friday night.
Fans will instead have to secure their phones inside recyclable bags, which will allow them to be used in normal ways for communications, but without the camera.
At the end of the night, your phone will be removed from the bag and the bag will be recycled.
Anyone caught using a digital recording device during the Harry Styles One Night Only phones-free show may be asked to leave the venue.
Instead of a sea of phones, Harry Styles will be asking fans to capture their memories from the night on disposable cameras, which will be included with every pair of tickets sold.
Harry Styles’ One Night Only gig in Manchester will be the subject of a Netflix documentary
The statement shared by Co-op Live says: “We are looking forward to seeing you on Friday 6th March to be part of a very special live performance – Harry Styles One Night in Manchester at Co-op Live! We’re pleased to announce Netflix will be filming the full show for everyone to enjoy and re-live again and again, it will be available globally from Sunday 8th March at 7pm GMT.
“We hope you will take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience.
“The use of cameras, smart glasses, smart watches and similar recording devices will not be permitted in the event space. Phones will be secured in a recyclable bag, kept on your person upon entry to the event, and will still be able to be used in a normal way including all communication functions but without the camera. All other recording devices will not be permitted in the building.
“At the end of the night your phone will be removed from the bag and the bag will be recycled. Please note that anyone using a digital recording device during the performance will be asked to stop and if they do not, they may be asked to leave.
“Each pair of tickets sold will receive a disposable camera on the night so you can still capture your own special moments and share them after the show.”
Dec Kelly -
16th November 2025 
