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Factory Sounds funding programme returns to help Greater Manchester’s music scene
It has helped so many get on the Manc music ladder.
Greater Manchester’s vital Factory Sounds programme is back for 2025 and is once again hoping to help platform up-and-coming musicians and more around across the region.
The development scheme created by world-leading arts organisation Factory International, now housed permanently at Aviva Studios, has returned for another year and looks to invest in the Manchester music scene from the ground up.
An annual initiative, Factory Sounds aims to support and raise the profile of musicians and the music industry across the 10 boroughs, with a total of 15 applicants picked to take part and make the next step up in their careers.
With applications now open for the 2025 programme, those who prove successful in the process applicants will be granted a potentially life-changing £1,000 towards their work.
Starting back in the pandemic when arts funding was under even more threat than it is today, Factory Sounds has been a crucial lifeline for many artists and creatives looking to get their start in the local industry, as well as providing a key learning outlet.
The money given to each chosen individual goes towards things like the creation of a new project, recording studio access; peer-to-peer support, networking opportunities and a series of regular masterclasses in artist management, promotion, fundraising and more.
Better yet, 2025 promises to be their biggest to date not only in terms of scope but also the size of the cohort itself, with the number of places more than doubling from this past year, when there were just six grants up for grabs.
2024’s intake included the artist and producer RenzNiro, community station STEAM Radio MCR; the soulful R&B performer, Rumbi Tauro, Reggae rap artist and spoken word poet, J.Chambers, electronic producer and vocalist Caitlin LM and many more, with one of our favourite up-and-coming bands, Loose Articles, having also benefited from the scheme in the past.
Applications for the next are now open, as is the Factory International Fellowship, which offers six artists from the North the opportunity to shadow the creation of major new work at Aviva Studios, receiving a financial bursary as well as mentoring tailored to their specialism, needs and goals.
But it doesn’t stop there either, as Factory International‘s Spring 2025 Artist Takeover is also open, welcoming groups and collectives of South Asian descent from any discipline who are based in the North of England – not just Greater Manchester – to join the programme.
Applicants in this case must have a minimum of five years professional practice but, come May 2025, they will hand over the keys to the vast Warehouse space at Aviva Studios for use by a South Asian artist or group looking to experiment, play and create work on an epic scale that is not possible elsewhere.
Promising even more financial aid through this limited scheme, selected artists will be offered financial support of up to £10k to explore and realise their ideas, as well as receive dedicated guidance from industry experts within the Factory International team.
Again, the prospects that these various schemes are bringing to real people looking to bring their art to life cannot be overstated.
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Speaking on the announcement, Factory Sounds 2024 artist and co-creator of queer electronic music night FLUFF, Markus Hetheier, said: “It felt amazing to have the chance to take a risk using the Factory Sounds funding.
“We also had mentorship and advice which helped us grow FLUFF from a small to a bigger, more professional project. It was useful receiving training on different aspects of being an artist and it felt nice to connect with like-minded people.”
Factory International’s Head of Music, Rivca Burns, added: “Supporting the development of musicians based locally – as well as those from across the globe – to grow within our spaces is at the heart of what we do at Factory International…
“We recognise there’s a huge demand for schemes like this to exist and we are really excited to say that this year we have both increased the number of places as well as added industry mentors to give expert guidance and the opportunity for creatives to thrive.”
Applications close at 12 noon on 20 January, so if you or someone you know is looking to break into the Manchester music scene and could benefit from the extraordinary opportunity, send them HERE.
For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.
Featured Images — Factory International (supplied)
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Neighbourhood’s city centre festival returns to Manchester with promising first wave
Danny Jones
Neighbourhood Festival’s city centre all-dayer is returning to Manchester for 2026 after a year off, and this first wave of the lineup is looking promising already.
Following teasers over the past month or so, it didn’t take long for us to figure out that NBHD Festival was coming back, especially with the Weekender in Warrington having taken a similar hiatus in 2024.
However, when festivals like these take time out, it can be easy to worry whether or not they’ll lose momentum or come back stronger.
Judging by this initial batch of acts alone, there’s no doubt NBHD Fest ’26 will be another cracker.
As you can see, as well as the fast-rising grungey alternative and garage rock quartet, KEO, being announced as one of the first big hitters on the list, there are some other familiar names on the lineup.
Especially for us Mancs.
With both Bolton and Altrincham youngsters, Florentenes and The Guest List, both joining the roster, as well as the likes of Bury-born ‘rockabilly’ revivalist Elliot James Reay also featuring on there, there’s a good deal of local talent to be enjoyed as always.
That goes for the regional delegation in general, too, with the likes of Jos River heading back up this way from her base in London, and Leeds’ fittingly named indie four-piece, The North, also booking a slot.
We’ll admit there are plenty of bands and artists coming up from the capital for the all-day festival, but at least they know where the UK’s real home of music is.
