New images have given a glimpse inside an ultra-luxe VIP experience at the new Co-op Live arena.
Promising to be Manchester’s most exclusive members club, The Bentley Record Room will have a capacity of just 100 people.
Memberships to the hospitality club will be hard to come by and very sought-after, and will include the best tickets to every publicly-ticketed event at the new £365m music venue.
The VIP space has been designed by the Bentley Motors Design Team, replicating the custom finishes and designs of its iconic cars.
The Bentley Record Room is set to be an intimate lounge right next to the performers’ Green Room.
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Click or swipe through the gallery below to see images of the VIP Bentley Record Room at Co-op Live:
The Bentley Record Room at Co-op Live. Credit: SuppliedThe Bentley Record Room at Co-op Live. Credit: SuppliedThe Bentley Record Room at Co-op Live. Credit: SuppliedThe smart bowl at Co-op Live arena. Credit: SuppliedThe Co-op Live’s atrium. Credit: Supplied
Luxe members will have access to the space before, during and after events at Co-op Live, which will be the largest live music arena in the UK when it opens later this year.
You can expect high-end dining, private host and waiter services, designated parking and a VIP entrance.
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Christoph Hohmann, global head of brand communications at Bentley Motors, says: “We are delighted to offer music lovers a dedicated Bentley Place – an environment that is as luxurious and cosseting as the interior of a Bentley – allowing them to experience the craftsmanship, beauty and luxury that you can find in each one of our cars but on a much larger and totally immersive scale.”
Sam Piccione, president of OVG International, said: “Bentley is number one in British luxury, so it’s the exemplar brand to name this unique room.
“As the UK’s first private luxe members’ club inside an arena, The Bentley Record Room will put Manchester ahead of anywhere else, including London, for unrivalled quality entertainment.
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“There’s no doubt it will be one of the best and most lavish places to enjoy live events anywhere in the world.”
The enormous 23,500-capacity venue is being built beside the Etihad Stadium.
As the UK’s only music-first arena, and with expert design input from Bruce Springsteen and Harry Styles, Manchester’s new Co-op Live arena will feature an innovative ‘smart bowl’, the largest floor space of any indoor venue, and no corporate branding to distract from the main event, as well as several VIP and hospitality areas.
There’ll be 32 bars, restaurants, and lounges around the site, including a locally sourced and sustainable food and drink offering.
Featured image: Supplied
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Five Greater Manchester-based music artists you should listen to | April 2026
Danny Jones
Ay up, you lot – we’re back with another box office batch of music from in and around Greater Manchester for you to get your teeth stuck into.
We’d like to think you know the deal by now, but if not, here’s a quick rundown for you…
Every month, we look back on the local bands and artists, either hailing from or now based in the area, that are spending regular time in our rotation.
It doesn’t matter if they’re still just young prospects or they’ve been at it for decades: if it’s good and it’s been in our ears, it goes on the list. Ready? Let’s go, then.
Five Manc bands and artists we’ve been listening to recently
1. Harry Lyon
First up is April’s cover star: the wonderfully talented Harry Lyon, who is another born and bred and now quietly plying his trade here in Greater Manchester and already showcasing a great level of versatility early in his career.
He moved to the city from Sheffield not too long ago, and his creative output has only ramped up since he got here. Toying with everything from alt-pop/indie to straight singer-songwriter stuff that wouldn’t sound out of place on the radio, his often R’n’B-esque vocals mean he can turn to multiple styles.
We actually lucky enough to bump into him in person earlier this month over in Stretford, and you’ll be glad to hear he’s also as sound a person as we hoped he’d be; he even teased a new single on the way, but for now, we’ll recommend ‘Violet’, ‘Backwards’ and the piano version of ‘While We’re Still Young’.
In fact, he does acoustic versions for most of his songs, and a fair few of them genuinely rival the originals in their own way.
From an up-and-comer to some Manc veterans that often get overlooked in the shadow of their even longer-standing and more well-known predecessors, but we’re going to go out on a limb and say something controversial here… We think we might prefer Black Grape to Happy Mondays.
Before you bite our heads off, let us explain: while the Mondays are obviously way more iconic and had a huge influence on the overall Madchester scene, we would argue that their progenic spin-off are almost a more honed evolution of at least some of what the Ryders and co. first created a buzz around.
Not only do the likes of ‘Kelly’s Heroes’, ‘Nine Lives’, ‘String Theory’ and more have so much more guitar in them (which will always score extra points for me), but more importantly, there is so much more successful experimentation with different instruments, cultural sounds and blends of energy.
It can be hard to know where to start, but those three examples aren’t bad options, and ‘In The Name of The Father’ is also such a vibe – we’re hoping we see it on the setlist for Outwards Fest next month.
