The BBC Radio 6 Music Festival has today revealed its line-up for this year’s event, which will feature some massive names performing at intimate grassroots venues in Greater Manchester.
This year’s inner-city music festival will take place between Wednesday 25 and Sunday 28 March, at venues including Band on the Wall, YES, and even the Eccles Town Hall Ballroom.
And the headliners are huge, including Bloc Party, Courtney Barnett, The Horrors, and BRIT Award Critics’ Choice winner Jacob Alon.
Ticket-holders will also have the chance to see DJ sets from the likes of Beth Ditto and Nick Grimshaw, Emily Pilbeam & Nathan Shepherd, Lambrini Girls and Steve Lamacq as part of an Indie Forever club night.
Samantha Moy, Head of BBC Radio 6 Music says: “Independent grassroot venues are vital to the UK’s music ecosystem and at 6 Music, we’re proud to support what they do.
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“So, it makes sense for the next evolution of the 6 Music Festival to take place in these special spaces, collaborating with new partners and celebrating Manchester’s incredible music legacy, as well as the next generation of artists.”
Nick Grimshaw says: “So excited to be back at the 6 Music Festival in Manchester. Bringing a whole host of excellent artists and showcasing them at grassroots venues – these independent spaces are increasingly under threat but are vital for culture and a space where artists are given the freedom to take risks, grow, and truly flourish. I can’t wait!”
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Mayor of Greater Manchester, Andy Burnham, says: “Greater Manchester’s music scene has always been driven by its grassroots venues and independent spirit. They’re vital to nurturing new talent and keeping our cultural life vibrant.
“It’s fantastic to see the BBC Radio 6 Music Festival celebrating those spaces and shining a spotlight on the creativity that continues to flourish right across our city region.”
BBC 6 Music Festival line-up in full
Weds 25 March – BBC Introducing
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TTSSFU + Pyncher + Ellen Beth Abdi at Band on the Wall from 7pm
Thursday 26 March
Kelly Lee Owens (DJ set) + Wesley Joseph at Band on the Wall from 7pm
Mandy, Indiana + SILVERWINGKILLER at YES from 7pm
Friday 27 March
Bloc Party + The Horrors at Band on the Wall from 7pm
Yard Act + Sorry at YES from 7pm
Indie Forever club night with Steve Lamacq, Beth Ditto + Nick Grimshaw, Emily Pilbeam + Nathan Shepherd, and Lambrini Girls at YES from midnight
Saturday 28 March
Courtney Barnett + Jacob Alon at Band on the Wall from 7pm
Lynks + Tiberius b at YES from 7pm
6 Music Festival and FaT OuT present Lauren Auder, Naima Bock and R.AGGS at Eccles Town Hall Ballroom from 3pm
Homobloc presents 6 Music’s Festival’s Closing Party with Olof Dreijer at YES from 11.30pm
The festival will extend to the BBC 6 Music broadcast schedule too, with some shows broadcast live from MediaCity and plenty of highlights shared from the festivalt oo.
All 6 Music and BBC Radio Manchester programmes will be available on BBC Sounds for 30 days after broadcast. Performances and DJ sets will be added to BBC Sounds during the festival.
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Headliners will each present a four-part series of Artist in Residence, inviting listeners on a journey into their musical soul, in the lead-up to the festival (Bloc Party (9-12 Feb), Courtney Barnett (16-19 Feb), Kelly Lee Owens (2-5 Mar), The Horrors (9-12 Mar), Jacob Alon (16-19 Mar) and Yard Act (23-26 Mar)).
In addition, a new eight-part BBC Sounds podcast, The Rise and Fall of Madchester, presented by Steve Lamacq and Music & Cultural PR Creative, Alison Bell, will be available on BBC Sounds from 8am on Monday 16 March.
Tickets to each event are sold separately and will be available from www.bbc.co.uk/6musicfestival at 10am on Thursday 12 February.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: