Bluedot has issued a thank you statement to festivalgoers and workers for their cooperation after “unprecedented rainfall” lead to cancellations.
Cheshire’s multi award-winning celebration of music, science, and cosmic culture once again took over the grounds of the iconic Jodrell Bank Observatory this past weekend, with Grace Jones, Pavement, Roisin Murphy, Max Richter, and Leftfield among the names gracing the stage and entertaining the masses over the three-day festival.
But in case you hadn’t heard, it was a bit of a wash-out.
While we’re no stranger to heavy showers in Greater Manchester and the North West, it’s fair to say July has been a particularly soggy affair, and none more so than this past weekend – with torrential rain coming down thick and fast for basically two days straight.
Of course, with rain that heavy falling all across the region, it was expected that some disruption would be caused to pre-planned outdoor events, but after continuous hours of showers throughout Saturday, Bluedot organisers deemed it to be an “unprecedented rainfall”, and were forced into the “heartbreaking decision” of denying entry for day ticketholders on the final day of the festival.
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The festival urged Sunday day ticketholders “please do not travel” to the event.
In an official statement issued last Sunday morning, organisers said: “It has been determined that while muddy, the arena ground condition allows us to go ahead with our plans for today’s programme – but only for people already here at the festival.
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“We’ve had an unprecedented amount of rainfall over the past seven days that has seen the water level reach saturation point during the night, rendering our day ticket holder car park, pick-up and drop-off point and entrances impassable due to standing water.”
Staff at the festival worked hard through the night to deal with the situation, but conceded that it had “reached the point where it was not possible to accommodate further audience vehicles on site”.
Ticket refunds are to be issued, the festival confirmed.
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Bluedot issues thank you statement after torrential rain leads to ‘heartbreaking’ cancellations / Credit: bluedot (via Facebook)
Now, a few days after the 2023 edition of the festival has drawn to a close, Bluedot has issued another statement to “celebrate” all the attendees, workers, teams and organisations, and volunteers “who made sure the show could go on”, and has thanked them for their support and continued cooperation across the weekend.
“bluedot 2023 was able to take place as the result of an extraordinary effort from a huge variety of tirelessly hard-working teams and organisations committed to your happiness and wellbeing,” the festival said in its thank you statement.
The festival admitted that, without all of these people, “bluedot would be just an idea”, and are responsible for making attendees’ experiences “come to life”.
The Cheshire-based festival experienced an “unprecedented amount of rainfall” / Credit: bluedot (via Facebook)
The statement continues: “Most of all, we must thank you – our wonderful bluedot explorers – who, despite everything, waded through mud to surf the cosmic waves to achieve something against the odds; an amazing collective action to make fun, wonder and joy our world, just for a few days. We deeply appreciate the support we have received, both on site and online. The community of music, science and culture fans we are so fortunate to host, has come together stronger than ever.
“Our sincere apologies again to those who could not join us on the last day, which was a heartbreaking decision.
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“Having had a chance now to see the extent of the challenges we faced, we hope you understand our predicament and our reasoning. We are happy to share the update that all our ticket agents have now confirmed Sunday ticketholders will receive refunds directly within five days.”
Bluedot closed out its statement confirming that an FAQs page has been set up for anybody who is expecting a refund, and that it will be pushing back its planned onsale of 2024 tickets until it has dealt with all refunds.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Emily Sergeant -
26th July 2023 