BLACK GRAPE play Outwards Festival on Saturday 2nd May 😎
For fans of Sports Team, Spangled, Deadletter, and pretty much any current post-punk pioneers, these former students who originally hail from Cambridgeshire but have come up in and around the local rock scene have been making a splash for a little while, and now it feels like things are hitting a fever pitch.
Sometimes the idiosyncratic lyrics put you in mind of rising Oldham star, Seb Lowe; there’s even one intro that could be the start of a more upbeat and melody-forward King Krule, and you even get notes of Slaves/Soft Play at times. Whatever you hear, personally, you won’t find a bad song – we haven’t yet.
As the lyrics on ‘Are You The Best Yet?’ state, some of this stuff literally makes our knees go weak. We can’t remember the last time a band came around that has you eagerly awaiting the inevitable guitar break, let alone when you fully lock into one and pull a face (we’ve all got our own).
They’re so, SO good, and they help prolong some songs that, while brilliant, could feel more like fast-paced flashes in the pan without them. It all amounts to something extra and ups an already healthy dose of swagger: that’s definitely what you get on the recent ‘Cambridge Is On Fire’ and most of their tracks.
In at number four is another one to watch within the genre. Some industry figures have equated them to the likes of the Amyl and the Sniffers, Lambrini Girls, Viagra Boys, and so on, but we think there’s a much cooler sense of darkness going on with their approach – however familiar the repetitive guitar playing and aggressive, shouty vocals may be.
Luckily, their discography – not unlike that of their aforementioned punky peers – isn’t that extensive just yet, so you can easily work your way through all their releases soon enough, and they’ve also got a big gig at White Hotel coming up just after they drop their debut LP, Hodge Podge. Watch this space…
Our present picks would be ‘American Boy II’, ‘Marina’ for the foreboding sense of build and that central riff alone, and you simply have to listen to their latest single, ‘Creeping Offences’, which, understandably, is the best track in terms of production they’ve dropped yet.
We want to see them live before passing any decisive judgement, but we like what we’re seeing so far.
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5. A Certain Ratio
Now, we’ve touched on electronic-influenced alternative group in Black Grape, but what about another truly influential act from within that fluid space? Probably one of your bands/favourite DJ’s favourite artists, whether you know it or not, A Certain Ratio were tastemakers long before even they knew.
If the previous two are post-punk, then these lot are the funkier forerunners, known for their trademark muted strumming patterns, heavily distorted, codified and multi-layered mixes, ACR have been going nearly half a century now, and they were doing all this stuff long before virtually anyone else.
You’ll inevitably fall down a bit of a rabbit hole listening to their stuff, but ‘All Comes Down To This’ is a good starting point, and ‘1982’ has always made us think of what a Doctor Who-themed rave might sound like.
Oh, and purely because it still sticks with us as an eye-opening first listen, it really doesn’t get much better than this one:
And once again, that’s all she wrote.
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We hope you dive into at least some of these names over the long bank holiday weekend, as three uninterrupted days of listening couldn’t have timed any better.
Billie Eilish reveals the reason why she chose Manchester to film her new movie
Danny Jones
Global superstar Billie Eilish has revealed the reason why she chose Manchester, of all places, to film her upcoming new movie.
The answer won’t surprise you, but we were buzzing with it nonetheless.
In case you were unaware, Billie Eilish – Hit Me Hard and Soft: The Tour is the new documentary and live concert film directed by Billie herself, along with some help from none other than James Cameron.
Being screened not only in cinemas but also in 3D (yes, that’s still a thing), the performance-based movie captures content taken from her run of gigs right here in Manchester. Here’s why she picked us:
Though it’s still no surprise, really, we always find it so surreal seeing some of the world’s most famous artists speaking so highly about our city.
As you can see, while she did quip that the schedule lined up production-wise, it was an easy decision to pick her four – yes, FOUR sold-out nights at Co-op Live, as the place to film the project based on the atmosphere alone.
“I fricking love Manchester”, said the 24-year-old, going on to add, “Honestly, Manchester is one of my favourite audiences ever.”
Manc fans simply couldn’t get enough of her, hence why she was able to book so many big dates at the massive arena.
Here’s the big surprise she brought out for the show we were lucky enough to be at:
We love Billie and, as it turns out, she feels the same about us.
The release date for Billie Eilish’s Hit Me Hard and Soft tour movie is coming around early next month, with the film set to be screened in selected cinemas across the UK and beyond on May 8, 2026.
Speaking in the recent interview on the red carpet with the BBC, she also detailed how fellow Academy Award-winner Cameron contacted her first about the prospect of creating this immersive music project.
Imagine just picking up the phone to James Cameron – as you do…
Will you be watching? Better still, were you at one of the shows and plan to look out for yourself in the crowd, which is now soon to be splashed on the big screen?
Daisy Jackson -
27th February 2023 
