Another big night at The Warehouse Project is just around the corner as Bicep return to Depot Mayfield for what is set to be an incredible night with a whole host of top guests in tow.
The Bicep presents Chroma AV (audiovisual) DJ set is arguably one of the biggest dates on the entire WHP 2024 calendar, with the Belfast duo sitting comfortably at the top of the current electronic scene.
It may have been more than three whole years since their sensational sophomore record, Isles, but as part of the ‘CHROMA’ project launched back in January, the new label, event series and hybrid live-DJ show has given us our first taste of new music from the pair along with producing partner, Hammer.
So, if you’re heading to Warehouse for Bicep and co. instead of Sam Fender this Friday – hopefully, you’ve got tickets for the latter on Saturday – here’s everything you need to know.
Bicep at The Warehouse Project gig guide
Are there tickets left for Bicep at WHP?
If you’re still looking to have a night jam-packed with tunes and some of the best light shows you’ll find anywhere in Machester, there are still tickets left to catch Bicep at Warehouse Project.
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Early entry tickets (before 9pm) start from £29.50 + booking and handling fees, with standard full-price tickets clocking in at £43.35 with all service charges included.
There are also VIP passes available if you fancy being bougie. Whatever your preferred option, you can grab yours HERE.
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The CHROMA lineup for WHP 2024
For their return to the Warehouse, Bicep have attracted a fantastic collection of names to see throughout the night before they headline the whole shebang.
With Aussie favourite Mall Grab, aforementioned collaborator Hammer, as well as British DJ icon SHERELLE (Sherelle Camille Thomas), to name but a few taking part, it’s going to be a brilliant night.
You can see the full lineup down below:
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Bicep Present Chroma AV DJ Set
Mall Grab
Daphni
Helena Hauff
Bubble Love (Ross From Friends)
SHERELLE
Elkka – Live
Moxie
Effy
LCY
Hammer
Denham Audio
Machine Woman
Space Afrika
Giulia Tess
Cameo Blush
Swoose
Bakey
Bicep WHP stage splits
As for where you can find these dance and electronic pioneers playing, WHP will once again be split up across the main Depot room, the equally popular Concourse stage and the Archive room.
With an overall capacity of roughly 10,000, the place is sure to be packed out but you just need to figure out which area suits you best.
Stage times for Bicep presents Chroma – Manchester
As for when you get to catch each of these incredible acts, we’ve broken down Bicep’s WHP set times in a handy little table for you.
That being said, you can access all of these times easily on the night by downloading the WHP24 app.
DEPOT
CONCOURSE
ARCHIVE
Hammer b2b Swoose – 8-10pm
Giulia Tess – 8:30-9:30pm
Cameo Blush – 8:30-9:30pm
Moxie – 10-11pm
Effy – 21:30-22:45pm
Space Afrika – 9:30-10:45pm
Elkka – Live – 11:05pm-12:05am
Mall Grab – 22:45pm-12am
Machine Woman – 22:45pm-12am
Bubble Love (Ross From Friends) – 12:05-1:05am
SHERELLE – 12-1:15am
LCY – 12-1:15am
Daphni – 1:05-2:15am
Helena Hauff – 1:15-2:30am
Denham Audio b2b Bakey – 1:15-2:30am
Bicep – 2:15-4am
n/a
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Transport and how to get to The Warehouse Project
Just an eight-minute walk from Manchester Piccadilly or a 20-minute walk from Manchester Victoria Station, it’s super easy to get to Warehouse Project on foot or via public transport.
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You can catch a train or multiple tram lines from Victoria and various other points around the city centre which will drop you off at Manchester Piccadilly; better still, a tram journey will only set you back £1.90 and not much more for the train.
Taxis are also widely available across Manchester city centre starting from £5 upwards from Manchester Victoria to Depot Mayfield or £4 and above for a ride to the venue from Piccadilly.
Final things to remember
There are multiple free drinking points inside as well as free cups of water behind the bar. Stay properly hydrated and you’ll be able to rave well into the early hours.
Please also note that multiple amnesty bins can be found on your way into the building. We urge everyone to stay safe and look after one another.
Lastly, anyone wearing a football shirt will not be accepted into the venue but other than that, have an absolutely incredible time.
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You can find the rest of the WHP24 programme below:
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
The AO Arena is giving away FREE tickets for a year to celebrate 30 years in Manchester
Daisy Jackson
The AO Arena has announced it’s giving away free tickets for a year to celebrate its 30th anniversary in Manchester.
The iconic music venue has welcomed the biggest names in the world in its three decades, with millions of us making memories for life inside its huge space.
And now you could win VIP tickets for an entire year, simply for sharing those memories with the AO Arena.
Fans who submit their old photos, videos and tickets will be in with a chance to win tickets to all the shows coming up in 2025 – which already includes massive gigs like Kylie Minogue, Katy Perry and Busted vs McFly.
AO Arena wants to dig deep into ‘first gig’ nostalgia territory, using fan-submitted snaps to build a collection of Manchester memories.
Were you in the same room as Taylor Swift, did you party like it was 1999 (because it was) with Spice Girls, did you cry over the sight of Gary Barlow or cry laughing with Peter Kay?
Whatever your AO Arena memories are, you can share them before the end of the month to be entered into the competition to win VIP tickets for the year.
One overall winner picked at random will get the ultimate VIP experience, including access to a premium suite and The Beautiful North, as well as access to The Mezz with panoramic views of the main stage.
The 30th birthday campaign has been inspired by Adele’s monumental When We Were Young performance at Glastonbury, and all these memories will be projected around the arena before every performance.
You can submit your footage and enter the competition via the AO Arena website HERE.