You only have to look at the festival vibes up here to know that…
It’s worth reminding, once again, that since its inception in 2016 (yes, it really has been a decade now), Neighbourhood Fest has continued to serve as a proper launchpad for the next wave of superstars, not just here in the North West but across the country.
We still remember seeing the likes of Sam Fender, Holly Humberstone, Declan McKenna, Mahalia, The Lathums and more – some for the very first time – on these city centre stages, and it’s crazy to see how big some of them have gone on to become.
Set to take over some of Manchester’s most iconic venues along the Oxford Road Corridor once again, this is, without a doubt, one of the best dates for independents on the annual live music calendar.
Hosting a total of 11 stages on Saturday, 17 October for a full day of live music, tickets for this year’s Neighbourhood Festival go on sale HERE at 10am on Friday, 13 March – and remember, there’s still plenty more to be added to the 2026 lineup.
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For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.
Featured Images — Anthony Mooney Photography (supplied via SJM Concerts)
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A (completely subjective) ranking of Harry Styles’ new album, based off one listen
Daisy Jackson
Kiss All The Time, Disco Occasionally is finally with us – HS4 really did drop at midnight this time.
We all expected the fourth album from pop megastar Harry Styles to be a disco album (… because of the title, and the disco ball on the cover), and it is, in places. But there’s a lot more going on here too.
You can tell he’s spent a lot of time in Berlin, which means the disco here is pretty modern, but it’s all still quite tame. This is a pop album at its core and it needs to be one that will fill stadiums (that are already sold out).
And long-time Harry Styles fans will be pleased to find a few stripped-back ballads alongside the heavily-produced bigger tracks.
He kept us waiting for this one, but was it worth the wait?
Here’s my (completely subjective) ranking of every track on the album, based off precisely one listen. I might end up eating my words after a second go-around…
Every song on Harry Styles’ Kiss All The Time, Disco Occasionally, ranked
12. Season 2 Weight Loss (Track 7)
I’m finding this one a bit annoying until it gets to about the 1.45 mark and builds. I’m all for experimenting with new sounds but it’s all a little disjointed and messy. ‘What drum effect would you like for this one, Harry’ – ‘All of them please’.
You know that feeling you get when you’re boiling the kettle and the extractor fan’s on and the microwave’s going and then your phone starts vibrating and it’s too much noise? Same energy.
11. Paint By Numbers (Track 11)
Bored. Have gone to make a cup of tea.
10. The Waiting Game (Track 6)
I know the girlies have been crying for a Harry ballad like Matilda, but you can’t really have one now because he’s been to Berghain and it’s changed him. He likes synths now.
This one is a close contender though. It’s nice enough but there’s not a whole lot of substance.
9. Are You Listening Yet? (Track 4)
Oh no, speak-singing, in his odd Cheshire-LA accent too (listen to the way he says ‘dancing’). Even with that crescendo with the choir near the end it’s a bit of a plodder. NEXT.
8. American Girls (Track 2)
Idk much about music terminology but whatever key he’s singing in here is scratching my brain just right. I feel like when a dog when you scratch the part of their belly that makes their leg shake.
This is a really nice second track and I already know I’m going to regret ranking it so low after a few more listens. But that’s not the point of this ranking. Eighth place for you, American Girls.
7. Coming Up Roses (Track 8)
OH HANG ON, we have a string section! I’m awake again! YES HARRY STRIP IT BACK!! I take back what I said for The Waiting Game, the sad ballad girlies will lap this up. Can’t wait to hold my phone torch up in Co-op Live for this one.
6. Pop (Track 9)
The baseline on this has melted my spine (complimentary). I want to put my head inside the subwoofer. I much prefer the verses to the chorus but can imagine this one will go off in a live setting. To the dance floor!
5. Dance No More (Track 10)
Dance No More? Don’t tell me sh*t like that then hit me with a funky beat like this, Harry! I’m a sucker for a funky indie band (see: Parcels, Phoenix, Jungle, etc etc) so this was always going to work for me.
4. Aperture (Track 1)
Obviously this is not my first listen of this song. Now that we have the context of the rest of the album I can see why this was the lead single. I’ve liked it from the get-go and still do. But if you don’t like this song, you might not love what’s coming.
3. Ready, Steady, Go (Track 3)
More like OK Go, amirite?! Again, the harmonies in this are simply heavenly in the verses, I have been beamed right up. The megaphone vocals in the chorus might divide some people though. Funky little baseline may even tempt me off the couch even at this hour (it’s 7am).
2. Taste Back (Track 5)
This a bit more like old Harry. I can absolutely imagine myself walking to the tram in the morning with this in my ears feeling like the world’s not so shite after all. Might even frolic in a field to this one in summer. Very lovely.
1. Carla’s Song (Track 12)
Talk about saving the best til last! This is really reminiscent of another song, can’t put my finger on it, but I feel transported and immersed and all other good things music should make you feel. His vocals are stunninggggg in this.
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Featured image: Johnny Dufort
Danny Jones -
4th December 2024 
